Publications

Monographs

Collage Culture: Readymades, Meaning, and the Age of Consumption. Amsterdam and New York: Rodopi, 2013. <http://www.brill.com/products/book/collage-culture>.

Edited Collections

Steve Tomasula: The Art and Science of New Media Fiction. New York: Bloomsbury, 2015. <http://www.bloomsbury.com/us/steve-tomasula-the-art-and-science-of-new-media-fiction-9781628923674/>.

Contemporary Collecting: Objects, Practices, and the Fate of Things. (Co-Edited with Kevin Moist). Lanham, MD: Scarecrow, 2013. <https://rowman.com/ISBN/9780810891135>.

Articles

“Alfred Hitchcock’s Psycho and the Cinematic Novels of Don DeLillo and Manuel Muñoz.” Literature/Film Quarterly. 43.1 (2015): 4-17.

 

“Introduction: The Aesthetics of Trash” (with John Degregorio). Spec. issue of New American Notes Online. 7 (2015): 16 pars. <http://www.nanocrit.com/issues/7-2015>.

 

“Collage as Practice and Metaphor in Popular Culture.” Cutting Across Media: Appropriation Art, Interventionist Collage, and Copyright Law. Eds. Kembrew McLeod and Rudolf Kuenzli. Durham: Duke UP, 2011. 264-275.

 

“Secret Dictionaries: The Collages of William Davies King.” Trickhouse 1.2 (Fall 2008): 9 pars. <http://www.trickhouse.org/guestcurator/banash&king.html>.

 

“Brion Gysin.” Beat Culture: Lifestyle, Icons, and Impact. Ed. William T. Lawlor. New York: ABC-CLIO, 2005. 142.

 

“From Advertising to the Avant-Garde: Rethinking the Invention of Collage.” Postmodern Culture. 14.2 (2004): 38 pars. <http://muse.jhu.edu/journals/postmodern_culture/v014/14.2banash.html>.

 

“The Blair Witch Project: Technology, Repression, and the Evisceration of Mimesis.” Nothing That Is: Millennial Cinema and the Blair Witch Controversies. Eds. Jeffrey Weinstock and Sarah Higley. Detroit: Wayne State UP, 2004. 111-24.

 

“Introduction: The Ironies of Suburban Studies.” The Iowa Journal of Cultural Studies. 1.3 (2003): 1-10. (co-authored with Anthony Enns).

 

“Writers and Radicals: Selections from the ‘Craft, Critique, Culture Conference.’” Iowa Review. 32.1 (2002): 62-63. (co-authored with Anthony Enns).

 

“Activist Desire, Cultural Criticism, and the Situationist International.” Reconstruction: Studies in Contemporary Culture. 1.2 (2002): 33 pars. <http://reconstruction.eserver.org/021/Activist.htm>.

 

“From an American Family to the Jennicam: Realism and the Promise of TV.” Bad Subjects: Political Education for Everyday Life. 57 (2001): 12 pars. <http://bad.eserver.org/issues/2001/57/banash.html>.

 

Review Essays and Popular Press Features

“Collage Culture: Nostalgia and Critique” (interview by Rick Poynor). Design Observer. 13 Nov. 2013. 25 pars. <http://observatory.designobserver.com/rickpoynor/feature/collage-culture-nostalgia-and-critique/38187/>.

 

“In the Cut: The Art of Linder Sterling.” Rev. of Linder. Blum & Poe. 12 Sept.-26 Oct., Los Angeles. The Los Angeles Review of Books. 19 Oct. 2013. 11 pars. <http://lareviewofbooks.org/essay/in-the-cut-the-art-of-linder>.

 

“Word Falling . . . Photo Falling: The History and Practice of Cut-Ups.” Rev. of Forgery by Amira Hanafi; Four Cut-ups, or the Case of the Restored Volumeby David Lespiau; Shift Linguals: Cut-Up Narratives from William S. Burroughs to the Present by Edward S. Robinson. American Book Review. 32.6 (2011): 10-11.

 

“Future Shock, Postmodern Nostalgia, and Uncanny Technologies.” PopMatters. 29 July 2010. 23 pars. <http://www.popmatters.com/pm/column/128828-future-shock-postmodern-nostalgia-and-uncanny-technologies/P0>.

 

“It’s All Too Beautiful: Contemporary Approaches to Beauty.”PopMatters. 30 July 2009. 23 pars. <http://www.popmatters.com/pm/feature/94917-its-all-too-beautiful/>.

 

“Collection Obsession: William Davies King’s ‘Collections of Nothing'” PopMatters. 14 August 2008. 15 August 2008. 18 pars. <http://www.popmatters.com/pm/feature/58361/william-davies-kings-collections-of-nothing/>.

 

“Reading Baudrillard.” Rev. of The Vital Illusion, by Jean Baudrillard; Simulacrum America: The U.S.A. and the Popular Media, eds. Elisabeth Kraus and Caroline Auer; Reading Simulacra: Fatal Theories for Postmodernity, by M. W. Smith. Science Fiction Studies. 89.1 (2003): 123-29.