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Bill Hughes's profile was updated on Humanities Commons 6 years ago
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Thomas Van Parys's profile was updated on Humanities Commons 6 years ago
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Kendra Leonard deposited Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism in the group
Film Studies on Humanities Commons 6 years, 3 months agoIn this book, I explore the connections between music for early movies (1895-1927) involving the supernatural in the context of the culture of the time in regard to supernatural beliefs and entertainments, particularly spiritualism.
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Kendra Leonard deposited Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism on Humanities Commons 6 years, 3 months ago
In this book, I explore the connections between music for early movies (1895-1927) involving the supernatural in the context of the culture of the time in regard to supernatural beliefs and entertainments, particularly spiritualism.
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Suite of three poems
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Kendra Leonard deposited Women at the Pedals: Female Cinema Musicians during the Great War in the group
Film Studies on Humanities Commons 6 years, 4 months agoWomen filled a number of roles in the American cinema music industry, particularly during
the Great War. In addition to serving as cultural barometers for cinematic music
and accompaniment, women were at the heart of innovations in cinema sound
and composition. -
Kendra Leonard deposited Women at the Pedals: Female Cinema Musicians during the Great War on Humanities Commons 6 years, 4 months ago
Women filled a number of roles in the American cinema music industry, particularly during
the Great War. In addition to serving as cultural barometers for cinematic music
and accompaniment, women were at the heart of innovations in cinema sound
and composition. -
Kendra Leonard deposited Moon-Crossed: a play in play with All’s Well That Ends Well in the group
LLC Shakespeare on MLA Commons 6 years, 4 months agoMoon-Crossed reimagines the central plot of Shakespeare’s All’s Well That Ends Well as a means to examining the female monstrous in early modern drama, literature, and though. Why doesn’t Bertram like Helena? Because she’s a werewolf. But as he learns, she’s of a very noble line of werewolves. She saves the King of France, he learns a bit more…[Read more]
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Kendra Leonard deposited Moon-Crossed: a play in play with All’s Well That Ends Well in the group
Global Shakespeares on MLA Commons 6 years, 4 months agoMoon-Crossed reimagines the central plot of Shakespeare’s All’s Well That Ends Well as a means to examining the female monstrous in early modern drama, literature, and though. Why doesn’t Bertram like Helena? Because she’s a werewolf. But as he learns, she’s of a very noble line of werewolves. She saves the King of France, he learns a bit more…[Read more]
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Kendra Leonard deposited Moon-Crossed: a play in play with All’s Well That Ends Well on Humanities Commons 6 years, 4 months ago
Moon-Crossed reimagines the central plot of Shakespeare’s All’s Well That Ends Well as a means to examining the female monstrous in early modern drama, literature, and though. Why doesn’t Bertram like Helena? Because she’s a werewolf. But as he learns, she’s of a very noble line of werewolves. She saves the King of France, he learns a bit more…[Read more]
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