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Kathleen DeLaurenti deposited Critical Approaches to Information Literacy and Authentic Assessment Using Wikipedia in the group
Open Music on Humanities Commons 7 years, 9 months agoThe interdisciplinary course Pink Noise: Women Making Electronic Music explores the hands-on creation of electronic music through the lens of feminist critical frameworks, activism, and collective action. Techniques and topics include composing with Texts, Activist Sound, Live Sampling and Delay, Turntablism, Soundscape Composition, the Occult…[Read more]
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Stephe Harrop deposited Staging a Transforming Great Britain: Tamlane, The Social Turn, and the 2014 Referendum in the group
Ethnomusicology on Humanities Commons 7 years, 11 months agoThis chapter emerges from the energies and aspirations of the years leading up to the Scottish Independence Referendum of September 2014, and explores three dramas created during this period: The Strange Undoing of Prudencia Hart (David Greig, 2011), The Bloody Great Border Ballad Project (Northern Stage, 2013) and Rantin (Kieran Hurley, 2013). It…[Read more]
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Anna Kijas deposited Engaging in Small Data Rescue in the group
Open Music on Humanities Commons 7 years, 11 months agoIn late January 2017 conversations began on the Music Library Association (MLA) listserv about data rescue. These conversations were primarily inquiries to see if anyone on the MLA-L was aware of data archiving or rescue efforts underway for vulnerable performing arts and music data on government websites. As a digital scholarship librarian whose…[Read more]
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Anna Kijas deposited (MLA) Providing Open Access to Irish Music: The Séamus Connolly Collection of Irish Music at Boston College in the group
Open Music on Humanities Commons 7 years, 11 months agoIn this presentation, we provide an overview of the contents and development of The Séamus Connolly Collection of Irish Music, a recently-launched open access collection of over 330 tunes and songs. The audio, sheet music, stories, and essays can be viewed and/or listened to on mobile devices, tablets, and computers. Through Omeka and SoundCloud,…[Read more]
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David Villalta deposited ¿Lucidez o fantasía neurótica? Gustave Doré como ilustrador de la Divina Comedia: el caso del bosque de los suicidas in the group
History of Art on Humanities Commons 7 years, 11 months agoThe present article seeks to dig into Gustave Doré’s (1832-1883) vision of the Wood of the Suicides from his illustrations of the Divine Comedy (d. 1861), establishing a comparison between its critical reception, the works that have illustrated the chant over the centuries and Doré’s works themselves. A goal here is to glimpse if negative criti…[Read more]
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Kathleen DeLaurenti deposited Framework for Evaluating Copyright Issues in Digital Scholarship in the group
Open Music on Humanities Commons 7 years, 12 months agoThis handout was presented as a take away for a workshop at MLA TechCamp 2018. This workshop will provide an overview of fair use as it applies to digital projects. It will particularly benefit anyone planning, attempting to fund (via a grant), or currently managing a digital project that is aimed at providing access to made-digital or…[Read more]
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Sarah M. Dreller deposited Architectural Forum, 1932-64: A Time Inc. Experiment in American Architecture and Journalism in the group
History of Art on Humanities Commons 7 years, 12 months agoThis study tells the story of Architectural Forum magazine during the Time Inc. ownership period, 1932-64. Why and how did this episode in American discursive life come about? What were its failures and successes, lessons, potential legacy? In answering these questions, the author describes the unusual building industry-wide sense of community…[Read more]
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Sarah M. Dreller deposited Curtained Walls: Architectural Photography, the Farnsworth House, and the Opaque Discourse of Transparency in the group
History of Art on Humanities Commons 7 years, 12 months agoThis paper studies the creation, circulation, and reception of two groups of photographs of Ludwig Mies van der Rohe’s iconic Farnsworth House, both taken by Hedrich Blessing. The first set, produced for a 1951 Architectural Forum magazine cover story, features curtains carefully arranged according to the architect’s preferences; the Museum of…[Read more]
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Kathleen DeLaurenti deposited Copyright & Digital Scholarship in the group
Open Music on Humanities Commons 7 years, 12 months agoThis workshop will provide an overview of fair use as it applies to digital projects. It will particularly benefit anyone planning, attempting to fund (via a grant), or currently managing a digital project that is aimed at providing access to made-digital or born-digital content. It will include suggestions for checklist and analysis tools that…[Read more]
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Stephen Thomson Moore deposited [Conversando con…] Jorge Villavicencio Grossmann in the group
Open Music on Humanities Commons 8 years, 1 month agoJorge Villavicencio Grossmann (nacido en 1973) es un compositor peruano/brasileño/estadounidense que estudió composición en São Paulo en la Faculdade Santa Marcelina y en los Estados Unidos en la Universidad Internacional de Florida y la Universidad de Boston. Su cuarteto de cuerdas no. 3 apareció en un disco reciente de cuartetos de cuerda lati…[Read more]
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Arnold Berleant deposited A Note on the Problem of Defining “Art” in the group
History of Art on Humanities Commons 8 years, 2 months agoA short note describing the difficulties that surround the definition of “art.”
