“Who were the Romans? Shifting Scripts of Romanness in Early Medieval Italy,” in Post-Roman Transitions. Christian and Barbarian Identities in the Early Medieval West, eds. Walter Pohl and Gerda Heydemann, Cultural Encounters in Late Antiquity and the Middle Ages 14

“Foreign Saints at Home in Eighth- and Ninth-century Rome. The Patrocinia of Diaconiae, Xenodochia and Greek Monasteries,” in Cuius patrocinio tota gaudet regio. Saints’ Cults and the Dynamics of Regional Cohesion, eds. S. Kuzmová, A. Marinković and T. Vedriš

“Saints for All Christendom: Naturalizing the Alexandrian Saints Cyrus and John in Seventh- to Thirteenth-Century Rome.” Dumbarton Oaks Papers 71 (2017): 337–366

“Saints for All Christendom: Naturalizing the Alexandrian Saints Cyrus and John in Seventh- to Thirteenth-Century Rome.” Dumbarton Oaks Papers 71 (2017): 337–366

This paper investigates the multiple impulses that contributed to the early medieval interest in Pope Damasus’s inscriptions. In part, Damasus’s verses were read as guides to Rome’s martyrial topography; in part, they served as models of a classicizing Christian style. Above all, the appeal of these verses derived from their association with…[Read more]

This article argues that Ferdinand Gregorovius (1821–91) in his popular but much critiqued Geschichte der Stadt Rom im Mittelalter challenged the ideals of an objective, dispassionate historiography advocated by the leading German historians of his generation. To do so it focuses on Gregorovius’s treatment of the city of Rome and its urban leg…[Read more]

“Hagiography as History and the Enigma of the Quattro Coronati,” Rivista di Archeologia Cristiana 93 (2017): 345–409

“Why Remember Ratchis? Medieval Monastic Memory and the Lombard Past,” Archivio Storico Italiano 177.1 (2019): 3–57

The altar screen mosaic icons were ordered and installed on a new reconstructed altar screen in the Žiča Monastery in 1993. The sketches made by a painter, Mladen Srbinović were approved by a committee consisting of eminent experts. Furthermore , The Serbian Patriarch Paul gave his blessing to the icons. However, soon after they were put up, th…[Read more]

The paper deals with the so called griffin lamps. In the group of early Christian bronze lamps, a relatively large number of those with handles in the form of griffin-shaped protome have been preserved. Griffin lamps could be called the prototype of Late Antique production, owing to the manner in which stylistic and iconographic elements of the…[Read more]

Between Continuity and Negation – Reception of the Ancient Spolia in the Christian Tradition in the North of Kosovo The use of spolia has been recorded on numerous sacred objects in the Northern Kosovo, especially in the micro region around the Roman settlement in Sočanica. Spolia were mostly used for construction and paving; however, their use…[Read more]

The aim of this research, focusing on representations of light and the symbolism of early Christian lamp decorations, has been to examine and summarise the existing knowledge of the symbolism of light in the Mediterranean region and the models by which this symbolism was manifested in the early Christian visual culture. Lamps with Early Christian…[Read more]

Lamp as a Symbol in Theology and Iconology of Light in the Mediterranean / Light and fire have been a part of the religious experience since the dawn of civilization, its cultic use can be traced back to as early as the Paleolithic. Seen as divine emanations, light and fire were experienced as a symbol of the divine presence. This symbolism can be…[Read more]

Late medieval discourses on chivalry were heavily informed by the competitive structure of homosocial male groups. The discourse on heroism which characterizes large parts of late medieval chivalric writing can be viewed as a consequence of this structural predisposition to contest. Texts as e.g. Geoffroy de Charny’s “Livre de Chevalerie”, Olivier…[Read more]

Between 1880 and 1924, an estimated half million Arab migrants left the Ottoman Empire to live and work in the Americas. Responding to new economic forces linking the Mediterranean and Atlantic capitalist economies to one another, Arab migrants entered the manufacturing industries of the settler societies they inhabited, including industrial…[Read more]

Ambrósíus saga og Rósamunda is a post-medieval Icelandic romance which belongs to a group of Scandinavian narratives utilizing the pound of flesh motif. It survives in 19 paper manuscripts from the 18th and 19th centuries, and it has never before been edited. The aim of the present edition is of an introductory nature, primarily to make the sa…[Read more]

Heiles, Marco: Abschließbare Bücher des Mittelalters und der Frühen Neuzeit, in: Einbandforschung 43 (2018), S. 6–19.

The article describes the phenomenon of lockable books in the Middle Ages and the Early Modern and developes a (German) terminology for their description.

O presente estudo propõe um roteiro pelas principais instituições religiosas de Évora durante os séculos XIV e XV a partir da perspetiva da sua atividade musical. Embora já tenham sido realizados numerosos estudos de fontes, ainda está em falta um estudo do contexto urbano desta atividade. O presente trabalho pretende contribuir para estudo…[Read more]

The articles in this Special Collection engage directly with the realities of water as they simultaneously explore its intellectual potential in various genres of medieval writing, from crusade chronicles to medieval romance. In this way they shed new light not only on the literature and history they explore but also on medieval conceptions of…[Read more]

Marco Heiles, Heinrich Kaufringer Bibliographie 1809–2017, in: Mittelalter. Interdisziplinäre Forschung und Rezeptionsgeschichte, https://mittelalter.hypotheses.org/9836, Stand: 07.05.2019.