Kafka’s Romanticism/Platonism is hidden underneath the covers. In this article I show how better translations can help the reader take the covers off the bed. Whether it be K.’s meeting with Buergel in the Castle or with the Josef K.’s meeting with the Priest in The Trial,
essentially the message resonates. A preview of ESSENTIAL KAFKA.

Commedia dell’Arte was the most influential and widespread theatre movement in sixteenth and early seventeenth-century Europe. A considerable part of its popularity can be accounted for by its comic representation of stressful occurrences within everyday life in early modern Europe, including in its representation of the period’s widespread dis…[Read more]

The article enacts the essay as the mainstay of scholarly discourse in a knowledgeable community. It deals with (con)textualized readings of poetry (or literature) mainly through the medium of translation as an important intercultural phenomenon involving poetics, episteme, borders.

Designed as a short introduction to academic literary studies of affect, Reading Affect in Literary Studies is a one-credit graduate seminar, offered in Spring 2014, that was framed by the question of how we might rethink our practice as scholars of literature to take our scholarship to publics beyond the academy. Readings included work by Rita…[Read more]

The essay reads Ralph Waldo Emerson’s argument for a “nation of friends,” in “Politics,” as Emerson’s response to his lament, also in “Politics,” that the “power of love, as the basis of the State, has never been tried.” By a careful reading of that essay, which includes locating “Politics” within the debate in Thomas Hobbes’s Leviathan be…[Read more]

The main topic of this article is the history of a rare and precious French magazine of the late Nineteenth century, in which a vivid and crucial discussion about arts and their inter-relation grew the more and more intense in the short space of four years (1892-1896). The “Livre d’Art” was first conceived as a simple booklet to be distr…[Read more]

Blind’s autonomous cosmopolitanism is in four distinct layers. The first layer is her unusual everyday family background in the transition from Jewish tradition to the life of European revolutionaries in the 1840s and exile in Britain. The second layer is Blind’s mental and moral development under Friederike’s care and educational guidance accor…[Read more]

Ce livre rassemble huit études sur la littérature symboliste, que Sergio Cigada publia en italien genre 1960 et 2010. Elles sont ici pour la première fois rassemblées, par les soins de ses élèves, et traduites en français. À la lumière d’une conception “interprétative et non didactique” de la critique littéraire, Cigada décèle chez Baudelaire l…[Read more]

The object of this article is the idea of theatrical synesthaesia, as it was developed into the relationship between painters and symbolist poets at the “Théâtre d’Art” directed by Paul Fort since november 1890 till march 1892. Aesthaetic theories of two of the most important Nabis painters (Maurice Denis and Emile Bernard) are examined in relatio…[Read more]