Both Xenophon and Isocrates use the past to analyse and comment on political problems of the present, and to provide authority for political programmes of the present and for the future, through connecting them to revered past figures and mythologies. For both, idealised versions of historical Greek communities provide a counterpoint to the…[Read more]

Much of the surviving text of the Epic of Etana tells the story of an eagle and a snake. The eagle and snake are extraordinary creatures, and their story abounds with mythological subtext. This paper argues that the Neo-Assyrian recension of Etana was amended to include explicit references to the eagle and the snake by the names of their…[Read more]

Much of the surviving text of the Epic of Etana tells the story of an eagle and a snake. The eagle and snake are extraordinary creatures, and their story abounds with mythological subtext. This paper argues that the Neo-Assyrian recension of Etana was amended to include explicit references to the eagle and the snake by the names of their…[Read more]

Isocrates has been comparatively neglected as a source for political and cultural history and theory. However, the many works of his long career show a continuing
engagement with Athenian political culture and the education of its political class, and his assessment of Sparta is significant for both of these. He imagines and explores the struggle…[Read more]

Isocrates has been comparatively neglected as a source for political and cultural history and theory. However, the many works of his long career show a continuing
engagement with Athenian political culture and the education of its political class, and his assessment of Sparta is significant for both of these. He imagines and explores the struggle…[Read more]

n this chapter, Atack argues that Xenophon’s depiction of the performance of kingship by Cyrus (Cyropaedia), Agesilaus (Hellenica, Agesilaus), and other kings contains an evaluative model that explores alternative techniques a ruler can use to persuade others to be ruled. By deploying frameworks of performativity and spectacle derived from J…[Read more]

n this chapter, Atack argues that Xenophon’s depiction of the performance of kingship by Cyrus (Cyropaedia), Agesilaus (Hellenica, Agesilaus), and other kings contains an evaluative model that explores alternative techniques a ruler can use to persuade others to be ruled. By deploying frameworks of performativity and spectacle derived from J…[Read more]