Publications
Books (single-authored, edited, co-edited), electronic databases:
1. Condee, Nancy, Alexander Prokhorov, and Elena Prokhorova, eds. Cinemasaurus: Recent Russian Film in its Contemporary Context. Boston: Academic Studies Press, 2020.
2. Slobin, Greta N. Russians Abroad: Literary and Cultural Politics of Diaspora (1919-1939). Ed. Katerina Clark, Nancy Condee, Dan Slobin, and Mark Slobin. Boston: Academic Studies Press, 2013.
3. Beumers, Birgit and Nancy Condee, eds. The Cinema of Alexander Sokurov. The Russian Cinema Series. London: I. B. Tauris, 2011.
4. Condee, Nancy. The Imperial Trace: Recent Russian Cinema. New York: Oxford University Press, 2009.
5. Smith, Terry, Okwui Enwezor, Nancy Condee, eds. Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity. Durham: Duke University Press, 2008.
6. —. M/C: Modernity and contemporaneity. Symposium audio archive (mp3 format: 18 hours running time). Pittsburgh: University of Pittsburgh and Carnegie Museum of Art, 2005.
7. Condee, Nancy, Executive Producer. Kino ottepeli [Thaw Cinema]. Marina Trush and Artem Grishanin, producers. Studio Artima (Moscow), 2002. CD-rom on Khrushchev-era film (300 film entries, 2000 illustrations; 130 posters; 17 video fragments; memoirs and interviews; 3,500 references and overview pages).
8. Balina, Marina, Nancy Condee, and Evgeny Dobrenko, eds. Endquote: Sots-Art Literature and Soviet Grand Style. Evanston, IL: Northwestern UP, 2000.
9. Condee, Nancy, ed. Soviet Hieroglyphics: Visual Culture in Late 20c. Russia. Bloomington and London: Indiana University Press and British Film Institute, 1995.
Special journal issues:
10. Condee, Nancy and Colin MacCabe, eds. September 11th A Year On: A Research Symposium. Special Issue on the anniversary of 9/11. Critical Quarterly Vol. 45, Number 3 (2003). Introduction by Condee and MacCabe.
11. Condee, Nancy and Vladimir Padunov, eds. Soviet Studies in Literature. Special issue. Culture’s Tapestry. On the Writings of Lev Anninskii Vol. 27, No. 4 (Fall 1991).
12. —. Soviet Studies in Literature. Three-part special issue (I). Recently Published Soviet Prose: The Critical Response. Part One Vol. 24, No. 3 (Summer 1988).
13. —. Soviet Studies in Literature. Three-part special issue (II). Recently Published Soviet Prose: The Critical Response. Part Two Vol. 24, No. 4 (Fall 1988).
14. —. Soviet Studies in Literature. Three-part special issue (III). Recently Published Soviet Prose: The Critical Response. Part Three Vol. 25, No. 1 (Winter 1988-89).
Articles and chapters:
15. Condee, Nancy. “La question du cinéma « post-Balabanovien ».” In Eugénie Zvonkine, ed. Cinéma russe contemporain, (r)évolutions. Villeneuve d’Ascq: Presses Universitaires du Septentrion, 2017. 255-265.
16. Condee, Nancy, ed. “Talking with Scholarly Publishers (Historia Nova Prize Part II).” All the Russias. Jordan Center for the Advanced Study of Russia (New York University); 9 August 2017. Online at http://jordanrussiacenter.org/news/talking-scholarly-publishers-historia-nova-prize-part-ii/#.WZDyQbpFzmQ
17. —. “3 Questions: Russian intellectual history as a practice and project (Historia Nova Interviews, Part I).” All the Russias. Jordan Center for the Advanced Study of Russia (New York University); 7 August 2017. Online at http://jordanrussiacenter.org/news/3-questions-russian-intellectual-history-practice-project-historia-nova-interviews/#.WZDyq7pFzmQ
18. —. “Knowledge (imperfective): Andrei Zviagintsev and Contemporary Cinema.” Companion to Russian Cinema. Ed. Birgit Beumers. Oxford: Blackwell-Wiley, 2016. 565-84.
