Jordan and Iraq are not countries that are often associated with a local film culture. Recently, however, a nascent film industry has started to grow in both Iraq and Jordan, producing films that have been shown in international film festivals. Even though the Jordanian film industry remains in its infancy, the films that have emerged of late…[Read more]

Review of LISSA: A STORY ABOUT MEDICAL PROMISE, FRIENDSHIP, AND REVOLUTION (University of Toronto Press) by Sherine Hamdy, Coleman Nye, Sarula Bao, and Caroline Brewer

What are the topologies of fugitive/narrative, whether as a matter of experience, theory or fiction? This essay follows a number of trajectories in addressing the question. In part the exploration is prompted by the refugee crisis in many places around the world, yet the issue of the “fugitive” is not exactly identical with that. Moreover, the…[Read more]

What are the topologies of fugitive/narrative, whether as a matter of experience, theory or fiction? This essay follows a number of trajectories in addressing the question. In part the exploration is prompted by the refugee crisis in many places around the world, yet the issue of the “fugitive” is not exactly identical with that. Moreover, the…[Read more]

The block that I am teaching on Birkbeck, University of London’s MA in Critical and Cultural Studies in 2018-2019.

This wide-ranging block focuses on a series of important topics examining the convergence of technology, subjectivity and cultural theory. By examining technological, political, and cultural change, we will consider how 20th and…[Read more]

The Companion to Media Studies and Digital Humanities is about researching media through new media: for example, playing games to better understand their politics and mechanics, exhibiting new media art to witness how people engage it, building stories to become more familiar with their structures and narratives, making wearable technologies to…[Read more]

The Companion to Media Studies and Digital Humanities is about researching media through new media: for example, playing games to better understand their politics and mechanics, exhibiting new media art to witness how people engage it, building stories to become more familiar with their structures and narratives, making wearable technologies to…[Read more]

Uniting literary analysis, theories of emotion from the sciences and humanities, and a deeply archival account of Tudor history, Emotion in the Tudor Court freshly examines how literature reflects and constructs the dynamics of emotional life in the Renaissance courtly sphere. Spanning the 16th century — with chapters on Cardinal Thomas Wolsey…[Read more]

Review of Daniel Hack, “Reaping Something New: African American Transformations of Victorian Literature” (Princeton UP, 2017).

The STC Macbeth’s setting and predominantly multiethnic cast brought to mind Orson Welles’s landmark 1936 Macbeth which was set in Haiti and featured an all-black cast. In both cases, the ethnicity and race of the cast matched that of the characters and cultures in the adaptation’s respective universe. Tommy’s production engaged in two models…[Read more]

This Blog covers a new approach to culture via literary analysis. The hypothesis is that distance from dirt is a key aspect of culture that cuts across ideologies. To begin this work, we will use Big Data to study (content analysis) themes and characters in US novels from the 19th C. to the 21st C. Theory for this analysis will be Joel Kovel’s…[Read more]

The relationship between obsolescence and innovation in the digital age is a peculiar one, conveying not past and future but instead demonstrating their eternal simultaneity.

Critically surveys the long premodern history of race and racism, colonization and imperialism, and globalism, across c. 1000-1500 CE.

Critically surveys the long premodern history of race and racism, colonization and imperialism, and globalism, across c. 1000-1500 CE.

The Jewish ‘question’ is treated in the Recherche by way of the Dreyfus Affaire, which is not spoken of but scattered in the discourses of different characters. Definitions, opinions, even facts are, therefore, spread in the ubiquity of social instability, so that it is impossible for the reader to identify any of Proust’s ideologies.In our paper…[Read more]