Publications
Chapter 2: Practices: “Robots and Memories” in A Cultural History of the Sea in the Modern Age, Series Ed, Margaret Cohen, 6 vols. London, Bloomsbury Press, (forthcoming).
Surviving the Essex: The Afterlife of America’s Most Storied Shipwreck,by David O. Dowling and TheEssexand the Whale: Melville’s Leviathan Library and the Birth of Moby-Dick, by R. D. Madison,” review essay solicited by Leviathan: A Journal of Melville Studies, Oct 2017.
“Melville’s Paintings and Prints,” Herman Melville in Context, Ed. Kevin Hayes, Cambridge: Cambridge University Press, 2017.
“Call me Captain,” gCaptain.com, Unofficial Networks LLC, July 26, 2017. Web.
“By Guess or by God: Catastrophe in The Heart of the Sea,” gCaptain.com, Unofficial Networks LLC, 12 Sep. 2016. Web.
“Conrad and the Mariner’s Craft: Sea Stories for Real Sailors (part 2),” gCaptain.com, Unofficial Networks LLC, 12 Jun. 2016. Web.
“Conrad and the Mariner’s Craft: Sea Stories for Real Sailors (part 1),” gCaptain.com, Unofficial Networks LLC, 23 May. 2016. Web.
“Paths that Shine: Nantucket and the Essex.” Ben Cortes, Producer, and Derek Knowles, Director. USA: Courtyard Films (2015). Motion picture.
“We Know Ocean! Improving Ocean Literacy at Cal Maritime,” Sea History, 154, Spring (2016): 30-33.
“Seeing the Eliphant: A Maine Couple’s Adventures in Gold Rush San Francisco, byKenneth R. Martin,”review essay solicited bySea History, 151, Summer (2015): 52-53.
“The Irish Poet and the Natural World 1581-1819: An Anthology of Verse in English from the Tudors to the Romantics, Andrew Carpenter and Lucy Collins, eds.” review essay solicited by The Journal of Ecocriticism,Vol 7, No 1 Summer (2015): 18-19.
“Crafty Sailors, Unruly Seas: Margaret Cohen’s Oceanic History of the Novel,” Criticism, Vol. 56: Iss. 4 (Fall 2014): 861-870.
“Annus Mirabilis to The Ancient Mariner: Oceanic Environments and the Romantic Literary Imagination,” Coriolis: An Interdisciplinary Journal of Maritime Studies, 1.2 (2010): 4-22.
“The Whale: In Search of the Giants of the Sea, by Philip Hoare,” Leviathan: A Journal of Melville Studies12.3 (2010): 111-116.
“‘The Hint of Style’: Byron, John Hookham Frere, and Melville’s Marginalia in William Tennant’s Anster Fair,” Leviathan: A Journal of Melville Studies, 9.2 (2007): 25-42.
“Clarelin the Pacific,” Melville Society Extracts, (Supplement) (2003): 12-13.
