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simeon chavel deposited Biblical Law in the group
Biblical Studies on Humanities Commons 8 years, 6 months agoIntroductory overview of the legal literature in the Bible
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simeon chavel deposited Biblical Law in the group
Bible and the History of Biblical Interpretation on AJS Commons 8 years, 6 months agoIntroductory overview of the legal literature in the Bible
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simeon chavel deposited Biblical Law in the group
Ancient Jew Review on Humanities Commons 8 years, 6 months agoIntroductory overview of the legal literature in the Bible
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simeon chavel deposited The Face of God and the Etiquette of Eye-Contact: Visitation, Pilgrimage, and Prophetic Vision in Ancient Israelite and Early Jewish Imagination in the group
Religious Studies on Humanities Commons 8 years, 6 months agoUses social poetics to analyze talk in the Bible of looking at Yahweh’s face
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simeon chavel deposited The Face of God and the Etiquette of Eye-Contact: Visitation, Pilgrimage, and Prophetic Vision in Ancient Israelite and Early Jewish Imagination in the group
Biblical Studies on Humanities Commons 8 years, 6 months agoUses social poetics to analyze talk in the Bible of looking at Yahweh’s face
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simeon chavel deposited The Face of God and the Etiquette of Eye-Contact: Visitation, Pilgrimage, and Prophetic Vision in Ancient Israelite and Early Jewish Imagination in the group
Ancient Near East on Humanities Commons 8 years, 6 months agoUses social poetics to analyze talk in the Bible of looking at Yahweh’s face
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simeon chavel deposited The Face of God and the Etiquette of Eye-Contact: Visitation, Pilgrimage, and Prophetic Vision in Ancient Israelite and Early Jewish Imagination in the group
Ancient Jew Review on Humanities Commons 8 years, 6 months agoUses social poetics to analyze talk in the Bible of looking at Yahweh’s face
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simeon chavel's profile was updated on Humanities Commons 8 years, 6 months ago
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Introductory overview of the legal literature in the Bible
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simeon chavel deposited The Face of God and the Etiquette of Eye-Contact: Visitation, Pilgrimage, and Prophetic Vision in Ancient Israelite and Early Jewish Imagination on Humanities Commons 8 years, 6 months ago
Uses social poetics to analyze talk in the Bible of looking at Yahweh’s face
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Jason Goroncy deposited ‘Holiness in Victorian and Edwardian England: Some Ecclesial Patterns and Theological Requisitions’ in the group
Theology on Humanities Commons 8 years, 7 months agoThis essay begins by offering some observations about how holiness was comprehended and expressed in Victorian and Edwardian England. In addition to the ‘sensibility’ and ‘sentiment’ that characterised society, notions of holiness were shaped by, and developed in reaction to, dominant philosophical movements; notably, the Enlightenment and Romanti…[Read more]
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Jason Goroncy deposited ‘Holiness in Victorian and Edwardian England: Some Ecclesial Patterns and Theological Requisitions’ on Humanities Commons 8 years, 7 months ago
This essay begins by offering some observations about how holiness was comprehended and expressed in Victorian and Edwardian England. In addition to the ‘sensibility’ and ‘sentiment’ that characterised society, notions of holiness were shaped by, and developed in reaction to, dominant philosophical movements; notably, the Enlightenment and Romanti…[Read more]
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Jason Goroncy's profile was updated on Humanities Commons 8 years, 7 months ago
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Thomas Bolin deposited Job’s Colophon and Its Contradictions in the group
Biblical Studies on Humanities Commons 8 years, 7 months agoAs a paratext, the colophon’s functions can be summarily and quickly described. It marks the ending of a text. In the era before printing this was a necessity, so that later copyists would know that they had a complete text before them to reproduce. This is the case with many Egyptian and Akkadkian colophons. As such, a colophon is an assertion o…[Read more]
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Thomas Bolin deposited Job’s Colophon and Its Contradictions in the group
Ancient Jew Review on Humanities Commons 8 years, 7 months agoAs a paratext, the colophon’s functions can be summarily and quickly described. It marks the ending of a text. In the era before printing this was a necessity, so that later copyists would know that they had a complete text before them to reproduce. This is the case with many Egyptian and Akkadkian colophons. As such, a colophon is an assertion o…[Read more]
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Jason Goroncy deposited ‘Called, Sent, Empowered: A Theology of Mission’ in the group
Theology on Humanities Commons 8 years, 7 months agoPublished in PCANZ Global Mission – Why, Where, and How (Wellington: Presbyterian Church of Aotearoa New Zealand, 2014).
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Jason Goroncy deposited ‘Bitter Tonic for our Time – Why the Church Needs the World: Peter Taylor Forsyth on Henrik Ibsen’ in the group
Theology on Humanities Commons 8 years, 7 months agoAbstract: Why does the Church need the world? This paper seeks to explore what today’s Church might learn from secular ‘apostles’ and ‘prophets’ as part of its ongoing mission to, for and with the world that God so loves. In particular, it will investigate the role that poets, dramatists and other artists might play in identifying humanism’…[Read more]
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Jason Goroncy deposited ‘Mission and the Priesthood of Christ’ in the group
Theology on Humanities Commons 8 years, 7 months ago‘Mission and the Priesthood of Christ’. Candour 7 (May 2013), 7–11.
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Thomas Bolin deposited Job’s Colophon and Its Contradictions on Humanities Commons 8 years, 7 months ago
As a paratext, the colophon’s functions can be summarily and quickly described. It marks the ending of a text. In the era before printing this was a necessity, so that later copyists would know that they had a complete text before them to reproduce. This is the case with many Egyptian and Akkadkian colophons. As such, a colophon is an assertion o…[Read more]
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Jason Goroncy deposited ‘Fighting Troll-Demons in Vaults of the Mind and Heart – Art, Tragedy and Sacramentality: Some Observations from Ibsen, Forsyth and Dostoevsky’ in the group
Theology on Humanities Commons 8 years, 7 months ago‘Fighting Troll-Demons in Vaults of the Mind and Heart – Art, Tragedy and Sacramentality: Some Observations from Ibsen, Forsyth and Dostoevsky’. Princeton Theological Review 13, no. 1 (2007), 61–85.
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