Outlines the restoration of the Russian film classic “Man with a Movie Camera” (USSR, 1929) by Dziga Vertov which was carried out by the EYE Filmmuseum in Amsterdam between 2008 and 2010. The restoration allows contemporary audiences the possibility to once again experience Vertov’s film as the filmmaker originally intended – or at least in a v…[Read more]

The interdisciplinary course Pink Noise: Women Making Electronic Music explores the hands-on creation of electronic music through the lens of feminist critical frameworks, activism, and collective action. Techniques and topics include composing with Texts, Activist Sound, Live Sampling and Delay, Turntablism, Soundscape Composition, the Occult…[Read more]

As cultural heritage collections become available online they carry the promise of ‘access’ – new audiences, new uses, new understandings. But access is never simply open. Limits are imposed, structures are defined, categories are created. Decisions are made about what gets digitised and why. This chapter will describe a series of exper…[Read more]

This study results from the knowledge of the insufficiency in standards and rules used for the identification and description of written musical documents. Enlightened by the new standard development, particularly the Functional Requirements for Bibliographic Records (FRBR) and recent studies on the concept of a work and bibliographic…[Read more]

This paper aims to explore the characteristics and nuances of presenting or performing identity. It asks questions of how the internet and -web transforms how we view/read and create art and literary works, how it affects the creative process as it becomes not only a period of meditative creation but also an event, and how these digital platforms…[Read more]

This chapter uses Our Marathon: The Boston Bombing Digital Archive to consider the ways that collaborative, public-facing digital humanities initiatives can conflict with institutional conventions and methods of evaluating academic labor. Collaborative work creates challenges as well as opportunities for its organizers and laborers. The particular…[Read more]

Que faire du corpus des œuvres d’un artiste lorsque celui-ci disparaît rapidement et prématurément alors qu’il est en plein développement de son art et de sa pensée? Comment est-ce qu’un artiste prépare/contrôle la diffusion et l’interprétation de son œuvre au-delà de sa mort ? Quel est la responsabilité des proches et le degré d’interventio…[Read more]

In late January 2017 conversations began on the Music Library Association (MLA) listserv about data rescue. These conversations were primarily inquiries to see if anyone on the MLA-L was aware of data archiving or rescue efforts underway for vulnerable performing arts and music data on government websites. As a digital scholarship librarian whose…[Read more]

In this presentation, we provide an overview of the contents and development of The Séamus Connolly Collection of Irish Music, a recently-launched open access collection of over 330 tunes and songs. The audio, sheet music, stories, and essays can be viewed and/or listened to on mobile devices, tablets, and computers. Through Omeka and SoundCloud,…[Read more]

This handout was presented as a take away for a workshop at MLA TechCamp 2018. This workshop will provide an overview of fair use as it applies to digital projects. It will particularly benefit anyone planning, attempting to fund (via a grant), or currently managing a digital project that is aimed at providing access to made-digital or…[Read more]

This workshop will provide an overview of fair use as it applies to digital projects. It will particularly benefit anyone planning, attempting to fund (via a grant), or currently managing a digital project that is aimed at providing access to made-digital or born-digital content. It will include suggestions for checklist and analysis tools that…[Read more]

Slides accompanying a panel representing the Pittsburgh Bicentennial Frankenstein project to build a digital scholarly variorum edition that updates, bridges, and intersects multiple divergent editions of Frankenstein, including the manuscript notebook drafts of 1816, the 1818, 1823, and 1831 print editions, as well as the handwritten notes in the…[Read more]

Ideas and materials for building a web portal for archival information about Romagna, a historical subregion of Italy.

Jorge Villavicencio Grossmann (nacido en 1973) es un compositor peruano/brasileño/estadounidense que estudió composición en São Paulo en la Faculdade Santa Marcelina y en los Estados Unidos en la Universidad Internacional de Florida y la Universidad de Boston. Su cuarteto de cuerdas no. 3 apareció en un disco reciente de cuartetos de cuerda lati…[Read more]

Auf Spurensuche im Archiv. Ein Arbeitsbericht Das Projekt Digital Formalism will Dziga Vertovs formale Verfahren untersuchen, und sie vor dem Hintergrund historischer Debatten über die sogenannte formale Methode positionieren. Den Korpus der Untersuchung bildet die Vertov-Samm-lung im Österreichischen Filmmuseum (ÖFM) – die dort konservierten Film…[Read more]

This essay explores the impact of digitized and born-digital special collections on teaching, learning, and research, and, through institutional case studies, considers the variety of collaborative opportunities made possible by the digitization of special collections.

This essay explores the impact of digitized and born-digital special collections on teaching, learning, and research, and, through institutional case studies, considers the variety of collaborative opportunities made possible by the digitization of special collections.