Preprint version

Preprint version

Preprint version

Compiled for Fontes Anglo-Saxonici and Sources of Anglo-Saxon Literary Culture

Compiled for Fontes Anglo-Saxonici and Sources of Anglo-Saxon Literary Culture

Instrumenta Anglistica Mediaevalia 1; preprint version

Medieval & Renaissance Texts & Studies 74

Transport stirrup jars – so-called because of the shape formed by their handles and false neck – are a common type of Mycenaean pottery: used to transport and store liquid commodities, usually assumed to be olive oil, they are found throughout the central and eastern Mediterranean. A small sub-group of these carry painted inscriptions in the Lin…[Read more]

Review of the most recent edition of Linear B inscriptions painted onto transport stirrup jars.

It is often claimed that the mortuary traditions that appeared in lowland Britain in the fifth century AD are an expression of new forms of ethnic identity, based on the putative memorialisation of a ‘Germanic’ heritage. This article considers the empirical basis for this assertion and evaluates it in the light of previously proposed ethnic con…[Read more]

It is often claimed that the mortuary traditions that appeared in lowland Britain in the fifth century AD are an expression of new forms of ethnic identity, based on the putative memorialisation of a ‘Germanic’ heritage. This article considers the empirical basis for this assertion and evaluates it in the light of previously proposed ethnic con…[Read more]

It is often claimed that the mortuary traditions that appeared in lowland Britain in the fifth century AD are an expression of new forms of ethnic identity, based on the putative memorialisation of a ‘Germanic’ heritage. This article considers the empirical basis for this assertion and evaluates it in the light of previously proposed ethnic con…[Read more]

It is often claimed that the mortuary traditions that appeared in lowland Britain in the fifth century AD are an expression of new forms of ethnic identity, based on the putative memorialisation of a ‘Germanic’ heritage. This article considers the empirical basis for this assertion and evaluates it in the light of previously proposed ethnic con…[Read more]

This essay is an examination of Udjahorresnet’s Persian identity. Best known from the inscription on his naophorous statue now in the Vatican, Udjahorresnet was a high-ranking courtier in Egypt under the Saite pharaohs Amasis and Psamtik III, and subsequently under the Persian kings Cambyses and Darius. While his statue’s form, function and ins…[Read more]

This chapter explains the process by which the Linear B writing system was deciphered and shown to record a form of the Greek language, discussing the contributions of Emmett L Bennett, Alice E. Kober, Michael Ventris, and John Chadwick.

More than 60 years after Michael Ventris’ decipherment of Linear B, 14 of its syllabic signs remain ‘undeciphered’: despite many proposals to assign sound-values to these signs, none has yet been officially accepted. This paper is based on part of a study investigating new approaches to these undeciphered signs: as signs which cannot yet be read…[Read more]

This article re-examines the evidence for the value of the Linear B sign pu2, in particular its appearance in the term da-pu2-ri-to- ‘labyrinth’, and demonstrates that it stands specifically for the value /phu/ (contrary to the usual assumption that it represents both /phu/ and /bu/). It then discusses the further implications of this con…[Read more]

This is the accepted version of the paper; the published version is available at doi.org/10.1075/wll.00025.jud (or by contacting me). This paper investigates the issue of orthographic variation in the Linear B writing system in order to explore ways in which studying a writing system’s orthographic conventions may shed light on the history of i…[Read more]

Early medieval England is well-known for its assortment of royal saints; figures who, though drawn from nearly five centuries of pre-Conquest Christianity, are often best known from eleventh-century hagiography. Common among these narratives is the figure of the “wicked queen”–a woman whose exercise of political power provides the impetus for t…[Read more]