19. —. “Cold Snap (Part I): Russian Film after Leviathan.” All the Russias. Jordan Center for the Advanced Study of Russia (New York University); 22 July 2015. Online at http://jordanrussiacenter.org/news/cold-snap-part-russian-film-leviathan/#.Va_c_vlViko.
20. —. “Cold Snap (Part II): Russian Film after Leviathan.” All the Russias. Jordan Center for the Advanced Study of Russia (New York University); 23 July 2015. Online at http://jordanrussiacenter.org/news/cold-snap-part-russian-film-leviathan/#.Va_c_vlViko.
21. —. “The Russian Pavilion at Cannes 2015: Film Politics after Leviathan.” KinoKultura 49 (2015); http://www.kinokultura.com/2015/49-condee.shtml#16.
22. —. “Небо. Самолет. Девушка [Sky. Plane. Girl].” Essay on Vera Storozheva, dir. Directory of World Cinema: Russia. Vol 2. Ed. Birgit Beumers. Bristol: Intellect, 2015. 191-92.
23. —. “Kinotavr 2013 (and Three Afterthoughts): Current Russian Cinema.” KinoKultura 42 (October 2013); http://www.kinokultura.com/2013/42-condee.shtml.
24. —. “Kira Muratova, Tuner.” The Russian Cinema Reader, Volume Two: From the Thaw to the Present. Ed. Rimgaila Salys. Boston: Academic Studies Press, 2013. 313-23.
25. Kondi, Nensi. “Vilka Mortona (Zametki o Kinotavre-2013).” Iskusstvo kino 8 (2013); http://kinoart.ru/archive/2013/08/vilka-mortona.
26. —. “Sovremennoe rossiiskoe kino i problema vnutrennei kolonizatsii.” In Aleksandr Etkind, Dirk Uffelmann, Il’ia Kukulin, eds. Tam, vnutri: Praktiki vnutrennei kolonizatsii v kul’turnoi istorii Rossii. Moscow: Novoe literaturnoe obozrenie, 2012. 760-86.
27. —. “Kinoformat goda.” Iskusstvo kino 8 (2012); http://kinoart.ru/archive/2012/08/kinotavr-2012-kinoformat-goda.
28. Konde, Nensi. “Astenicheskii sindrom (1990).” Noev kovcheg russkogo kino. Ot ‘Sten’ki Razina’ do ‘Stiliag’. Nikita Braguinskii and Ekaterina Vassilieva, eds. Vinnytsia: Globus-Press, 2012. 433-37.
29. Condee, Nancy. “Tales Told by Nationalists.” In Mark Bassin and Catriona Kelly, eds. Soviet and Post-Soviet Identities. Cambridge: Cambridge University Press, 2012. 86-118.
30. —. “Endstate and Allegory (Late Sokurov).” In Beumers and Condee, eds. The Cinema of Alexander Sokurov. The Russian Cinema Series. London: I. B. Tauris, 2011. 246-60.
31. Condee, Nancy and Evgeniia Kupsan. “The Rebirth of Academism.” In Evgeny Dobrenko and Galin Tihanov, eds. A History of Soviet Literary Theory and Criticism: The Soviet Era and Beyond. Pittsburgh: University of Pittsburgh Press, 2011. 306-22.
32. Kondi, Nensi and Evgeniia Kupsan. “Postsovetskoe literaturovedenie: Vozrozhdenie akademizma.” In Evgenii Dobrenko and Galan Tihanov, eds. Istoriia russkoi literaturnoi kritiki sovetskoi i postsovetskoi epokh. Moscow: Novoe literaturnoe obozrenie, 2011. 555-585. This chapter is a Russian, re-edited version of # 31 above.
33. Beumers, Birgit and Nancy Condee. “Kinotavr 2011: Russian Cinema as a State of Mind.” KinoKultura 34 (2011); http://www.kinokultura.com/2011/34-kinotavr.shtml.
34. Kondi, Nensi. “K voprosu o ‘regional’nom syr’e.” Iskusstvo kino 4 (2011): 54-55.
35. Condee, Nancy and Birgit Beumers. “Festival Focus: Kinotavr.” In Birgit Beumers, ed. Directory of World Cinema: Russia. London: Intellect Books, 2010. 22-27.
