While World War II was still raging in Europe and the Pacific, the onset of the Greek Civil War in December 1944 marked the beginning of the Cold War. For the people of Greece, the civil war would continue the devastation that the Italian, German, and Bulgarian occupations had initiated. The civil war’s catastrophic cleavages in Greek society are…[Read more]

Completed in early 1944, Robert Desnos’s militant series of 25 poems in Contrée evokes memories of a lost peace and calls for the defeat of the German occupiers. Suggesting the desecration of the human body by the occupiers, Picasso cut his cubist–surrealist frontispiece etching of Dora Marr to produce severed heads and dismembered body part…[Read more]

In post-conflict reconstruction there are many tasks that need to be accomplished. Immediate,
medium‐term, and long-term priorities need addressed by multiple national and international
stakeholders, all wanting their interests satisfied. This situation poses a question “what are the
most urgent priorities in post-conflict rec…[Read more]

In post-conflict reconstruction there are many tasks that need to be accomplished. Immediate,
medium‐term, and long-term priorities need addressed by multiple national and international
stakeholders, all wanting their interests satisfied. This situation poses a question “what are the
most urgent priorities in post-conflict rec…[Read more]

This is the syllabus I’ve designed for my Fall 2019 undergraduate-level Introduction to Film course. I focused the course as a genre study of American horror films. I want my students to be able to consider the socio-political contexts of popular films and to detect and explain the arguments and worldviews produced by film.

In addition to the enigmatic The Codomas, Henri Matisse distinguished three other images with a name, Icarus, Monsieur Loyal and Pierrot’s Funeral for his landmark livre d’artiste Jazz. While the characters Loyal, Pierrot and Icarus were readily identifiable and the images could be interpreted within the context of the difficulties of the Ger…[Read more]

Henri Matisse’s images in Jazz, created during the disruption of the German Occupation of France, were embedded with symbols of cultural resistance, while his text, which he composed after the defeat of the Germans, reflected the transition to a post-Liberation France. The wartime symbols and allusions camouflaged within these images are readily r…[Read more]

The ability of the United States (U.S.) to influence policies in Colombia is indisputable. The U.S. is Colombia’s largest trading partner, and this alone provides the U.S. with great power with regards to Colombian policymaking. U.S. power is not only manifest within the economic realm, though, as Colombia is a consumer of many U.S. cultural p…[Read more]

This post, written following the announcement of Plan S, reflects on the San Francisco Declaration on Research Assessment (DORA) and the call for responsible use of research metrics and recognition of open research practices in assessment.

In my final International Open Access Week 2018 blog post I reflected on other open research practices, namely open data and open researcher contributorID (ORCiD).

As part of International Open Access Week I reflected on the link between Open Access, Altmetrics and citation counts.

As part of International Open Access Week 2018 I blogged about how Altmetrics can help an author understand the readership and audience for their Open Access research. It can be surprising what breadth a single piece of work can have.