The chapter gives a biographic account of Georg Leibbrandt (1899-1982), one of the leading figures in the NSDAP Office of Foreign Affairs and the Reich Ministry for the Occupied Eastern Territories. It deals especially with his involvement with the infamous Wannsee conference of 1942.

The articles of the volume deal with the German-Polish relations in and after World War I until the first years of the Nazi regime.

The article deals with the different images and perceptions leading figures of the Nazi regime made themselves of Russia, and with their political consequences. A special focus lies on those of Adolf Hitler, Jospeh Goebbels, and Alfred Rosenberg.

Review of ‘The History of European Jazz: The Music, Musicians and Audience in Context’, ed. by Francesco Martinelli (Sheffield: Equinox, 2018), SAMPLES – Online-Publikationen der Gesellschaft für Popularmusikforschung, 17 (June 2019).
Published online 12 June 2019.

In Historians of Brazil, Francisco Iglésias reviews some of the great names in Brazilian historiography as divided by him into three distinct moments: up to 1838, from 1838 to 1931, and from 1931 onwards. This article shall focus on the third of these moments, which has traditionally been considered the moment of the “modern Brazilian hi…[Read more]

This study presents the results of a marine geophysical survey performed in the Igaliku fjord in southern Greenland in order to understand the harbour setting of the former Norse settlement Garðar (modern Igaliku). The aims of the survey were (a) to reconstruct the former coastline during the first centuries of the Norse settlement period (c.…[Read more]

The abstract of my doctoral dissertation, which I defended on December 2018 at the University of Washington, with distinction.

Based on ethnographic research that is part of a larger project on the role of music and sound among migrant Moroccan men in Italy, this article focuses
on ‘L-ḥərraga’, a song that narrates the voyage and the experience of undocumented migration that ends with the tragic death of a young
Moroccan man crossing the Mediterranean. Through ‘L-ḥər…[Read more]

‘L-ʿalwa’, a sung poem whose text recounts the pilgrimage to a saint’s shrine in Morocco, is celebrated for its ability to convey images and emotions stirred up by the sacred journey. As part of the repertory of ʿaita—a genre of sung poetry from the Moroccan plains and plateaus traditionally performed by professional female singer-danc…[Read more]

ʿAiṭa–a genre of sung poetry from the Moroccan Atlantic Plains and its adjacent territories—is regarded as the quintessential expression of the identity of the region. If it is possible to analyse the poetic language of ʿaiṭa in order to understand its significance among these populations, it is also critical to examine how the affective power of…[Read more]

Panorama of scholarly work on women and music in Morocco

The article explores why a particular group of Moroccan musicians conceives of different performances of a sung poem titled “Kharbusha” as unchanging despite variables arising from the dynamics of performance practices. To this end, I explore the seeming discrepancy between discourses about “Kharbusha” and its performance, and what this discrep…[Read more]

The article examines Moroccan professional female singer-dancers (shikhat) in relation to other professional female performers . An analysis of the role that women have as entertainers, and in particular of their behavior in the course of performance, will show how they affect the status of each class of performers. Sketching a panorama of the…[Read more]

‘Aita is a sung poetry practiced by professional female singer-dancers known as shikhat along the Moroccan Atlantic plains and plateaus. By focusing on the discourses and politics employed in the revalorization of the ‘aita, this ethnographic investigation will show how the official incorporation of the ‘aita into the Moroccan heritage has…[Read more]

The article examines Moroccan professional female singer-dancers (shikhat) in relation to other professional female performers . An analysis of the role that women have as entertainers, and in particular of their behavior in the course of performance, will show how they affect the status of each class of performers. Sketching a panorama of the…[Read more]

The essay analyzes a contemporary Indian feminist performance, Thoda Dhyaan Se (A Little Carefully, 2013), by framing it in the spatial ecosystem of the city of Delhi and explores its engagement with the feminist movement and the national imaginary of India. It examines the workings of the cultural economy of the city to discuss the effect of its…[Read more]

American college football features an enormous amount of music woven into the fabric of the event, with selections accompanying approximately two-thirds of a game’s plays. Musical selections are controlled by a number of forces, including audio and video technicians, university marketing departments, financial sponsors, and wind bands. These b…[Read more]

A literary and historical introduction to the printed and manuscript materials composing the Great Peace (Taiping 太平) textual corpus, with a critical assessment of several modern Chinese editions thereof, followed by a revised review of THE SCRIPTURE ON GREAT PEACE: THE TAIPING JING AND THE BEGINNINGS OF DAOISM, translated by Barbara Hen…[Read more]

A literary and historical introduction to the printed and manuscript materials composing the Great Peace (Taiping 太平) textual corpus, with a critical assessment of several modern Chinese editions thereof, followed by a revised review of THE SCRIPTURE ON GREAT PEACE: THE TAIPING JING AND THE BEGINNINGS OF DAOISM, translated by Barbara Hen…[Read more]