36. Condee, Nancy. “Veronica Fuses Out: Rape and Medium Specificity in The Cranes are Flying.” Studies in Russian and Soviet Cinema Vol. 3, No. 2 (2009): 173-83.
37. Kondi, Nensi i Vladimir Padunov. “Ponty patriotov kak skrytaia reklama: chto uvideli inostrannye uchennye, posmotrev na sovremennoe rossiiskoe kino?” Novaia gazeta 55 (31 July 2008): 16.
38. Condee, Nancy. “The Modern after Postmodernity? Victor Erlich, Slavic Studies, Modernism.” 2007 AATSEEL Distinguished Professor Lecture (in honor of Victor Erlich). Slavic and East European Journal Vol. 52, No. 1 (Spring 2008): 1-10.
39. —. “Mediation, Imagination, and Time: Speculative Remarks on Russian Culture.” Ab Imperio 1 (2008): 177-92.
40. —. “The State Face: The Empire’s Televisual Imagination.” In Birgit Beumers, Stephen Hutchings and Natalia Rulyova, eds. The Post-Soviet Russian Media: Conflicting Signals. London: Routledge, 2008. 178-87.
41. —. “Borat: Putting the Id Back in Identity Politics.” Lead commentary to special section of six articles on Larry Charles, dir. Borat! Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan. Slavic Review Vol. 67, No. 1 (Spring 2008): 84-87.
42. —. “From Emigration to E-migration: Contemporaneity and the Former Second World.” In Terry Smith, Okwui Enwezor, and Nancy Condee, eds. Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity. Durham: Duke University Press, 2008. 235-49.
43. —. “When Bakunin Moved in with Turgenev: Philiterature in the Empire.” boundary 2, Vol. 34, No. 1 (Spring 2007): 173-95.
44. —. “Vicarious Catastrophe: The Empire Watches Death of the Empire.” Pro et Contra (Carnegie Endowment for International Peace/ Carnegie Moscow Center) Vol. 4, No. 33 (September 2006): 29-37; http://www.carnegie.ru/en/pubs/procontra/vol10num4-full.pdf .
45. —. “The Anti-Imperialist Empire and After: In Dialogue with Gayatri Spivak’s ‘Are You Postcolonial?’“ PMLA Vol. 120, No. 3 (May 2006): 829-31. Introduction by Gayatri Spivak. See # 107 below for the ensuing polemics (under “Essay-Reviews, Debates”).
46. —. “Drowning or Waving? Some Remarks on Russian Cultural Studies.” Slavic and East European Journal (Special Issue: Fiftieth Anniversary) Vol. 50, No. 1 (Spring 2006): 197-203.
47. Kondi, Nensi. Commissioned essay on “Obrazovanie v antropologii i sotsial’nykh naukakh.” Antropologicheskii Forum/Anthropology Forum, joint publication of Oxford University, European University of St. Petersburg, and Museum of Anthropology and Ethnography (St. Petersburg) 3 (2005): 70-79.
48. Condee, Nancy. “Imperialism Ectoplasm.” KinoKultura 6 (October 2004); http://www.kinokultura.com/articles/oct04-natcine-condee.html.
49. Kondi, Nensi. “Putenitsa sovremennosti: imperiia i natsiia.” Kul’tura Post. Voronezh: Voronezh State University, 2004.
50. —. “Otstuplenie o geroe.” Iskusstvo kino 10 (2003): 72-73. Commentary in response to Elena Stishova, “Krizis srednego vozrasta.” Iskusstvo kino 10 (2003): 69-76.
51. Condee, Nancy and Vladimir Padunov. “Subtropical Cinema: Kinotavr, Collective Heroes and the Small Screen.” KinoKul’tura 1 (June 2003); http://www.kinokultura.com/articles/july03.html.
52. Condee, Nancy. “Körperzeichnungen: Der Zusammenbruch des Kommunismus.” Berliner Debatte Initial Vol. 13, No. 1 (2002): 71-88.
53. —. “Uncles, Deviance, and Ritual Combat: The Cultural Codes of Khrushchev’s Thaw.” Nikita Khrushchev. Ed. William Taubman, Sergei Khrushchev, and Abbott Gleason. New Haven: Yale University Press, 2000. 160-76. Re-edited and translated into Russian (see # 64 below).