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Matthew Lincoln deposited Continuity and Disruption in European Networks of Print Production, 1550-1750 in the group
History of Art on Humanities Commons 8 years, 2 months agoComputational analysis of the potential historical professional networks inferred from surviving print impressions offers novel insight into the evolution of early modern artistic printmaking in Europe. This analysis traces a longue durée print production history that examines the changing ways in which different regional printmaking communities…[Read more]
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Kariann Goldschmitt deposited From Disney to Dystopia: Transforming “Brazil” For A U.S. Audience in the group
Ethnomusicology on Humanities Commons 8 years, 2 months agoEver since appearing in Disney’s Saludos Amigos (1942), Ary Barroso’s musical ode to the Brazilian motherland, “Brazil,” is among the most recognizable songs circulating in Western Culture about Brazil. This essay shows how the song became detached from its roots as a nationalist samba to represent in audiovisual media such divergent ideas as tro…[Read more]
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Sonya Wohletz deposited Catalogue Entries–“Early Modern Faces” Exhibition at Newcomb Gallery, 2014 in the group
History of Art on Humanities Commons 8 years, 2 months agoThese are catalogue entries for the following works: Francisco de Zurbaran, Veronica Veil, from the Sarah Blaffer Campbell Collection Ferdinand Bol, Portrait of Sir John Hebdon, from the Sarah Blaffer Campbell Collection
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João Ohara created the group
Historical theory and the philosophy of history on Humanities Commons 8 years, 2 months ago -
Juuso Tervo deposited Death is all things we see awake; all we see asleep is sleep in the group
History of Art on Humanities Commons 8 years, 2 months agoThis talk offers a collection of vignettes that position the relation between life and death as a central but unsolvable question for theorization in art and politics. Indeed, what to think of death in times when, yet again, the end of the world as we know it seems to be near?
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Juuso Tervo deposited Death is all things we see awake; all we see asleep is sleep in the group
History of Art on Humanities Commons 8 years, 2 months agoThis talk offers a collection of vignettes that position the relation between life and death as a central but unsolvable question for theorization in art and politics. Indeed, what to think of death in times when, yet again, the end of the world as we know it seems to be near?
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Lorraine de la Verpillière deposited ‘God is in the details’: visual culture of closeness in the circle of Cardinal Reginald Pole in the group
History of Art on Humanities Commons 8 years, 3 months agoAs one of the most important political and religious figures of the mid sixteenth century, Cardinal Reginald Pole (1500–58) has been the subject of valuable historical studies. Although the English prelate was also a humanist, part of a vast intellectual and artistic network he established during his travels to Italy, Flanders, Spain and E…[Read more]
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Lorraine de la Verpillière deposited ‘God is in the details’: visual culture of closeness in the circle of Cardinal Reginald Pole in the group
History of Art on Humanities Commons 8 years, 3 months agoAs one of the most important political and religious figures of the mid sixteenth century, Cardinal Reginald Pole (1500–58) has been the subject of valuable historical studies. Although the English prelate was also a humanist, part of a vast intellectual and artistic network he established during his travels to Italy, Flanders, Spain and E…[Read more]
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Lorraine de la Verpillière deposited ‘God is in the details’: visual culture of closeness in the circle of Cardinal Reginald Pole in the group
History of Art on Humanities Commons 8 years, 3 months agoAs one of the most important political and religious figures of the mid sixteenth century, Cardinal Reginald Pole (1500–58) has been the subject of valuable historical studies. Although the English prelate was also a humanist, part of a vast intellectual and artistic network he established during his travels to Italy, Flanders, Spain and E…[Read more]
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