Through an analysis of Tony Kushner’s 2001 play “Homebody/Kabul” and the Old English “Ruin” poem, this essay explores the tension, anxiety, and isolation inherent in the aesthetic and philosophical enterprises of measuring the distance that separates myth from real being (a project that takes place, I would argue, against Levinas, not just o…[Read more]

Through a comparative analysis of Chaucer’s “The Clerk’s Tale” and Lars von Trier’s film “Breaking the Waves,” this essay wonders what happens when two texts and one reader happen to each other and open up a singular adventure that is also a moment of ‘futurition’ that opens up new horizons of meaning, both human and inhuman. How can we reckon the…[Read more]

This essay argues, through various personal anecdotes, for a university in which our work and lives would turn away from impersonal professionalism and more towards a praxis where we would recognize better, as Brantley Bryant has written, that our “very strength, our very expertise, comes from darkness, indeterminacy, unmarketably disastrous…[Read more]

A plea for more generous modes of reading each other’s scholarship in order to arrive at a University that values productive dissensus within a framework of shared endeavor and solidarity. The essay also argues for new relational modes in which personal, professional and other identities would be rejected in favor of cruising each other’s thought and work.

André de la Vigne (1470?-1526?) in the manuscript of his “Mystère de Saint Martin,” performed in the town of Seurre in October 1496, also included a “moralité” and a “farce.” Although they are positioned at the conclusion of the “mystère,” these short plays were undoubtedly integral to the larger performance. At the same time they are via…[Read more]

This paper deals with the political ideology of late pre-imperial and early imperial China as documented by remnants of an under-explored genre known in English as weft (wei 緯) writings or “Confucian Apocrypha”. It focuses on the transcendence of hierarchy and sovereignty, the transfer of dynastic legitimacy, and the pragmatic vehicle of “tang…[Read more]

In this chapter I investigate the coercive relationship between authorship and copyright from the perspective of intersectional feminist and de-colonial knowledge practices. Examining three artistic strategies (Richard Prince, Cady Noland and the Piracy Project) which all try to challenge the close ties between copyright and authorship – a…[Read more]

Diplomatische Transkription nach
Halle (Saale), Universitäts und Landesbibl., Yg 2° 7 , fol.
77 rb 86 r (Oberösterreich, um

Die Minnereden ‘Der Spalt in der Wand’ und ‘Klage einer jungen Frau’. Synoptische Abdruck nach Cgm 270 und Cgm 379

Diplomatische Transkription und Leseversion nach Freiburg, Universitätsbibliothek, Hs. 1500,7, fol. 38r-43v

Master Thesis / Masterarbeit 2010

Master Thesis / Masterarbeit 2010

Das Wunderbare in der deutschsprachigen Rezeptliteratur des 15. Jahrhunderts, in: Stefanie Kreuzer und Uwe Durst (Hg.), Das Wunderbare. Dimensionen eines Phänomens in Kunst und Kultur (Traum – Wissen – Erzählen 3), Paderborn: Fink 2018, S. 233–250.

“Who were the Romans? Shifting Scripts of Romanness in Early Medieval Italy,” in Post-Roman Transitions. Christian and Barbarian Identities in the Early Medieval West, eds. Walter Pohl and Gerda Heydemann, Cultural Encounters in Late Antiquity and the Middle Ages 14

“Foreign Saints at Home in Eighth- and Ninth-century Rome. The Patrocinia of Diaconiae, Xenodochia and Greek Monasteries,” in Cuius patrocinio tota gaudet regio. Saints’ Cults and the Dynamics of Regional Cohesion, eds. S. Kuzmová, A. Marinković and T. Vedriš

“Saints for All Christendom: Naturalizing the Alexandrian Saints Cyrus and John in Seventh- to Thirteenth-Century Rome.” Dumbarton Oaks Papers 71 (2017): 337–366

This paper investigates the multiple impulses that contributed to the early medieval interest in Pope Damasus’s inscriptions. In part, Damasus’s verses were read as guides to Rome’s martyrial topography; in part, they served as models of a classicizing Christian style. Above all, the appeal of these verses derived from their association with…[Read more]

This article argues that Ferdinand Gregorovius (1821–91) in his popular but much critiqued Geschichte der Stadt Rom im Mittelalter challenged the ideals of an objective, dispassionate historiography advocated by the leading German historians of his generation. To do so it focuses on Gregorovius’s treatment of the city of Rome and its urban leg…[Read more]

“Hagiography as History and the Enigma of the Quattro Coronati,” Rivista di Archeologia Cristiana 93 (2017): 345–409

“Why Remember Ratchis? Medieval Monastic Memory and the Lombard Past,” Archivio Storico Italiano 177.1 (2019): 3–57