54. —. “The Death of Russian Cinema, or Sochi: Russia’s Last Resort.” Russia at the End of the Twentieth Century: Culture and Its Horizons in Politics and Society. Comp and ed. Gregory Freidin. Stanford University, 2000. http://www.stanford.edu/group/Russia20/volume/.
55. —. “Body Graphics: Tattooing the Fall of Communism.” Consuming Russia: Popular Culture, Sex, and Society since Gorbachev. Ed. Adele Barker. Durham: Duke UP, 1999. 339-61. This chapter was re-edited and translated into Russian for an academic readership (see # 56 below).
56. Kondi, Nensi. “Grafika na tele: tatuirovki i krakh kommunizma.” Tr. N. S. Vnuchenko. Novoe literaturnoe obozrenie 39 (1999): 101-18. This article is a re-edited version, for a Russian-intellectual (non-academic) readership, of # 55 above.
57. Condee, Nancy. “No Glory, No Majesty, or Honor: The Russian Idea and Inverse Value.” Russia on Reels: The Russian Idea in Post-Soviet Cinema. Ed. Birgit Beumers. London: I. B. Tauris, 1999. 25-33.
58. —. “Why Cultural Studies Matters.” Carnegie Mellon University Series: Lectures on Demand. 24 October 1998. Streaming audio file: http://lectures.eserver.org/1002.
59. Kondi, Nensi. “Konets stoletie–konets chernukhi?” Iskusstvo kino 3-4 (1998): 169-70.
60. —. “Vse bani—zhenskie bani.” Iskusstvo kino 5 (1997): 76-81. This is a re-edited version, for a Russian-speaking readership, of article # 62 below.
61. Condee, Nancy. “The Dream of Well-Being” (on contemporary Russian cinema and film festivals). Sight and Sound Vol. 7, No. 12 (December 1997): 18-21.
62. —. “The Second Mother Fantasy, or All Baths are Women’s Baths.” Russia * Women * Culture: From Bathhouse to Ballroom. Ed. Helena Goscilo and Beth Holmgren. Bloomington: Indiana UP, 1996. 3-30. This chapter was re-edited and translated into Russian for an academic audience (see # 60 above).
63. Kondi, Nensi. “Desiat’ zametok s ‘Kinotavra.’“ Iskusstvo kino 10 (1996): 98-100.
64. —. “Kul’turnye kody ‘Ottepeli.’” Tr. N. Mikhailova. Russkaia literatura XX veka: napravleniia i techeniia. Vypusk 3 (Ekaterinburg 1996). 167-182. This article is a revised version, for a Russian academic readership, of article # 53 above.
65. Condee, Nancy. “The Relentless Cult of Novelty, or How to Wreck the Century: Rethinking Soviet Studies.” Beyond Soviet Studies. Ed. Daniel Orlovsky. Washington, DC: Woodrow Wilson Press, 1995. 289-304.
66. Condee, Nancy and Vladimir Padunov. “The ABC of Russian Consumer Culture: Readings, Ratings, and Real Estate.” Soviet Hieroglyphics: Visual Culture in Late 20c. Russia. Ed. Nancy Condee. Bloomington /London: Indiana UP/British Film Institute, 1994. 130-72.
67. Condee, Nancy and Vladimir Padunov. “Pair-a-Dice Lost: The Socialist Gamble, Market Determinism, and Compulsory Postmodernism.” New Formations 22 (Spring 1994). Special issue entitled Postcommunism: Rethinking the Second World: 72-94.
68. Kondi, Nensi i Vladimir Padunov. “Proigrannyi rai: Ruletka sotsializma, rynochnyi determinizm i postmodernizm po obiazatel’oi programme.” Iskusstvo kino 9 (1992): 72-81. This article is a re-edited version, for a Russian-speaking readership, of # 67 above.
69. —. “Perestroika Suicide: Not By Bred Alone.” The Harriman Institute Forum Vol. 5, No. 5 (January 1992).
70. Kondi, Nensi i Vladimir Padunov. “Samoubiistvo perestroiki: ne bredom edinym.” Trans. I. Chabanov. Znamia 1 (1992): 209-12. This article is a re-edited version, for a Russian-speaking readership, of # 69 above.
