David Alan Rich
,@davrich
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Following
9
Followers
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Samantha Lomb posted an update in the group
History on Humanities Commons 8 years, 1 month agoReview- American Girls in Red Russia: Chasing the Dream. http://www.europenowjournal.org/2017/12/05/american-girls-in-red-russia-chasing-the-dream-by-julia-l-mickenberg/ Julia Mickenberg’s American Girls in Red Russia, touches on such diverse topics as American women’s participation in pre-1917 revolutionary movements, famine relief in during the…[Read more]
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Samantha Lomb posted an update in the group
Soviet and Russian history and culture on Humanities Commons 8 years, 1 month agoReview- American Girls in Red Russia: Chasing the Dream. http://www.europenowjournal.org/2017/12/05/american-girls-in-red-russia-chasing-the-dream-by-julia-l-mickenberg/ Julia Mickenberg’s American Girls in Red Russia, touches on such diverse topics as American women’s participation in pre-1917 revolutionary movements, famine relief in during the…[Read more]
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Samantha Lomb's profile was updated on Humanities Commons 8 years, 2 months ago
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Samantha Lomb posted an update in the group
Soviet and Russian history and culture on Humanities Commons 8 years, 2 months agoA Democratic Social Democratic State? The 1918 Georgian Revolution. http://newbooksnetwork.com/eric-lee-the-experiment-georgias-forgotten-revolution-1918-1921-zed-books-2017/
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Samantha Lomb posted an update in the group
Soviet and Russian history and culture on Humanities Commons 8 years, 2 months agoReform or Revolution? A new book discusses the possibility and challenges of liberal reform in Tsarist Russia. http://newbooksnetwork.com/stephen-f-williams-the-reformer-how-one-liberal-fought-to-preempt-the-russian-revolution-encounter-books-2017/
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Natascha Drubek deposited 140 Jahre Russisches Licht in the group
Film Studies on Humanities Commons 8 years, 2 months agoFor archiving I made a couple of screenshots of this rare occasion. German director Alexander Kluge interviewing Natascha Drubek in June 2016. The whole film (45′) can be found when you follow the link below: “Von den Ikonen zum russischen Stummfilm”:
“Russisches Licht” hieß eine mondäne städtische Beleuchtungsart, zuerst in Paris erprobt, d…[Read more] -
For archiving I made a couple of screenshots of this rare occasion. German director Alexander Kluge interviewing Natascha Drubek in June 2016. The whole film (45′) can be found when you follow the link below: “Von den Ikonen zum russischen Stummfilm”:
“Russisches Licht” hieß eine mondäne städtische Beleuchtungsart, zuerst in Paris erprobt, d…[Read more] -
Natascha Drubek created the group
Czech Culture on Humanities Commons 8 years, 2 months ago -
Adelheid Heftberger deposited Film archives and digital humanities – an impossible match? New job descriptions and the challenges of the digital era in the group
Film Studies on Humanities Commons 8 years, 2 months agoThis article seeks to prompt a re-evaluation of the fi lm archive’s role within the current digital humanities debate as a logical, yet underrated, partner. The article invokes Jeffrey Schnapp’s and Todd Presner’s plea from 2009 for digital humanities to create as its core aim a more democratic view of knowledge-producing institutions by i…[Read more]
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Adelheid Heftberger deposited Film archives and digital humanities – an impossible match? New job descriptions and the challenges of the digital era in the group
Digital Humanists on Humanities Commons 8 years, 2 months agoThis article seeks to prompt a re-evaluation of the fi lm archive’s role within the current digital humanities debate as a logical, yet underrated, partner. The article invokes Jeffrey Schnapp’s and Todd Presner’s plea from 2009 for digital humanities to create as its core aim a more democratic view of knowledge-producing institutions by i…[Read more]
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Adelheid Heftberger deposited Die Verschmelzung von Wissenschaft und Filmchronik“. Das Potential der reduktionslosen Visualisierung von „Das elfte Jahr“ und „Der Mann mit der Kamera“ von Dziga Vertov in the group
Film Studies on Humanities Commons 8 years, 2 months agoOn the potential of data visualization for Film studies and Film history.
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Adelheid Heftberger deposited Die Verschmelzung von Wissenschaft und Filmchronik“. Das Potential der reduktionslosen Visualisierung von „Das elfte Jahr“ und „Der Mann mit der Kamera“ von Dziga Vertov in the group
Digital Humanists on Humanities Commons 8 years, 2 months agoOn the potential of data visualization for Film studies and Film history.
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Adelheid Heftberger deposited Zerschnittene Bilder. Die drei Fassungen von Dziga Vertovs Tri pesni o Lenine (1934/35, 1938 und 1970) in the group
Film Studies on Humanities Commons 8 years, 2 months agoOn the versions of Dziga Vertovs film “Three Songs on Lenin”.
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Adelheid Heftberger deposited Do Computers Dream of Cinema? Film Data for Computer Analysis and Visualisation in the group
Film Studies on Humanities Commons 8 years, 2 months agoOn the potential of data visualization for Film studies and Film history.
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Adelheid Heftberger deposited Do Computers Dream of Cinema? Film Data for Computer Analysis and Visualisation in the group
Digital Humanists on Humanities Commons 8 years, 2 months agoOn the potential of data visualization for Film studies and Film history.
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Adelheid Heftberger deposited Man with a Movie Camera under the Lens of Cinemetrics in the group
Film Studies on Humanities Commons 8 years, 2 months agoArticle about Dziga Vertovs most famous film from 1929 with a focus on it’s surviving prints and structure. Investigation was carried out within the research project Digital Formalism (2007-2010) in Vienna.
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Adelheid Heftberger deposited Man with a Movie Camera under the Lens of Cinemetrics in the group
Digital Humanists on Humanities Commons 8 years, 2 months agoArticle about Dziga Vertovs most famous film from 1929 with a focus on it’s surviving prints and structure. Investigation was carried out within the research project Digital Formalism (2007-2010) in Vienna.
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Adelheid Heftberger deposited Auf Spurensuche im Archiv. Ein Arbeitsbericht Das Projekt Digital Formalism in the group
Digital Humanists on Humanities Commons 8 years, 2 months agoAuf Spurensuche im Archiv. Ein Arbeitsbericht Das Projekt Digital Formalism will Dziga Vertovs formale Verfahren untersuchen, und sie vor dem Hintergrund historischer Debatten über die sogenannte formale Methode positionieren. Den Korpus der Untersuchung bildet die Vertov-Samm-lung im Österreichischen Filmmuseum (ÖFM) – die dort konservierten Film…[Read more]
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Adelheid Heftberger deposited Auf Spurensuche im Archiv. Ein Arbeitsbericht Das Projekt Digital Formalism in the group
Archives on Humanities Commons 8 years, 2 months agoAuf Spurensuche im Archiv. Ein Arbeitsbericht Das Projekt Digital Formalism will Dziga Vertovs formale Verfahren untersuchen, und sie vor dem Hintergrund historischer Debatten über die sogenannte formale Methode positionieren. Den Korpus der Untersuchung bildet die Vertov-Samm-lung im Österreichischen Filmmuseum (ÖFM) – die dort konservierten Film…[Read more]
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