In Mumbai the sonic dimensions of place‐making and religious life are deeply connected to the right to the city. For Twelver Shi‘i Muslims, who are marginal to both the city and the nation, public religious rituals and processions have long played very important roles in staging claims to the city. Investigating the sonic aspects of urban pla…[Read more]

The focus of this issue is on environmental aesthetics, with the aim of exploring the various aspects of aesthetic appreciation. Environmental Aesthetics: Socio-Territorial Conflicts throughout Media is part of a session that I organized at the IV International ISA Forum, Porto Alegre, held on February 23–27, 2021, for the Research Committee on S…[Read more]

Spanish Abstract: ´Peeping Tom´ (dir. Michael Powell, 1960), un clásico del cine de culto, nos sumerge en una intensa experiencia metafílmica. A base de acumulación mediática, repetición, inserción semiótico-perceptual, marcos dentro de marcos, y reflexividad casi hasta el infinito, saca la película un partido extraordinario a la semiótica…[Read more]

This is a companion piece to an essay on Jerome Kern’s “All the Things You Are,” where an alternative ending with a rising melodic gesture is written into the published sheet music. The survey of Gershwin’s “Embraceable You” here was inspired by a similar figure in an early recorded performance by Sarah Vaughan.

Some cadences in European and European-influenced tonal music show a contradiction in direction between registral stasis and linear movement, the example being alternative endings written into a song by Jerome Kern. The topic is explored through analysis of 51 recorded performances.

‘Folk horror’ has often been considered, following Mark Gatiss’ description of the genre, as centrally focused on a particular ‘obsession with the British landscape, its folklore, and superstitions’. While these elements are clearly significant, they become more problematic when opening up the genre to include texts from beyond Britain. Not only…[Read more]

English abstract: ‘Verses of Love’, an Islamic film on the extended couple, features a melodramatic plot in which love triumphs after many difficulties, and the virtuous protagonists Fahri and Aisha are happy in their marriage, having shown the value of their Islamic faith amidst the trials of life—accepting these with sumbission, which is the s…[Read more]

In 2021, SMT-V, an online journal of the Society for Music Theory, published a video essay by Michael Buchler, Professor of Music in the College of Music, Florida State University. It’s titled “I Don’t Care if I Never Get Back: Optimism and Ascent in ‘Take Me Out to the Ball Game’.” In this essay I examine similar songs from the era: Charles K. Ha…[Read more]

Spanish abstract: La película ‘Contagio’ (dir. Steven Soderbergh, 2011) pertenece al género ‘catástrofe – multiprotagonista’, aquí potenciado por varias circunstancias. La catástrofe es mundial y creíble, una epidemia de una gripe mortífera, como la Peste Negra, o como la Peste Escarlata de Jack London. Y la catástrofe se difunde por las relacione…[Read more]

According to conventional literary theory, when we interpret the text of a poem or work of fiction as a condensed or represented speech act, this implies a hypothetical speaker. The speaker may be a well-defined narrator who may also be a participant in the action. Often, however, the text offers few or no clues as to who is ‘speaking’. In suc…[Read more]

Spanish Abstract: Una película indonesia sobre la pareja heterosexual en el ambiente social indonesio, sobre el patriarcado atmosférico—y sobre el Islam (valga la redundancia). Poner tierra por medio, o mejor no casarse si aún estás a tiempo, es la recomendación de la directora para las mujeres. Ay, si fuera tan fácil… Pero en su context…[Read more]

Spanish abstract: ‘Ucho’ (La oreja), película de Karel Kachyňa (1970) es una prefiguración de ‘La vida de los Otros’ sobre la Cheka checa, pero con una estética peculiar—una película entre el realismo documental y lo grotesco, algo así como un cruce entre ‘1984’ y ‘Quién teme a Virginia Woolf ‘, combinando la sátira política con la cinematogr…[Read more]

The long-term creative collaboration between Kira Muratova and Renata Litvinova began with the film “Uvlechen’ya” (“Pastimes”, 1994), in which Litvinova took part both as an actress and a screenwriter. Since then, Litvinova has become one of the most striking personifications of Muratova’s ornamental film style, which brings about a specific re…[Read more]

Pirate radio still flourishes in dense, multiethnic cities such as Brooklyn, New York, despite the rise of Web radio. For immigrants in particular, radio sounds mark identity and community and (re)claim social spaces of work, commutes, and the home. It is not only lack of access to digital technologies or broadband that shapes radio’s relevance, b…[Read more]

This study explores Jamaican popular music’s changing engagement with globally networked media technologies. It combines ethnographic analysis of the street dance as a site of urban poor and Black resistance to colonial institutions with an analysis of song lyrics about video cameras at street dances. Newly networked technologies for circulating…[Read more]

Considerando o catálogo Lumière como experiência inaugural do cinema mundial, este artigo propõe uma leitura anarquívica de algumas de suas imagens. Diferenciando a operação do cinematógrafo como dispositivo cosmotécnico de arquivamento do mundo e aparelho cosmopoético de invenção de mundos, exploro as formas de inscrição da diferença no…[Read more]

Art Style | Art & Culture International Magazine is an open access, biannual, and peer-reviewed online magazine that aims to bundle cultural diversity. All values of cultures are shown in their varieties of art. Beyond the importance of the medium, form, and context in which art takes its characteristics, we also consider the significance of…[Read more]