71. Condee, Nancy and Vladimir Padunov. “Makulakul’tura: Reprocessing Culture.” October 57 (Summer 1991): 79-103.
72. —. “Makulakul’tura ili vtorichnaia pererabotka kul’tury.” Tr. F. and O. Urnovy. Voprosy literatury 1 (1991): 101-26, with responses by Lev Anninskii and Mikhail Zolotonosov in the same issue. This article is a re-edited version for a Russian academic readership of # 71 above.
73. —. “The Cultural Combat Zone: Where is the DMZ?” Soviet Union/Union Sovietique Vol. 15, No. 2-3 (1988): 167-185.
74. —. “Frontiers of Soviet Culture: Reaching the Limits?” The Harriman Institute Forum Vol. 1, No. 5 (1988): 1-8.
75. —. “‘New’ Soviet Cinema: Once Again the Most Important Art.” San Francisco International Film Festival Catalogue (1988): 32-37.
76. —. “Soviet Cultural Politics and Cultural Production.” IREX Occasional Papers 2 (1987): 1-21.
77. —. “The Outposts of Official Art: Recharting Soviet Cultural History.” Framework 34 (1987): 59‑106.
78. —. “Spring Cleaning in Moscow’s House of Cinema.” Lead article in Forty-First International Edinburgh Film Festival Catalogue (1987): 6‑9.
79. —. “Reforming Soviet Culture: Retrieving Soviet History.” The Nation 13 June 1987: 815‑820.
80. Condee, Nancy. “Tat’iana Tolstaia: Commentary and Translation of Sonia.” Institute of Current World Affairs (ICWA, Hanover, New Hampshire) 1 June 1986 (NPC-17): 1-9. This entry and similar ones (## 81-82, 84-87, 90-93, 95-96, 118-127) comprise a series of articles written during a two-year fellowship period in the Soviet Union (1984‑86) and distributed to a readership of 2,000 members of the scholarly, diplomatic, and journalist communities. For more information, see http://www.icwa.org/index.asp.
81. —. “Liudmila Petrushevskaia: How the `Lost People’ Live.” Institute of Current World Affairs 1 February 1986 (NPC-14): 1‑11.
82. —. “Borderline Theatre: The Southwest. Directions of Change in Theatre Today: The Discussion Begins.” Institute of Current World Affairs 1 January 1986 (NPC-13): 1‑8.
83. Condee, Nancy and Vladimir Padunov. “Children at War: Films by Gubenko, Evtushenko, and Bykov.” Framework 30-31 (1986): 16‑34.
84. Condee, Nancy. “Literary Cartoons: Wingless Pegasus and Rider’s Cramp.” Institute of Current World Affairs 1 November 1985 (NPC-12): 1‑9.
85. —. “Irina Grekova.” Institute of Current World Affairs 1 September 1985 (NPC-10): 4‑10.
86. —. “`Breaking Through’: Young Writers and Contemporary Literary Problems.” Institute of Current World Affairs 1 August 1985 (NPC-9): 1‑11.
87. —. “The Contemporary Literary Process: Three Changes in Two Decades.” Challenge of the Century. Ed. Horst Höhne. Rostock: Wilhelm Pieck Universität, 1985: 57‑62.
88. Condee, Nancy and Vladimir Padunov. “Recent Soviet Cinema and Public Responses: Abdrashitov and German.” Framework 29 (1985): 42‑56.
89. Condee, Nancy. “Axmadulina’s Poèmy: Poems of Transformation and Origins.” Slavic and East European Journal Vol. 29, No. 2 (Summer 1985): 176‑87.
90. —. “Evgenii Rein.” Institute of Current World Affairs 1 April 1985 (NPC-7): 7‑15.
91. —. “Scarecrow: Private Responses / Public Responses.” Institute of Current World Affairs 1 March 1985 (NPC-6): 1‑7.
92. Condee, Nancy and Vladimir Padunov. “Recent Russian Cinema.” Institute of Current World Affairs 1 February 1985 (NPC/VP-5): 1‑9.
93. Condee, Nancy. “Literary Rank and File” (Discussion of Moscow writing seminar). Institute of Current World Affairs 1 January 1985 (NPC-4): 2‑7.
