The aim of this research, focusing on representations of light and the symbolism of early Christian lamp decorations, has been to examine and summarise the existing knowledge of the symbolism of light in the Mediterranean region and the models by which this symbolism was manifested in the early Christian visual culture. Lamps with Early Christian…[Read more]

Lamp as a Symbol in Theology and Iconology of Light in the Mediterranean / Light and fire have been a part of the religious experience since the dawn of civilization, its cultic use can be traced back to as early as the Paleolithic. Seen as divine emanations, light and fire were experienced as a symbol of the divine presence. This symbolism can be…[Read more]

Robert Kennedy proclaimed, “Except for war, there is nothing in American life which trains a boy better for life than football.” While the sport’s governing bodies are presently distancing themselves from violent connections—altering rules in order to make the game safer for players—football culture remains firmly connected with militaris…[Read more]

Taking the idea of a “radical ethnomusicology” from Ed Emery (2017), I want to expose that the fact there is not a normal academic situation for ethnomusicology in the Balearic Islands it is also an opportunity to develop a radical and transforming scholar field, and I also rise some questions that I believe a radical Catalan ethnomusicology…[Read more]

One could call «industrial musicology» the study of the musical life in factories and workshops. Unlike agrarian societies, there are very few works about industrial workers’ musical activity, neither at the Catalan Countries nor Europe. Based on British and Catalan scholars’ few theoretical works, our research Música popular i indust…[Read more]

Baltasar Samper i Marquès (1888-­1966), from Majorca, was one of the most promi­nent musicians of the first third of the 20th century, forming part of the musical elite of Catalonia until the outbreak of the Spanish Civil War. A long exile, first in France and later in Mexico, from where he was never to return, pushed him into the background an…[Read more]

Proposta para trabalho final de Mestrado em Interpretação Artística – Piano, acerca do compositor italiano do século XX Luigi Dallapiccola (1904-1975) e da sua obra para piano. Serão abordados aspetos biográficos, o contexto sociopolítico e cultural na Europa e Itália na primeira metade do século, o enquadramento das obras para piano no contexto…[Read more]

On June 17, 2018, the Aquarius, a boat carrying refugees, docked in Valencia. The wave of solidarity that ran through the city and neighboring towns in response to this arrival was intermingled with ignorance of a phenomenon—migration across the Mediterranean Sea—that has been a historical constant, and which indexes both the aspirations and fea…[Read more]

The prints featured in this exhibition are all products of the Meiji period (1868–1912), a time of massive cultural and institutional transformation in Japanese culture. The era is characterized by rapid westernization brought about after the opening of Japanese ports in 1854 and the subsequent restoration of the Meiji Emperor in 1868. The p…[Read more]

Finite Element Analyses (FEA) was used to predict the resonant modes of the Tsar Kolokol, a 200-ton fractured bell that sits outside the Kremlin in Moscow. Frequency and displacement data informed a physical model implemented in the Faust programming language (Functional Audio Stream). The authors hosted a concert for Tsar bell and carillon with…[Read more]

This chapter assembles theses — a distinctive genre of writing that articulates an intervention in a political, economic, or cultural practice — on the form and animating vision of intellectual practice.

An interpretation of the Red Mammoth Panel in Chauvet linking Chauvet to Lascaux in a single ritual landscape

Shipibo indigenous people perform a sophisticated array of vocal musical genres, including short ‘laughing songs’ called osanti. These song-jokes make fun of certain non-humans, mostly animals. They are by definition sung from within the non-humans’ perspective. Osanti are only performed by trained specialists in indigenous medicine and sorce…[Read more]

The Index of Deities and Demons is the heart of One Godz. This Index presents almost all Deities and Demons represented on the cave walls of Chauvet and Lascaux along with their defining Basis Points drawn from Hesiod and the Homeric Hymns. This chapter demonstrates the actual process of attaching meaning to symbolism while mediating subjectivity.

This Primer provides a methodology for mitigating subjectivity when attaching meaning to preholocene rock art. It provides an introduction to basic syntax, grammar, and some vocabulary. It identifies four non-verbal languages of the Upper Paleo.

This is the five image hypothesis for the thesis One Godz which follows.

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The coffered ceiling of Nossa Senhora dos Réis de Lamalonga church is one of the largest and most important nucleus of painting in the northeastern region of Portugal. Given the ambitious programme of interceding saints it appears that the work was largelly triggered by the human tragedy in Lisbon earthquake of 1 November 1755. Joaquim Manuel da…[Read more]

The different sensations resulted from Vieira Lusitano garnish and ungarnish drawings observation, registered in a few museums in our country, led us to consider other reasons beyond the painter intentions to promote this creative step in art itself. Painters ennoblement was more dependent in social origins rather in artistic merits, besides they…[Read more]