Paintings are usually not animated. But: Painters want to tell stories and therefore have cre-ated methods to induce a performance within the viewer’s imagination. An especially apt media for such approaches is book illumination because it is possible to sequence a story into many separate scenes. This happened from Late Antiquity onwards.
I p…[Read more]

The article focuses on one of the most famous accounts of the events of 1204: the De Signis by Niketas Choniates. It demonstrates how Choniates constructed a (semi)fictional account of the assaults against the Byzantine culture and identity through a constellation of symbols and passages drawn from the Greek Classics. The article comprises three…[Read more]

Although he obtained a medical degree at the University of Caen in 1618, Isaac Beeckman never practised medicine. Instead, he developed an atomistic conception of Galenic physiology by discussing, throughout his notebook, the constituents and functioning of the living body. Interestingly, Beeckman applied his atomistic interpretation to the notion…[Read more]

The rise of global Shakespeare as an industry and cultural practice—the incorporation of Shakespearean performance in cultural diplomacy and in the cultural marketplace—is aided by digital tools of dissemination and digital forms of artistic expression. Shakespeare has evolved from a cultural nomad in the past centuries—a body of works with no pe…[Read more]

This contribution examines an early modern manuscript, AM 899 4to, from Sweden, which features the Stora Rimkrönikan (Erikskrönikan, Karlskrönikan og Sturekrönikan) from the Swedish Middle Ages. AM 899 4to is extensively annotated. It shows that the medieval texts were read and received in modern times. The various annotations are here for the fir…[Read more]

Results of automatic language identification in Erasmus’ Praise of Folly, Aleandro’s diaries, and a 1512 letter from Aleandro to Erasmus

La presencia de la sífilis en La Lozana andaluza, esencial para la comprensión de la obra y de predominante protagonismo en sus tramas, se suele explicar recurriendo no solo a la consciencia individual de su autor, Francisco Delicado1, como representante de otros muchos que al igual que él padecieron el mal francés en la Roma del Quinientos, sin…[Read more]

This dissertation develops a methodology for understanding tonality and tonal structures in Renaissance polyphony by exploring the ways that the modern-day analyst and listener experience tonal phenomena in this music through a historically-informed lens. Regarded as one of the most important composers of the late-sixteenth century, Tomás Luis de…[Read more]

The screen as an interface immerses audiences in an alternate universe. As a result, that interface seems transparent. Through analyses of performances that call attention to filmic genres, such as Edgar Wright’s parody film, Hot Fuzz (2007), and the Wooster Group’s multimedia production, Hamlet (2007), as well as (meta)theatrical operations on…[Read more]

El objetivo del presente trabajo investigativo es examinar el discurso teológico en la obra didáctica del prosista medieval y noble castellano Don Juan Manuel, en particular en la quinta parte de El Conde Lucanor, considerar el contexto cultural y sociopolítico en que se produjo, explorar sus pautas discursivas e indagar el texto desde la pe…[Read more]

Espigando el diverso y abigarrado contenido del primer artículo dedicado a la biografía de Mencía de Mendoza, es bastante curioso el hecho de que su humilde y opaco autor, que no se atrevió a firmar la pieza, otorgase veracidad a una supuesta conversación entre la dama y su marido. Según este relato, en una de las ocasiones en que el noble guerr…[Read more]