“The thesis investigates the case of the modern Television drama series FlashForward and sets out to chart the employment of concepts of Collective Memory Studies in the narrative in order to reflect upon the ways of how social perceptions of the past and Collective Memory are remediated in the course of the narrative.
To achieve that goal, the…[Read more]

An analysis of the early work of Downtown Community Television (DCTV).

“Whereas before culture in the form of capitalism had alienated men and women from their nature, and nature in general, now that self-same creative, autonomous nature has been brought within the framework of capitalism, making capitalism more palatable. Even so, as I argue below, this enveloping of nature by culture requires “family” to rem…[Read more]

This essay analyzes Zorns Lemma (1962–1970), a film made by American artist Hollis Frampton (1936–1984). Noting Frampton’s use of Robert Grosseteste’s thirteenth-century treatise De luce [‘On Light’] as a key aspect of the film’s soundtrack, the essay argues that Grosseteste’s investigations of light as a medium played a key role in Frampton’s t…[Read more]

Steven Spielberg’s 2002 Minority Report narrates two interrelated stories. The micro
story concerns a family, a kidnapped son, the ensuing trauma, and the work of mourning that
follows. The macro story concerns criminal justice, social stability, and hermeneutics at the level
of the nation state. The problem for both stories is ontological a…[Read more]

This paper discusses Pacific Rim as a film deeply concerned with birth, in particular the horror of birth, and the process by which birth is assimilated. The film may then be seen as part of an unbroken commentary on nuclear
weapons insofar as it is our technological, capitalistic, and nuclear capability that allows
us to close the “breach” and…[Read more]

This paper discusses Pacific Rim as a film deeply concerned with birth, in particular the horror of birth, and the process by which birth is assimilated. The film may then be seen as part of an unbroken commentary on nuclear
weapons insofar as it is our technological, capitalistic, and nuclear capability that allows
us to close the “breach” and…[Read more]

Just prior to 9/11 the film Code Unknown: An Incomplete Tale of Different Journeys (2000) was released: a series of successive tableaux depicting the random and generally ‘aggressive’ encounters among strangers, neighbours, family members, lovers etc. displays a network of challenging interdependence amongst Parisians. The film was variously cri…[Read more]

The vernacular online videos produced by the Arab revolutions constitute an unprecedented (though not unproblematic) historical resource for understanding the subjective experience of the ordinary people who find themselves on the front line of revolutionary struggle. But they also effect a sea-change in the way in which we view and understand…[Read more]

A close reading of a video collaboration by two citizen journalists, one from Libya, the other from the US, as a form of audiovisual solidarity. This article draws in particular on concepts developed by Laura Marks and Hito Steyerl.

When Jackie Chan was introduced to Japanese audiences in the early 1980s, he was promoted as the answer to the void that popular martial arts star Bruce Lee had left upon his death in 1975. The mischievous ‘monkey’ to Lee’s more ferocious ‘dragon’, Chan’s films were aggressively marketed to an audience of male martial arts fans; yet this…[Read more]

Recent years have witnessed the growth of a body of literature concerned with what Sheldon Hsiao-peng Lu has termed “Chinese cinemas,”1 sparked by the increased international visibility of films from mainland China, Taiwan, and Hong Kong, and characterized by an emerging interest in the ways that such works negotiate both “the triumphantly…[Read more]

A Bakhtinian Analysis of Language and Multiculturalism in Iwai Shunyi’s Swallowtail Butterfly

Scholarship on representations of East Asian women has honed on the ubiquity of a ‘geisha’ stereotype in Asian-themed Hollywood films: women who willingly acquiesce to the prerogatives of Western men and, in so doing, symbolically affirm the subordination of East Asian political autonomy to a paternalistic United States. Within this context, the…[Read more]

This paper examines two documentary essays focusing on landmark architecture in the transnational Øresund region comprising Copenhagen and Malmö. I argue that the motif of construction and deconstruction is congruous to our understanding of the ways identities are negotiated vis-à-vis spatial experience. In the lms, the multiple trajectories of…[Read more]

In Joel and Ethan Coen’s 1998 film The Big Lebowski, The Stranger’s opening voiceover poses the following question: In a world controlled by “I’s,” by states intent upon realizing an extreme freedom through violence, how should the singular person respond?

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