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Todd Comer deposited “Dilating Fixity: Pacific Rim, and the Erasure of Birth” in the group
Horror on Humanities Commons 8 years, 8 months agoThis paper discusses Pacific Rim as a film deeply concerned with birth, in particular the horror of birth, and the process by which birth is assimilated. The film may then be seen as part of an unbroken commentary on nuclear
weapons insofar as it is our technological, capitalistic, and nuclear capability that allows
us to close the “breach” and…[Read more] -
Todd Comer deposited “Dilating Fixity: Pacific Rim, and the Erasure of Birth” in the group
Film Studies on Humanities Commons 8 years, 8 months agoThis paper discusses Pacific Rim as a film deeply concerned with birth, in particular the horror of birth, and the process by which birth is assimilated. The film may then be seen as part of an unbroken commentary on nuclear
weapons insofar as it is our technological, capitalistic, and nuclear capability that allows
us to close the “breach” and…[Read more] -
Todd Comer deposited “’Space is the Place”: The Politics of Birth in Minority Report” on Humanities Commons 8 years, 8 months ago
Steven Spielberg’s 2002 Minority Report narrates two interrelated stories. The micro
story concerns a family, a kidnapped son, the ensuing trauma, and the work of mourning that
follows. The macro story concerns criminal justice, social stability, and hermeneutics at the level
of the nation state. The problem for both stories is ontological a…[Read more] -
Todd Comer deposited “Dilating Fixity: Pacific Rim, and the Erasure of Birth” on Humanities Commons 8 years, 8 months ago
This paper discusses Pacific Rim as a film deeply concerned with birth, in particular the horror of birth, and the process by which birth is assimilated. The film may then be seen as part of an unbroken commentary on nuclear
weapons insofar as it is our technological, capitalistic, and nuclear capability that allows
us to close the “breach” and…[Read more] -
Todd Comer deposited “The Indigestibility of the World; or, Birthing the Posthuman in Spielberg’s A.I.” on Humanities Commons 8 years, 8 months ago
This essay uses Steven Spielberg’s Artificial Intelligence (A.I.) to argue that something
has changed: “Posthumanity” has appeared because our rational assimilation of the world has paused. To be Human is to
lack, to always drive forward while repressing the past, the artifice of our birth, as we mold the
world in our image. However, in a stran…[Read more] -
Todd Comer deposited “Terrence Malick’s Tree of Life: Grace and the General Economy” on Humanities Commons 8 years, 8 months ago
An analysis of the film focused on Christian concepts and, ultimately the work of Bataille and Derrida on the “general economy.”
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Todd Comer's profile was updated on Humanities Commons 8 years, 9 months ago
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Todd Comer deposited The Hidden Architecture of Disability: Chris Ware’s Building Stories on Humanities Commons 8 years, 10 months ago
While the 14 objects in Chris Ware’s Building Stories ‘may,’ after a few readings, be placed in an linear order, there is no way of ensuring coherence in a first reading. The effect is dizzying, and the absent center compels the reader to immense feats of construction. At the minute level of one singular comic, what we get is a relatively coher…[Read more]
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Todd Comer deposited THE DISABLED HERO: BEING AND ETHICS IN PETER JACKSON’S THE LORD OF THE RINGS on Humanities Commons 8 years, 10 months ago
My interest is not merely to trace the appearance of the wound motif
throughout Jackson’s trilogy, but also to make an argument about Frodo as a
particular kind of disabled hero whose essence is to remain open to others, by
contrast to Sauron. My central concern is disability, in particular the question
of being, or how the disabled body of F…[Read more] -
Todd Comer deposited “Who needs family? I’ve got the whole world on my shoulders:” How the Doctor’s Non-Domesticity Interrupts History on Humanities Commons 8 years, 10 months ago
The Doctor of the 2005 series is not domestic. This is obvious, and perhaps not
that interesting, except for the fact that Russell T. Davies has, arguably, gone to
extreme lengths to accentuate his non-domesticity as a critique of the obsessive human
tendency to domesticate the world, both ideologically and more concretely through
colonialism.…[Read more] -
Todd Comer deposited Playing at Birth: Samuel R. Delany’s Dhalgren on Humanities Commons 8 years, 10 months ago
“What follows, then, needs to be understood as involving an ethical critique of concrete political structures and as not simply concerned with the writing of the text before us because, as I will argue, the city along with every subjectival creation is a product of myth. Delany’s text interrogates such monumental myths through a representation o…[Read more]
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Todd Comer deposited “Body Politics: Unearthing an Embodied Ethics in V for Vendetta” on Humanities Commons 8 years, 10 months ago
Early draft of essay eventually published in Sexual Ideology in the Works of Alan Moore
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Todd Comer deposited “This aggression will not stand”: Myth, War, and Ethics in The Big Lebowski in the group
Film Studies on Humanities Commons 8 years, 10 months agoIn Joel and Ethan Coen’s 1998 film The Big Lebowski, The Stranger’s opening voiceover poses the following question: In a world controlled by “I’s,” by states intent upon realizing an extreme freedom through violence, how should the singular person respond?
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Todd Comer deposited Birth as Ethical Sublime in Joel and Ethan Coen’s Fargo in the group
Film Studies on Humanities Commons 8 years, 10 months agoNone
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Todd Comer deposited A Mortal Agency: Flann O’Brien’s At Swim-Two-Birds in the group
Irish Literature and Culture on Humanities Commons 8 years, 10 months agoIn addition to showing how politically oriented Flann O’Brien’s At Swim-Two-Birds remains despite its playful exterior, this essay constitutes an extended reflection on issues of power and agency within the postcolonial Irish context. It demonstrates that Irish identity is constructed and controlled via a god-like architecture of temporal and dis…[Read more]
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Todd Comer deposited A Mortal Agency: Flann O’Brien’s At-Swim-Two-Birds on Humanities Commons 8 years, 10 months ago
In addition to showing how politically oriented Flann O’Brien’s At Swim-Two-Birds
remains despite its playful exterior, this essay constitutes an extended reflection on issues of
power and agency within the postcolonial Irish context. It demonstrates that Irish identity is constructed and controlled via a god-like architecture of temporal and…[Read more] -
Todd Comer's profile was updated on Humanities Commons 8 years, 12 months ago
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Todd Comer's profile was updated on Humanities Commons 8 years, 12 months ago