Availability of vocal music scores compilations containing art songs by African American composers. Supplemental content accompanying the book, So You Want to Sing Spirituals.

Of the 762 brass bands I have records of from County Durham, around 130 were colliery bands (and more of them would have been directly connected to the local colliery, even if not specifically named after the mine or mining company). This article looks briefly at the history of the Durham Miners’ Gala and the colliery bands that performed at it.

This is a ‘study of a choir’; the author joined the choir for three months and participated in every aspect, from rehearsals, dinners, a meeting to a gig. They chatted to the members, sang with them and talked to the choir leader and manager about everything from the ethos of the choir, to whether meat was served often enough at dinner. It was the…[Read more]

Brass bands are, of course, musical organisations first and foremost, and the bulk of their heritage is bound up in the hundreds of thousands of concerts, marches, contests and other performances they have provided their audiences with over the years. Very few of these live performances were ever recorded, at least until recent years, and we must…[Read more]

During the 1890s and early parts of the 20th century a type of band arose using kazoo-type instruments. Zobo instruments, based on kazoo principles, were invented and developed in the USA in the early 1890s, rapidly becoming a new craze for a while. When the instruments spread to the UK the bands that were formed using them were largely “comic”…[Read more]

There is a traditional narrative within information studies regarding precision and recall measures. Precision and recall have been the most commonly used retrieval metrics and are the basis for more complicated and accurate information retrieval evaluations. Relevance, which is the criterion by which both recall and precision are judged, is…[Read more]

Cure Ribelli è una pubblicazione che nasce dalle attività di ricerca e disseminazione svolte da WeMake nell’ambito del progetto Digital Social Innovation for Europe, un programma supportato dalla Commissione Europea che punta a rafforzare la rete di organizzazioni che propongono l’utilizzo delle tecnologie con una prospettiva mirata all’i…[Read more]

The publication Rebelling with Care is the result of the research and dissemination activities carried out by WeMake within the framework of DSI for Europe, a project supported by the European Commission to reinforce the network of organizations using technologies to make a positive impact on society. The DSI paradigm revolves around key concepts…[Read more]

(v9 – August 2019) [c. 6,740 entries] A comprehensive list of books, articles, theses and other material covering the brass band movement, its history, instruments and musicology; together with other related topics

Library and information center services are at risk during times of extensive budget reductions. Publicly funded institutions labeled as inessential or as auxiliary departments may lose the revenue necessary to maintain full staffing. Financial circumstances of recent years highlight the importance of strategic planning in library and information…[Read more]

Travelling musicians and entertainers had been a part of European life for centuries. In the German speaking countries of Europe during the German Empire there arose a large number of “Damen Kapellen”, troupes of musical and variety entertainers consisting largely of women, usually led by a man, and occasionally including males as players. Thi…[Read more]

A traditional expectation for publicly funded libraries is that they should be institutions where patron records are kept confidential and a standard of privacy is maintained. After the events of 911, methods increasing search and surveillance powers and reducing legal protections were drafted into law as the “Patriot Act”. Searching patron rec…[Read more]

In response to a lack of funding during the 2007–2009 recession, many library systems reduced or eliminated professional and library support positions. Traditional outcome measurements were not sufficient to convince tax-depleted legislatures to allocate more funds to libraries. In response to the crisis authors recommended cost-saving measures a…[Read more]

Review of ‘The History of European Jazz: The Music, Musicians and Audience in Context’, ed. by Francesco Martinelli (Sheffield: Equinox, 2018), SAMPLES – Online-Publikationen der Gesellschaft für Popularmusikforschung, 17 (June 2019).
Published online 12 June 2019.

ABSTRACT
What is musical time? Where is it manifested? How does it show up in our experience, and how do we capture it in our analyses? “Enacting Musical Time” offers several answers to these questions by considering musical time as the form of the listener’s interaction with music. Building on evidence from music theory, phenomenology, c…[Read more]

This article is concerned with the popular imaginaries associated with internships and
unpaid labour and their implications for emerging subjectivities and conceptualisations of
work. It draws on a comparative analysis of three prime-time television series about young
women’s experiences of their first entry in the world or work. By analysing t…[Read more]

As Kashmir faces new challenges, our forms of allyship must also evolve. Perhaps we can learn some lessons from its kitchens.

Disrupting Maize undertakes a critical interrogation of the symbol and the staple food of the Mexican nation. As the centre of origin and genetic diversification of maize, the Mexican territory is regarded today as being under threat of irreversible ‘contamination’ by genetically engineered maize, an imported biotechnological product. When the fir…[Read more]

In the first section I provide a historical overview of structural violence, science studies, and feminism in Mexico. Structural violence appears first as the immediate context in which some Mexican scientists and academics have recently intensified their struggles to articulate “science” with social justice. Yet I offer a deeper account of how…[Read more]

Based on ethnographic research that is part of a larger project on the role of music and sound among migrant Moroccan men in Italy, this article focuses
on ‘L-ḥərraga’, a song that narrates the voyage and the experience of undocumented migration that ends with the tragic death of a young
Moroccan man crossing the Mediterranean. Through ‘L-ḥər…[Read more]