Shakespeare’s representations of history often have replaced history itself in the popular imagination: Julius Caesar, Margaret of Anjou, Henry V, Richard III — popular recollections of their lives and deaths are intimately linked with Shakespeare’s accounts of their stories, despite the playwright’s deviations from historical facts. In order t…[Read more]

Gendered night, or the nocturnal brightness of the early modern English stage
In French, critics speak of the night using feminine terms, but the term is grammatically neutral in English. Despite this neutrality, night may be gendered. In Romeo and Juliet, virgins hide their shame from their lovers by hiding in the dark. If night is consecrated…[Read more]

For poets like Sir Philip Sidney, the numerous incongruities found in Elizabethan drama fly in the face of Aristotelian theory. London audiences in 1580-1600 would have been hard pressed to recognize the time and place of the action represented on stage from one scene to the next. By comparing Greek theory and Elizabethan practice, this paper…[Read more]

What might strike some as Arden of Faversham’s faulty construction may perhaps be ascribed to the fact that Arden’s murderers, as well as the play’s audience, had to learn how to “temper poison” (i.229). Poison is not simply a means to commit murder, its use also requires great dexterity, one which must be interpreted within a historical and metat…[Read more]

This article examines the young girls aged between seven and eleven year old who are elected to serve in the cult of Athena Polias, patron deity of Athens, in the classical period (roughly 5 th century, BC). I look at the creation of the dress given to Athena at the yearly Panathenaia festival, the creation of which is the main activity of their…[Read more]

Illustration of various features in the arrangement of Linear B tablets in the photo plates of Scripta Minoa II, and a proposed rationale in terms of underlying art.

Seventeen years ago, Brian Shefton wrote, “the distribution pattern of the Greek imports for the Hallstatt period has crystallized a number of years ago and is unlikely to be greatly modified in the future except on point of detail” (Böhr and Shefton 2000, 28). Indeed, publications describing Greek pottery have reached similar conclusions: Gree…[Read more]

In this paper, I explore how Greek and Roman poets alluded to the lamentatory background of elegy through the figures of the swan and the nightingale. After surveying the ancient association of elegy and lament (Section I) and the common metapoetic function of birds from Homer onwards (Section II), I analyse Hellenistic and Roman examples where…[Read more]

Document written by current and former CLIR postdocs providing insight and advice for applicants to the CLIR postdoctoral fellows program. You can learn more about the program here:

CLIR Postdoctoral Fellowship Program

This article forms part of a symposium on Paul Cartledge’s ‘Democracy: a life’ (2016). It argues in support of new approaches to Athenian democracy focused on the experience of those who were not active participants in the political institutions of the democracy but excluded because of their status (women, metics, slaves). It further argues that…[Read more]

Reading and performing Aristophanes’ Lysistrata through the work of Judith Butler on performativity and precarity. This paper explores both Aristophanes’ play and the experience of performing and studying it.

Kinds of unity, modes of union—why bother? Does Leibniz ever focus on “union”, anyway? It is not before 1713 that Leibniz gets rid of certain metaphysical concerns which, although secondary for him, were present to his mind since the time of his 1708 answer to Tournemine, who had bespoken a “real union” between the soul and the body (GP VI, 595-9…[Read more]