94. —. Critical entries on Soviet writers Akhmadulina, Berggol’ts, Evtushenko, Okudzhava, Rozhdestvenskii, Shukshin, Tarkovskii, Vinokurov, and Voznesenskii. Handbook of Russian Literature. Ed. Victor Terras. New Haven: Yale University Press, 1985.
95. —. “Contemporary Soviet Drama. Institute of Current World Affairs 1 December 1984 (NPC-3): 7-10.
96. —. “Moscow Theatre.” Institute of Current World Affairs 1 October 1984 (NPC-1): 5-9.
97. —. “Slavistik in the Dialogue between East and West.” Wissenschaftliche Zeitschrift der Wilhelm Pieck Universität. Jahrgang XXXI. Gesellschaftwissenschaftliche Reihe. Heft 8 (1982): 71‑73.
98. —. “Ideology and Contemporary Verse.” Zeitschrift für Anglistik und Amerikanistik Vol. 30, No. 3 (1982): 232‑43.
99. —. “The Study of Soviet Literature in the German Democratic Republic.” Germano-Slavica Vol. 4, No. 1 (1982): 39‑49.
100. —. “American Poetry and the Political Statement: An Overview of the Sixties and Seventies.” Englische und amerikanische Lyrik des 20. Jahrhunderts im Weltliterarischen Kontext. Rostock: Wilhelm Pieck Universität, 1981: 124‑44.
Essay-Reviews, Debates:
101. Condee, Nancy. “A Return to the Museum: Sokurov’s Hermitage (Russian Ark, 2002).” Special 50th Anniversary Issue of KinoKultura 50 (October 2015); http://www.kinokultura.com/2015/50/fifty_russianark.shtml.
102. —. “History in a Time of Premeditated Amnesia: The 25th Kinotavr Open Russian Film Festival.” KinoKultura 46 (October 2014); http://www.kinokultura.com/2014/46-condee.shtml
103. —. “Fifteen Realities of Russian Cinema (Kinotavr 2012). KinoKultura 38 (October 2012); http://www.kinokultura.com/2012/38-condee.shtml
104. —. Rev. of Aleksandr Sokurov, dir. Faust. KinoKultura 37 (July 2012); http://www.kinokultura.com/2012/issue37.shtml
105. —. Rev. of Aleksei Balabanov, dir. The Stoker [Kochegar]. KinoKultura 32 (April 2011); http://www.kinokultura.com/2011/32r-kochegar.shtml
106. —. “‘Raise Your Eyes to the Heavens.’” Essay-review on Kira Muratova, dir. Melodiia dlia sharmanki, 2009. KinoKultura 26 (October 2009); http://www.kinokultura.com/index.html.
107. —. “The Rape Scene (Cranes are Flying).” Studies in Russian and Soviet Cinema Vol. 3, No. 1 (2009): 71-73. This is an abbreviated and re-edited version of article # 32 above.
108. —. “Angel.” Essay-review on Andrei Smirnov, dir. Angel. Studies in Russian and Soviet Cinema Vol. 2, No. 3 (October 2008): 347-49.
109. —. “Sokurov’s Chechnia.” Essay-review on Aleksandr Sokurov, dir. Aleksandra. KinoKultura 18 (October 2007); http://www.kinokultura.com/2007/18r-alexandra.shtml.
110. —. “1 + 1 = 3, or Double-Yoked Cinema.” Essay-review on Kira Muratova, dir. Two in One. KinoKultura (July 2007); http://www.kinokultura.com/2007/17r-dvavodnom1.shtml.
111. —. “Eurasia and Imperialism.” Reader’s polemics with the authors concerning the term “Eurasia” (participants include Gayatri Spivak and Harsha Ram). PMLA Vol. 122, No. 1 (January 2007): 360-61. See # 41 above for the context of this debate.
112. —. “Learnings of Borat for Make Benefit Cultural Studies.” Essay-review on Larry Charles, dir. Borat! Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan. The Pittsburgh Post-Gazette 12 November 2006: H-6. This is a re-edited version, for a general readership, of # 129 below.
