Sobre el sonet0 77 de Shakespeare: Soneto, espejo, reloj, bloc y libro: https://www.academia.edu/168923/

Mouchard, Claude. “Chateaubriand et Milton.” In Traductions, Passages: Le domaine anglais. Ed. Stephen Romer. Presses Universitaires François-Rabelais, 1993. 37-68. Online at Open Edition Books.*         https://books.openedition.org/pufr/3874         2022

Lorenzo Modia, María Jesús. “La vindicación de los derechos de la mujer antes de Mary Wollstonecraft.” Philologia Hispalensis 17.2 (2003): 105-14.*         http://dx.doi.org/10.12795/PH.2003.v17.i02.09         2022

My bibliography on Hamlet: https://thishugestage.blogspot.com/2022/02/my-bibliography-on-hamlet.html

Orton, Barbara J. “A Wild Ride: Following the Turns in Rochester’s ‘The Imperfect Enjoyment’.” Voltage Poetry 13 Dec. 2012.*         https://voltagepoetry.com/2012/12/13/barbara-ortons-a-wild-ride-following-the-turns-in-rochesters-the-imperfect-enjoyment/         2022

Ivizate González, Diana María. “Transfondo filosófico e intertextualidad en El retrato de Dorian Gray, de Oscar Wilde.” Letralia 14 Dec. 2015.*         https://letralia.com/sala-de-ensayo/2015/12/14/trasfondo-filosofico-e-intertextualidad-en-el-retrato-de-dorian-gray-de-oscar-wilde/         2022

Carroll, Joseph. “Aestheticism, Homoeroticism and Christian Guilt in The Picture of Dorian Gray: A Darwinian Critique.” Philosophy and Literature 29 (2005). Online at Joseph Carroll’s Books and Essaays on Evolution, Literary Theory, and Criticism.*         https://www.umsl.edu/~carrolljc/Documents%20linked%20to%20indiex/1%20Recent%20Articles/Carrol…[Read more]

Deep-brain’d Sonnets: https://www.academia.edu/171762/

Otelo siempre en Alepo: https://thishugestage.blogspot.com/2022/02/otelo-siempre-en-alepo.html

Retropost, 2012: Shakespeare’s Staying Power https://vanityfea.blogspot.com/2012/02/shakespeares-staying-power.html

Husband to Mrs. Milton: https://www.academia.edu/171866/

Medoff, Jeslyn. “New Light on Sarah Fyge (Field, Egerton).” Tulsa Studies in Women’s Literature, 1.2 (University of Tulsa, 1982):  155–75.*          https://doi.org/10.2307/464077.         Online at JSTOR.*         https://www.jstor.org/stable/pdf/464077.pdf         2022

Schwanecke, Christine. (U of Graz). A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century. (Narratologia, 80). Berlin and Boston: de Gruyter, 2022. (I. Towards a Transgeneric and Contextual Theory of Narrative in Drama, Or, Reframing ‘Drama’ as a Narrative Genre; II. The…[Read more]

Adaptation, Appropriation, Retroaction: Symbolic Interaction with ‘Henry V’: https://www.academia.edu/178881/

Retropost, 2012: Mi tesina sobre Dickens https://vanityfea.blogspot.com/2012/02/mi-tesina-sobre-dickens.html

“Clarissa la crítica y su ética del buen gusto: Una narración autoengendrada.” https://vanityfea.blogspot.com/2022/01/clarissa-la-critica-y-su-etica-del-buen.html

Partly on Herbert Spencer’s theory of cosmic evolution:

The Story Behind Any Story: Evolution, Historicity and Narrative Mapping: https://www.researchgate.net/publication/350010315

Garrick, Shakespeare, y la paradoja del comediante: https://thishugestage.blogspot.com/2022/01/garrick-shakespeare-y-la-paradoja-del.html

La política espectacular de ‘Julio César’: https://www.researchgate.net/publication/314477279