Commedia dell’Arte was the most influential and widespread theatre movement in sixteenth and early seventeenth-century Europe. A considerable part of its popularity can be accounted for by its comic representation of stressful occurrences within everyday life in early modern Europe, including in its representation of the period’s widespread dis…[Read more]

This article considers Marıa Lugones’s concept of faithful witnessing as a point of departure to think about the ethics and possibilities of faithful witnessing in literary contexts. For Lugones, faithful witnessing is an act of aligning oneself with oppressed peoples against the grain of power and recognizing their humanity, oppression, and re…[Read more]

This article considers Marıa Lugones’s concept of faithful witnessing as a point of departure to think about the ethics and possibilities of faithful witnessing in literary contexts. For Lugones, faithful witnessing is an act of aligning oneself with oppressed peoples against the grain of power and recognizing their humanity, oppression, and re…[Read more]

This article reads the smuggling of Aztec artifacts described in Lucha Corpi’s novel Black Widow’s Wardrobe in the context of new materialist philosophies of becoming.

This article reads the smuggling of Aztec artifacts described in Lucha Corpi’s novel Black Widow’s Wardrobe in the context of new materialist philosophies of becoming.

The main topic of this article is the history of a rare and precious French magazine of the late Nineteenth century, in which a vivid and crucial discussion about arts and their inter-relation grew the more and more intense in the short space of four years (1892-1896). The “Livre d’Art” was first conceived as a simple booklet to be distr…[Read more]

In this paper, I use Sandra Cisneros’s /Caramelo/ (2002) to examine the “traveling borderlands” in Mexican American migrant narratives. Traveling borderlands names the aesthetic and existential practice of creating contingent home spaces that contest paradigms of fragmentation and essentialism, the former often taken to be a defining feature of ma…[Read more]

This paper traces the origins of Chicana-centered figures and tropes found in Ana Castillo’s So Far from God to early 20th century cuentos recorded in the New Mexico Federal Writer’s Project.

This paper traces the origins of Chicana-centered figures and tropes found in Ana Castillo’s So Far from God to early 20th century cuentos recorded in the New Mexico Federal Writer’s Project.