113. —. “As Much Happiness as Unhappiness.” Essay-review on Sergei Ursuliak, dir. Dolgoe proshchanie (Long Farewell). KinoKultura (October 2005);
http://www.kinokultura.com/reviews/R10-05dolgoe.html.
114. Kondi, Nensi. Commissioned commentary. “Russian Cinema Abroad” [Russkoe kino za rubezhom]. Seans [Seance] 19-20 (2005): 194.
115. Condee, Nancy. “Muratova’s Well-Tempered Scam.” Essay-review on Kira Muratova, dir. Nastroishchik (The Tuner). KinoKul’tura (January 2005); http://www.kinokultura.com/reviews/R1-05tuner.html .
116. —. Essay-review on Judith Mayne’s Kino and the Woman Question: Feminism and Soviet Silent Film. Wide Angle (special issue on Soviet cinema) Vol. 12, No. 4 (October 1990): 82-86.
117. Condee, Nancy and Vladimir Padunov. “The Soiuz on Trial: Voinovich as Magistrate and Stage Manager.” Essay-review on Vladimir Voinovich, Antisovetskii Sovetskii Soiuz. The Russian Review Vol. 46, No. 3 (1987): 315‑19.
Cultural journalism on the (then) contemporary Soviet Union:
118. Condee, Nancy. “Russian Remedies: Folk Medicine in Moscow.” The Wilson Quarterly Vol. 12, No. 3 (1988): 167-71.
119. —. “Moscow.” Lead article in special issue on the USSR in Response May 1987: 4‑9, 34.
120. —. “Getting By (II): Colic, Curing the Common Cold, and Mumiyo.” Institute of Current World Affairs 1 April 1986 (NPC-16): 1‑9.
121. —. “Getting By (I): Apartment-Hunting on Bath Lane.” Institute of Current World Affairs 1 March 1986 (NPC-15): 1‑5.
122. —. “Communists and Millionaires: What Do They Think of Us?” Institute of Current World Affairs 1 October 1985 (NPC-11): 1‑6.
123. —. “Anti-Alcohol Measures in Moscow. The Farmers’ Markets.” Institute of Current World Affairs (Hanover, New Hampshire) 1 September 1985 (NPC-10): 1-4.
124. —. “Land of Fire” [Azerbaidjan]. Institute of Current World Affairs (Hanover, New Hampshire) 1 May 1985 (NPC-8): 1-4.
125. Condee, Nancy and Vladimir Padunov. “November 7th Celebration in Late Stagnation.” Institute of Current World Affairs 1 December 1984 (NPC/VP-3): 1-5.
126. Condee, Nancy. Untitled [Training Creative Writers at the GDR’s Johannes R. Becher Literary Institute]. Institute of Current World Affairs 1 November 1984 (NPC-2): 1-8.
127. —. “Moscow State University.” Institute of Current World Affairs 1 October 1984 (NPC-1): 1-5.
Reviews, annotated bibliographies, conference reports:
128. Condee, Nancy. Rev. of Andrei Zviagintsev, dir. Leviathan. Slavic Review 74.3 (Fall 2015): 607-08.
129. —. Rev. of Marina Balina and Evgeny Dobrenko, eds. Petrified Utopia: Happiness Soviet Style. Slavic Review 70.2 (Summer 2011): 484-485.
130. —. Rev. of Birgit Beumers, A History of Russian Cinema. Slavic Review Vol. 69, No. 2 (Summer 2010): 490-91.
131. Condee, Nancy, ed. “State of the Field: Russian Film Studies.” AATSEEL Newsletter Vol. 52, No. 2 (April 2009): 7-9.
132. Condee, Nancy. Rev. of Victor Erlich, Child of a Turbulent Century. Slavic and East European Journal Vol. 52, No. 2 (Summer 2008): 287-88.
133. —. Rev. of Catriona Kelly, Comrade Pavlik: The Rise and Fall of a Soviet Boy Hero. Modern Language Review Vol. 102, No. 2 (April 2007): 614-16.
134. —. “Borat’s New Blackface.” Rev. of Larry Charles, dir. Borat! Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan. In KinoKultura (January 2007); http://www.kinokultura.com/2007/15r-borat.shtml. This is a re-edited version (as a film review) of # 37 above.
