Shakespeare’s Henry V (1600) concludes with a treaty between England and France, enabled through the marriage of King Henry and Princess Katherine, the compromises of France and Burgundy, Queen Isabella’s advocacy and even Henry’s own willingness to let his delegates speak on his behalf. Although the final scene dramatizes the historical treat…[Read more]

Series of Powerpoint slides. Background on the limited time of faculty at “the 99%” of institutions (Francisco and O’Dair) to conduct research and thus the importance of not wasting that labor by choosing inappropriate venues. Overview of types of journal, and suggestions for using reflection prompts, the MLA directory of Periodicals, and a…[Read more]

The metatheatricality of A Midsummer Night’s Dream has invited recent directors to tell particular kinds of socially progressive stories. This article uses the notion of “social reparation” to theorize remedial uses of Shakespeare in adaptations that give artists and audiences more moral agency. By imagining more inclusive local habitations and s…[Read more]

This dissertation deals with aristocratic historiography and political legitimation in late-medieval Portugal (late thirteenth and fourteenth centuries). It offers a perspective into the historical imaginary of the late-medieval Portuguese aristocracy; an imaginary that underlay the argumentation of members of this social class in defence of their…[Read more]

Viking invasions and settlements left substantial legacies in late Anglo-Saxon England, attested in legal texts as a division between areas under Dena lage and those under Ængla lage. But how legal practice in Scandinavian-settled England functioned and differed from Anglo-Saxon law remains unclear. III Æthelred, the ‘Wantage Code’, provides criti…[Read more]

Der Beitrag untersucht das Verhältnis des Bildprogramms zur Weltchronik des Rudolf von Ems zu anderen Bildprogrammen von volkssprachlichen Weltchroniken.
Es gibt keinen für Rudolf von Ems typischen Illustrationsmodus. Weder Rudolf noch irgendeine andere Weltchronik hat eine derart individuell ausgeprägte und von der biblischen Grundlage sich ab…[Read more]

The article focuses on one of the most famous accounts of the events of 1204: the De Signis by Niketas Choniates. It demonstrates how Choniates constructed a (semi)fictional account of the assaults against the Byzantine culture and identity through a constellation of symbols and passages drawn from the Greek Classics. The article comprises three…[Read more]

The article focuses on one of the most famous accounts of the events of 1204: the De Signis by Niketas Choniates. It demonstrates how Choniates constructed a (semi)fictional account of the assaults against the Byzantine culture and identity through a constellation of symbols and passages drawn from the Greek Classics. The article comprises three…[Read more]

The rise of global Shakespeare as an industry and cultural practice—the incorporation of Shakespearean performance in cultural diplomacy and in the cultural marketplace—is aided by digital tools of dissemination and digital forms of artistic expression. Shakespeare has evolved from a cultural nomad in the past centuries—a body of works with no pe…[Read more]

This contribution examines an early modern manuscript, AM 899 4to, from Sweden, which features the Stora Rimkrönikan (Erikskrönikan, Karlskrönikan og Sturekrönikan) from the Swedish Middle Ages. AM 899 4to is extensively annotated. It shows that the medieval texts were read and received in modern times. The various annotations are here for the fir…[Read more]

This chapter examines how historical and critical modalities of reading sacred scripture became central to modern biblical studies. It examines what “criticism” was, whence it came, what it did, and which critiques it sustained, before considering its prospects for future historical and literary analysis of the Bible.

The screen as an interface immerses audiences in an alternate universe. As a result, that interface seems transparent. Through analyses of performances that call attention to filmic genres, such as Edgar Wright’s parody film, Hot Fuzz (2007), and the Wooster Group’s multimedia production, Hamlet (2007), as well as (meta)theatrical operations on…[Read more]

No creo que haya mejor ocasión que este homenaje alcalaíno al maestro Alberto Blecua para vencer las reticencias y dudas del neófito que, en palabras de Márquez Villanueva, ha de pisar por vez primera los “senderos de alto riesgo” por los que camina el Libro de buen amor. Por motivo de mi admiración y reconocimiento al homenajeado, voy a dejarme…[Read more]

Presentation about the divinatory texts in the Bairische Bild-Enzyklopädie.

Manuscripts:
Erlangen, Universitätsbibliothek, MS.B 200, http://digital.bib-bvb.de/webclient/DeliveryManager?custom_att_2=simple_viewer&pid=5281832
Kraków, Biblioteka Jagiellońska, Rkp. Przyb. 35/64, http://jbc.bj.uj.edu.pl/dlibra/docmetadata?id=271106&from=FBC

Tal vez uno de los procesos más destacados de la historia de Europa en el siglo XIII sea la configuración de la primera época de esplendor de justas, torneos y todo tipo de espectáculos de riesgo. Aproximadamente entre los años 1170 y 1260, el Viejo Continente asistió a la explosión de estos encuentros, en los que brillaron con luz propia los no…[Read more]

This chapter analyses Global Byzantium by situating the medieval empire of New Rome in the history of statehood’s generalisation worldwide. Arguing that statehood remains the implicit mental furniture of History at a macro-civilizational scale, and so more or less at the micro too, the chapter proposes the dual concepts of hegemony and c…[Read more]