This paper evaluates the recent upsurge of interest in the scribal processes underlying the composition of Hittite ritual text and the implications of this evidence for understanding the compositional history of biblical rituals.

This paper evaluates the recent upsurge of interest in the scribal processes underlying the composition of Hittite ritual text and the implications of this evidence for understanding the compositional history of biblical rituals.

This paper evaluates the recent upsurge of interest in the scribal processes underlying the composition of Hittite ritual text and the implications of this evidence for understanding the compositional history of biblical rituals.

Argues that, reversing the trope of subjects visiting the magnificent, the Elohistic history has Yahweh interested in the simplest, flimsiest altars only, which he will visit when and where he is invited to do so. The implication rules out temple-altars and temples for their royal sponsorship.

Argues that, reversing the trope of subjects visiting the magnificent, the Elohistic history has Yahweh interested in the simplest, flimsiest altars only, which he will visit when and where he is invited to do so. The implication rules out temple-altars and temples for their royal sponsorship.

Argues that, reversing the trope of subjects visiting the magnificent, the Elohistic history has Yahweh interested in the simplest, flimsiest altars only, which he will visit when and where he is invited to do so. The implication rules out temple-altars and temples for their royal sponsorship.

Argues that, reversing the trope of subjects visiting the magnificent, the Elohistic history has Yahweh interested in the simplest, flimsiest altars only, which he will visit when and where he is invited to do so. The implication rules out temple-altars and temples for their royal sponsorship.

Analyzes Isaiah 40–48 as a single literary work through levels of speakers (frame and subordinate) with implications for its construction of divine potency and communication.

Analyzes Isaiah 40–48 as a single literary work through levels of speakers (frame and subordinate) with implications for its construction of divine potency and communication.

Analyzes Isaiah 40–48 as a single literary work through levels of speakers (frame and subordinate) with implications for its construction of divine potency and communication.

Analyzes Isaiah 40–48 as a single literary work through levels of speakers (frame and subordinate) with implications for its construction of divine potency and communication.