Parque de Delfim Guimaraes AMADORA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98940408). 29 September 2018. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain…[Read more]

Quinta das Ameias, Areeiro, LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98286048). Ruins. (Quinta das Ameias, aka Casal Vistoso, aka Antigo Solar da Boa Vista). 7 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and…[Read more]

Igreja do Antigo Convento de Arroios LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q74474004). Current Ukrainian Church in Lisbon. 25 May 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of…[Read more]

Ermida de Sao Marcos, CACEM & SAO MARCOS, PORTUGAL, Photographed by Ph.G. de MENDONCA (Wikidata Q98427581). (Chapel / Church). Ermida de São Marcos, Cacém e São Marcos, PORTUGAL, Photographed by Ph.G. de MENDONCA (Wikidata Q98427581). 25 May 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at…[Read more]

Campo dos Martires da Patria 11 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98969072). Palacete no Campo dos Mártires da Pátria 11 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98969072). 20 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the re…[Read more]

Antiga Fabrica de Gas da Matinha LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q90334721). Conjunto de estruturas industriais na área da antiga Fábrica de Gás da Matinha (gasómetro). 8 May 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and comm…[Read more]

Palácio da Flor da Murta LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q10343989). 29 May 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively w…[Read more]

Liceu Passos Manuel LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q10317952). 29 May 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively with…[Read more]

Atrium Saldanha LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q757743). 6 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively with…[Read more]

Av. Duque d’Avila 28-30 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98462938). 6 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain…[Read more]

Av. Duque d’Avila 26 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98462943). 6 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively…[Read more]

Historically the Red Cross has created opportunities for women that were otherwise denied to them in their wider society. This role for female Red Cross workers is not a recent thing and is deeply embedded in the past and psyche of the organisation.

This is an article focused on the Mahishasur movement. The article also discusses the ideological bases of this movement.

Brahmanical history is based on myths. It neither has been constructed chronologically nor is factually correct. It has eclipsed the reality with a cobweb of myths. To establish a new creed, established dogmas must be disproven. Ish Mishra reviews ‘Mahishasur: Mithak va Paramparayen’ :

The book Mahishasur: Mithak va Paramparayen (Ma…[Read more]

The concept of objects and artefacts as documents has been explored by a variety of academics including Briet, Buckland, Latham and Lund from a broad conceptual perspective, with work undertaken by others considering how different object and artefact types can be considered documents. This project explores the existing literature relating to…[Read more]

Recently, an important book, Mahishasur: Mithak va Paramparayen (Mahishasur: Myth and Traditions), edited by Pramod Ranjan, was published by Forward Press in collaboration with Marginalised Publication. The book lets the reader travel through the living history of the myths of Durga and Mahishasur. The book is divided into five parts – ‘Yatra Vri…[Read more]

The outbreak of SARS-CoV-2 has threatened ethnographic inquiry, undermining its quintessential characteristic. Participant observation, then, has been thoroughly dismembered by the radical measures implemented to prevent the spread of the virus. This phenomenon, in short, has dragged anthropologists to a liminal state within which ethnography is…[Read more]

Spanish abstract: Unas notas sobre el final del libro ‘El lugar del hombre en el cosmos’ de Fred Spier, sobre la sostenibilidad de la actual comunicación globalizada. La Gran Historia sitúa al ser humano en el contexto de la evolución cósmica y de la ecología de los recursos. Vivimos hoy en la Era de los Combustibles Fósiles. Con esta energ…[Read more]

Unlike French stereo photographers, who flooded the market with Spanish views, the most important British publishers and photographers rarely made Spanish views. Quite possibly this was precisely because of the rapid market penetration of the French, such as Gaudin, Ferrier and others, and in spite of the leading British photographic houses, such…[Read more]

The first time that there is historical steadfastness of the presence of a photographer in a warlike conflict, as graphic correspondent is in the war of Crimea, in 1854-55. In the successive conflicts armed with importance that happen from this date, 1859 and 1860, with the reunification of Italy and other episodes in the British empire, the photo…[Read more]