This is a companion piece to an essay on Jerome Kern’s “All the Things You Are,” where an alternative ending with a rising melodic gesture is written into the published sheet music. The survey of Gershwin’s “Embraceable You” here was inspired by a similar figure in an early recorded performance by Sarah Vaughan.

Some cadences in European and European-influenced tonal music show a contradiction in direction between registral stasis and linear movement, the example being alternative endings written into a song by Jerome Kern. The topic is explored through analysis of 51 recorded performances.

A look at the brief history of this band from central Wisconsin in the 1880’s

The article is an example of a visual map of the literature review on a page. Such a road-map or concept map structures the literature and helps readers grasp the key threads and messages, including the theoretical positioning of your review. This review looked at the genealogy of hidden dis/ability based on Latour’s and Baudrillard’s work.

In 2021, SMT-V, an online journal of the Society for Music Theory, published a video essay by Michael Buchler, Professor of Music in the College of Music, Florida State University. It’s titled “I Don’t Care if I Never Get Back: Optimism and Ascent in ‘Take Me Out to the Ball Game’.” In this essay I examine similar songs from the era: Charles K. Ha…[Read more]

According to conventional literary theory, when we interpret the text of a poem or work of fiction as a condensed or represented speech act, this implies a hypothetical speaker. The speaker may be a well-defined narrator who may also be a participant in the action. Often, however, the text offers few or no clues as to who is ‘speaking’. In suc…[Read more]

En este artículo presentamos una primera aproximación a un conjunto de textos hasta ahora desconocidos del músico y musicólogo catalán exiliado Baltasar Samper, responsable, desde 1947 y hasta su muerte, de dirigir los trabajos etnomusicológicos de la Sección de Investigaciones Musicales del Instituto Nacional de Bellas Artes mexicano. Con esto q…[Read more]

I work with images, stories, objects and employ object-oriented Actor-Network-Theory to co-author research with my clients. This allows us to focus on untraditional but remarkable things like hope, wants and happiness. Together, we have emerged an innovative approach that attempts to match our everyday life and all of its surprises. Disability is…[Read more]

BB 41 – Es funkeln tausend Perlen in demGlas in meiner Hand – Thousand perls – piano solo –
paraphrase of Rebrov-version “Poj Zigan” from N.Nekrasov`s 1861 Коробейники peddler / Коробушка, box (of peddlers) – audio

BB 41 – Es funkeln tausend Perlen in dem Glas in meiner Hand – Thousand perls – piano solo –
paraphrase of Rebrov-version “Poj Zigan” from the poem Korobeiniki Коробейники peddler / Коробушка, box (of peddlers) by N.Nekrasov`s 1861 – sheetmusic

BB 38 – O sanctissima – O du froehliche – Weihnachtliche Spielmusik – Christmas Merry Go Round
– great organ – audio

BB 38 – O sanctissima – O du froehliche – Weihnachtliche Spielmusik – – Christmas Merry Go Round – great organ – sheetmusic – 2010, 2nd ed.
– said from Sicilian origin, not confirmed nor verified

BB 37 – Prelude Daughter Zion – great organ – 2010, 2nd. ed. – audio

BB 37 – Präludium Tochter Zion – Prelude Daughter Zion – great organ – – sheetmusic – 2010, 2nd ed.

Pirate radio still flourishes in dense, multiethnic cities such as Brooklyn, New York, despite the rise of Web radio. For immigrants in particular, radio sounds mark identity and community and (re)claim social spaces of work, commutes, and the home. It is not only lack of access to digital technologies or broadband that shapes radio’s relevance, b…[Read more]

Pirate radio still flourishes in dense, multiethnic cities such as Brooklyn, New York, despite the rise of Web radio. For immigrants in particular, radio sounds mark identity and community and (re)claim social spaces of work, commutes, and the home. It is not only lack of access to digital technologies or broadband that shapes radio’s relevance, b…[Read more]

This study explores Jamaican popular music’s changing engagement with globally networked media technologies. It combines ethnographic analysis of the street dance as a site of urban poor and Black resistance to colonial institutions with an analysis of song lyrics about video cameras at street dances. Newly networked technologies for circulating…[Read more]