The text on Nestor’s Cup (750-700 BCE) is not Greek as many claim but is actually Alphabetic Akkadian. Its three-line text is a debate about the cause of a drought. The first line blames the life network goddess Ayu and her eagle vultures while the second line blames emotion magic with its owls (like the Athenian owl). Alphabetic Akkadian was t…[Read more]

Heroes and Demons entered the northern Mediterranean culture between 600 and 500 BCE when the culture was transforming from the magical Ancient Pagan Paradigm to a lordified Paradigm which forced deity personification making them lords in a royal pantheon instead of powers. This caused an explosion in the number of deities and other divine realm…[Read more]

Heroes and Demons entered the northern Mediterranean culture between 600 and 500 BCE when the culture was transforming from the magical Ancient Pagan Paradigm to a lordified Paradigm which forced deity personification making them lords in a royal pantheon instead of powers. This caused an explosion in the number of deities and other divine realm…[Read more]

Heroes and Demons entered the northern Mediterranean culture between 600 and 500 BCE when the culture was transforming from the magical Ancient Pagan Paradigm to a lordified Paradigm which forced deity personification making them lords in a royal pantheon instead of powers. This caused an explosion in the number of deities and other divine realm…[Read more]

Heroes and Demons entered the northern Mediterranean culture between 600 and 500 BCE when the culture was transforming from the magical Ancient Pagan Paradigm to a lordified Paradigm which forced deity personification making them lords in a royal pantheon instead of powers. This caused an explosion in the number of deities and other divine realm…[Read more]

Heroes and Demons entered the northern Mediterranean culture between 600 and 500 BCE when the culture was transforming from the magical Ancient Pagan Paradigm to a lordified Paradigm which forced deity personification making them lords in a royal pantheon instead of powers. This caused an explosion in the number of deities and other divine realm…[Read more]

The past inability to translate Etruscan texts has meant that the interpretation of Etrucan art has been mostly speculation. This interpretation has been made even more difficult because this was the time when new demon imagery (Cyclops, Skadi) not seen in the past was being introduced as Etruscan religious culture was changing from the magical…[Read more]

The past inability to translate Etruscan texts has meant that the interpretation of Etrucan art has been mostly speculation. This interpretation has been made even more difficult because this was the time when new demon imagery (Cyclops, Skadi) not seen in the past was being introduced as Etruscan religious culture was changing from the magical…[Read more]

The past inability to translate Etruscan texts has meant that the interpretation of Etrucan art has been mostly speculation. This interpretation has been made even more difficult because this was the time when new demon imagery (Cyclops, Skadi) not seen in the past was being introduced as Etruscan religious culture was changing from the magical…[Read more]

The past inability to translate Etruscan texts has meant that the interpretation of Etrucan art has been mostly speculation. This interpretation has been made even more difficult because this was the time when new demon imagery (Cyclops, Skadi) not seen in the past was being introduced as Etruscan religious culture was changing from the magical…[Read more]

This third edition of Mediterranean Akkadian is bigger and better with more words and more refined word definitions based upon a larger number of translations. Linear (letter-like) Akkadian writing first appeared in the Mediterranean at the start of the Bronze Age on Minoan Crete around 1800 BCE. This first writing was used by temple/palace…[Read more]

This third edition of Mediterranean Akkadian is bigger and better with more words and more refined word definitions based upon a larger number of translations. Linear (letter-like) Akkadian writing first appeared in the Mediterranean at the start of the Bronze Age on Minoan Crete around 1800 BCE. This first writing was used by temple/palace…[Read more]

The commercial level trading which emerged at the start of the Bronze Age was made possible by a common written language. That language was Akkadian in its syllabic (cuneiform) form, its phonetic form (Phaistos Disk and these Minoan Linear A tablets) and all the early alphabetic texts prior to the rise of Greek and Latin. These translated Minoan…[Read more]

The commercial level trading which emerged at the start of the Bronze Age was made possible by a common written language. That language was Akkadian in its syllabic (cuneiform) form, its phonetic form (Phaistos Disk and these Minoan Linear A tablets) and all the early alphabetic texts prior to the rise of Greek and Latin. These translated Minoan…[Read more]

The commercial level trading which emerged at the start of the Bronze Age was made possible by a common written language. That language was Akkadian in its syllabic (cuneiform) form, its phonetic form (Phaistos Disk and these Minoan Linear A tablets) and all the early alphabetic texts prior to the rise of Greek and Latin. These translated Minoan…[Read more]

The commercial level trading which emerged at the start of the Bronze Age was made possible by a common written language. That language was Akkadian in its syllabic (cuneiform) form, its phonetic form (Phaistos Disk and these Minoan Linear A tablets) and all the early alphabetic texts prior to the rise of Greek and Latin. These translated Minoan…[Read more]