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Danijela Tešić Radovanović deposited Светиљка као симбол у теологији и иконологији светлости на простору Медитерана in the group
History of Art on Humanities Commons 6 years, 8 months agoLamp as a Symbol in Theology and Iconology of Light in the Mediterranean / Light and fire have been a part of the religious experience since the dawn of civilization, its cultic use can be traced back to as early as the Paleolithic. Seen as divine emanations, light and fire were experienced as a symbol of the divine presence. This symbolism can be…[Read more]
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Christina Spiker deposited Nostalgic Femininity / From Flowers to Warriors: Japanese Woodblock Prints in the St. Catherine University Archives & Special Collections in the group
History of Art on Humanities Commons 6 years, 9 months agoThe prints featured in this exhibition are all products of the Meiji period (1868–1912), a time of massive cultural and institutional transformation in Japanese culture. The era is characterized by rapid westernization brought about after the opening of Japanese ports in 1854 and the subsequent restoration of the Meiji Emperor in 1868. The p…[Read more]
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Glen M Golub deposited Cygnus in the Brunel Gallery of Chauvet in the group
History of Art on Humanities Commons 6 years, 10 months agoAn interpretation of the Red Mammoth Panel in Chauvet linking Chauvet to Lascaux in a single ritual landscape
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Glen M Golub deposited The Index of Deities and Demons in the group
History of Art on Humanities Commons 6 years, 11 months agoThe Index of Deities and Demons is the heart of One Godz. This Index presents almost all Deities and Demons represented on the cave walls of Chauvet and Lascaux along with their defining Basis Points drawn from Hesiod and the Homeric Hymns. This chapter demonstrates the actual process of attaching meaning to symbolism while mediating subjectivity.
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Glen M Golub deposited A Primer of Pictographic Systems (ver. 1.01) in the group
History of Art on Humanities Commons 6 years, 11 months agoThis Primer provides a methodology for mitigating subjectivity when attaching meaning to preholocene rock art. It provides an introduction to basic syntax, grammar, and some vocabulary. It identifies four non-verbal languages of the Upper Paleo.
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Glen M Golub deposited The Greater Mysteries of Eleusis at Chauvet in the group
History of Art on Humanities Commons 6 years, 11 months agoThis is the five image hypothesis for the thesis One Godz which follows.
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Lécio Leal deposited A Identidade Mariana nas Mãos de Domingos Teixeira Barreto. in the group
History of Art on Humanities Commons 6 years, 11 months ago(…)
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Lécio Leal deposited Tem o Céu Santos. O tecto em caixotões da igreja de Nossa Senhora dos Réis de Lamalonga. in the group
History of Art on Humanities Commons 6 years, 11 months agoThe coffered ceiling of Nossa Senhora dos Réis de Lamalonga church is one of the largest and most important nucleus of painting in the northeastern region of Portugal. Given the ambitious programme of interceding saints it appears that the work was largelly triggered by the human tragedy in Lisbon earthquake of 1 November 1755. Joaquim Manuel da…[Read more]
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Lécio Leal deposited Vieira Lusitano Ex Machina. Os desenhos guarnecidos do Museu de Évora. in the group
History of Art on Humanities Commons 6 years, 11 months agoThe different sensations resulted from Vieira Lusitano garnish and ungarnish drawings observation, registered in a few museums in our country, led us to consider other reasons beyond the painter intentions to promote this creative step in art itself. Painters ennoblement was more dependent in social origins rather in artistic merits, besides they…[Read more]
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Lécio Leal deposited Nossa Senhora da Imaculada Conceição, Padroeira e Rainha de Portugal. Pintura de Francisco Xavier Lobo na Igreja de Santa Maria da Devesa de Castelo de Vide. in the group
History of Art on Humanities Commons 6 years, 11 months agoFirst known and signed work of Francisco Xavier Lobo, translator, playwright, poet and painter from Lisbon during the eighteenth century for the collegial-church of Espírito Santo (Castelo de Vide), heavily marked by decency concerns as response to a progressively more sensual painting.
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Lécio Leal deposited O Retrato pouco Consentido de Francisco Pérez Bayer, por Manuel José Pinheiro, na Pinacoteca de D. Frei Manuel do Cenáculo in the group
History of Art on Humanities Commons 6 years, 11 months agoEfforts had been made to portrait Francisco Pérez Bayer in his visit to Portugal in 1782, but with a «shadowing memory» result as we seen today at Évora Museum reserves and originally from D. Frei Manuel do Cenáculo’s pinacotheca. Portraits of edifying figures of society had been included in his collection reinforcing the position of this genr…[Read more]
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Stephe Harrop deposited Unfixing Epic: Homeric Orality and Contemporary Performance in the group
Classical Tradition on Humanities Commons 6 years, 12 months agoThis chapter examines the impact of a putative oral Homer upon the work of recent performance-makers. The influence of oral-poetic theories is (as yet) an under-explored area of study, neglected by scholars whose literary expertise leads them to focus on dramatic texts and production histories, with each revisionary text or production regarded as…[Read more]
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Dora Apel deposited “Heroes” and “Whores”: The Politics of Gender in Weimar Antiwar Imagery in the group
History of Art on Humanities Commons 7 years agoWeimar antimilitarist imagery shows that ideals of manliness and maternity, concepts central to the German patriotic view of World War I, were not limited to use by the political right but were redefined and deployed by antiwar artists Otto Dix and Käthe Kollwitz, and in photographs published by the pacifist propagandist Ernst Friedrich, who…[Read more]
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Dora Apel deposited Just Joking? Chimps, Obama and Racial Stereotype in the group
History of Art on Humanities Commons 7 years agoPublic racist stereotypes after the election of Barack Obama
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Dora Apel deposited Torture Culture: Lynching Photographs and the Images of Abu Ghraib in the group
History of Art on Humanities Commons 7 years agoOn the photographs of torture at Abu Ghraib prison in Iraq and the visual politics of power
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Dora Apel deposited Cultural Battlegrounds: Weimar Photographic Narratives of War in the group
History of Art on Humanities Commons 7 years agoOn pacifist and patriotic visual imagery and the tenth anniversary of the First World War in Weimar German
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Dora Apel deposited Technologies of War, Media, and Dissent in the Post 9/11 Work of Krzysztof Wodiczko in the group
History of Art on Humanities Commons 7 years agoOn the work of Krzysztof Wodiczko
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Dora Apel deposited On Looking: Lynching Photographs and Legacies of Lynching after 9/11 in the group
History of Art on Humanities Commons 7 years agoOn looking at lynching photographs
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Dora Apel deposited Diego Rivera and the Left: The Destruction and Recreation of the Rockefeller Center Mural in the group
History of Art on Humanities Commons 7 years agoThe politics of Rivera’s RCA mural in New York City.
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Dora Apel deposited The Routledge Companion to Urban Imaginaries in the group
History of Art on Humanities Commons 7 years agoOne of the most pressing challenges in the world today is access to clean water. This chapter explores the crises of contaminated water in Flint, water shutoffs in Detroit, and larger questions about the control of water by private corporations and the changing nature of urbanization. As neoliberal policies seek to privatize infrastructure and…[Read more]
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