135. Kondi, Nensi. Rev. of Aleksandr Sokurov, dir. Solntse [The Sun]. Seans 25-26 (2005): 170.
136. Condee, Nancy. Rev. of John Haynes, New Soviet Man: Gender and Masculinity in Stalinist Soviet Cinema. Modern Language Review Issue 4 (October 2005): 1165-67.
137. —. “Les cinemas russe et soviétique: Bibliographie.” Cinémas d’Europe du Nord: de Fritz Lang à von Trier. Ed. Lucy Lean. Tr. Guillaume Villeneuve. Paris: Arte Éditions/Mille et une nuits, 1998. 247-55.
138. Condee, Nancy and Vladimir Padunov. “A ‘Reading Room’ for Research on Russian Cinema.” Rev. of cinema journal Chital’nyi zal. The Russian Review Vol. 57, No. 1 (January 1998): 104-06.
139. Condee, Nancy. Rev. of Ellen E. Berry and Anesa Miller-Pogacar, eds., Re-Entering the Sign: Articulating the New Russian Culture. Slavic Review Vol. 56, No. 3 (Fall 1997): 593-94.
140. Condee, Nancy and Vladimir Padunov. Rev. of cinema journal Seans. Slavic Review Vol. 56, No. 2 (Summer 1997): 390-91.
141. Condee, Nancy. Rev. of Josephine Woll, Invented Truth: Soviet Reality and the Literary Imagination of Iurii Trifonov. The Russian Review Vol. 53, No. 4 (October 1994): 574-75.
142. —. Rev. of Karen Shakhnazarov, dir. Gorod Zero. Slavic Review Vol. 51, No. 3 (Autumn 1992): 565-66.
143. Condee, Nancy and Vladimir Padunov. Rev. of Anatolii Rybakov, Children of the Arbat. The Wilson Quarterly Vol. 13, No. 1 (1988): 120-121.
144. —. Rev. of David Lowe, Russian Writing Since 1953: A Critical Survey. Slavic Review Vol. 47, No. 2 (1988): 578-80.
145. —. Rev. of Yuri Glazov, The Russian Mind Since Stalin’s Death. Slavic Review Vol. 46, No. 1 (1987): 149‑50.
146. Condee, Nancy. Rev. of Karl Gutschmidt, Heinz Pohrt, and Johannes Schultheis, eds. Bibliographie slawistischer Publikationen aus der Deutsche Demokratische Republik 1973-77. Germano-Slavica Vol. 4, No. 1 (1982): 53‑55.
147. —. “The International Conference at Leipzig (GDR) on Literature in the Developed Socialist Society: Multi-National Soviet Literature of the Sixties and Seventies: A Report.” Yearbook of Comparative and General Literature 29 (1980): 116‑18.
Translations:
148. Condee, Nancy and Vladimir Padunov, trans. Three poems by Dmitrii Prigov: “15 Wise Exhortations,” “Telegrams,” “The Weather on the Planet.” the minnesota review n.s. 41-42 (Fall/Winter 1993-94): 11-15.
149. —, trans. Bella Ezersky. “Interview with Vassily Aksenov.” Interview. October 1984: 82‑84.
150. Condee, Nancy, trans. Aleksei Remizov. Eleven prose poems from Martyn Zadeka:Sonnik in The Prose Poem: An International Anthology. Ed. Michael Benedikt. New York: Dell, 1976. 409‑14.
151. —, trans. Ivan Turgenev. Five prose poems from Senilia: stikhotvoreniia v proze. The Prose Poem. 399‑404.
152. —, trans. Velemir Khlebnikov. “Zverinets.” The Prose Poem. 405‑08.
153. —, trans. Bella Akhmadulina. Four poems. Russian Literature Triquarterly 11 (1975): 309‑13.
Other:
154. Condee, Nancy. Commentary. Screening Europe: Image and Identity in Contemporary European Cinema. Ed. Duncan Petrie. London: British Film Institute, 1992. 73-76.
155. —. Program Notes on directors Herz Frank (The Highest Court) and Aleksandr Rekhviashvili (The Way Home). San Francisco International Film Festival 1988 Program Guide. 18, 32.
156. —. Photographs of Soviet art exhibit. ARTnews October 1987: 102‑107.
