Desde que Alan Deyermond, entre los años 70 y 80 del siglo pasado , consiguiera vencer toda reticencia académica para que la obra de Leonor López de Córdoba pasase de ser una delicada rareza literaria a ser introducida con pleno derecho en el canon de la literatura hispánica medieval , la investigación sobre la autora nacida en Calatayud, aunqu…[Read more]

Con mucha frecuencia, las vías que a diario son solo holladas por pacíficos caminantes se tornan en sendas cuyo caminar obedece a razones diametralmente opuestas. Es el triste caso que vivimos en la Europa de nuestros días, marcada por el lamentable tránsito hacia el Viejo Continente de los que huyen de conflictos armados en Oriente Medio. Muy poc…[Read more]

The Abbey of St. Gallen was the foremost centre for the study of the Etymologiae of Isidore of Seville in the Carolingian period. Not only can more than twenty early medieval manuscripts transmitting material from the Etymologiaebe associated with Carolingian St. Gallen, but its scriptorium also produced two scholarly redactions of Isidore’s e…[Read more]

Gender roles in Shakespeare’s plays take on new meanings when they are embodied by Asian actors. Learning more about Asian approaches to performance not only enriches our worldview but also makes Asian cultures less abstract and Asian people more relatable as fellow human beings. Reflecting the idea that strength and empowerment can take many f…[Read more]

This is a PDF I made to aid in navigating the 1521 Baldus based on the 2 vol edition by Attilio Portioli (1882-9)

Here are four different versions of a traumatic scene from the life and times of Baldus, starting with the woodcut print of Folengo’s 1521 Macaronic Works

Scanned images of woodcut prints from subsequent editions of Folengo’s 1521 Macaronic Works

51 full-page woodcut prints illustrate Folengo’s 1521 epic poem Baldus

The greatly augmented and extremely popular 1521 ediion of Folengo’s Macaronic Works features many extras: angry letters, highly laudatory letters, an accusation of text theft, a revealing dialogue and more

A letter from Folengo’s pseudonym-personality, Merlin, to the printer Paganini, claiming that he does not want to relinquish his own copy for publication; a response from Paganini telling him that he got a copy of the text from Federico Gonzaga (accompanied by the letter Gonzaga sent to Paganini, 1520); a letter to the reader from Paganini, and a…[Read more]

In 1517 Teofilo Folengo published an epic poem under the name Merlin. Another Folengo pseudonym (or heteronym) wrote a wildly creative account of the dicovery of this text and praise for the author.

This article examines The Tempest in light of artists’ renderings of the play in New Orleans, reflecting on anti-Black racism in Shakespeare’s play and in the Deep South.

An overall view of the use of personal and adverbial pronouns in a 15-c. long text in verse witten in Catalan, “Espill” by Jaume Roig. Personal and adverbial pronouns are studied by themselves as well as in combination.

Performing Shakespeare in modern times is an act of mediation between characters and actors, creating channels between geocultural spaces and time periods. The multiplicity of the plural term global Shakespeares helps us push back against deceivingly harmonious images of Shakespeare’s ubiquitous presence. Adaptations accrue nuanced meanings as t…[Read more]

Peter Shoeffer’s book-list is usually dated to the year 1470. The author challenges this dating, however, supplying a detailed analysis of the content of the list and suggested when it was printed and under what circumstances.

Francesca Romana

Four themes distinguish post-1950s East Asian cinemas and theaters from works in other parts of the world: Japanese innovations in sound and spectacle; Sinophone uses of Shakespeare for social reparation; the reception of South Korean presentations of gender identities in film and touring productions; and multilingual, disability, and racial…[Read more]

The idea that Shakespeare is a global author has taken many forms since the building of the Globe playhouse in London in 1599. Performances of Shakespeare not only create channels between geographic spaces but also connect different time periods. Divided into two major sections, Shakespeare and World Cultures and Shakespeare and Genres, the…[Read more]

Marco Heiles, Unterseeboot, in: Peter Glasner, Sebastian Winkelsträter und Birgit Zacke (Hg.), Abecedarium. Erzählte Dinge im Mittelalter, Berlin 2019, S. 244–254.