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Christina Spiker deposited Nostalgic Femininity / From Flowers to Warriors: Japanese Woodblock Prints in the St. Catherine University Archives & Special Collections in the group
Women in the Arts on Humanities Commons 6 years, 9 months agoThe prints featured in this exhibition are all products of the Meiji period (1868–1912), a time of massive cultural and institutional transformation in Japanese culture. The era is characterized by rapid westernization brought about after the opening of Japanese ports in 1854 and the subsequent restoration of the Meiji Emperor in 1868. The p…[Read more]
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Christina Spiker deposited Nostalgic Femininity / From Flowers to Warriors: Japanese Woodblock Prints in the St. Catherine University Archives & Special Collections in the group
Japanese Studies on Humanities Commons 6 years, 9 months agoThe prints featured in this exhibition are all products of the Meiji period (1868–1912), a time of massive cultural and institutional transformation in Japanese culture. The era is characterized by rapid westernization brought about after the opening of Japanese ports in 1854 and the subsequent restoration of the Meiji Emperor in 1868. The p…[Read more]
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Christina Spiker deposited Nostalgic Femininity / From Flowers to Warriors: Japanese Woodblock Prints in the St. Catherine University Archives & Special Collections in the group
History of Art on Humanities Commons 6 years, 9 months agoThe prints featured in this exhibition are all products of the Meiji period (1868–1912), a time of massive cultural and institutional transformation in Japanese culture. The era is characterized by rapid westernization brought about after the opening of Japanese ports in 1854 and the subsequent restoration of the Meiji Emperor in 1868. The p…[Read more]
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Christina Spiker deposited Nostalgic Femininity / From Flowers to Warriors: Japanese Woodblock Prints in the St. Catherine University Archives & Special Collections in the group
Feminist Humanities on Humanities Commons 6 years, 9 months agoThe prints featured in this exhibition are all products of the Meiji period (1868–1912), a time of massive cultural and institutional transformation in Japanese culture. The era is characterized by rapid westernization brought about after the opening of Japanese ports in 1854 and the subsequent restoration of the Meiji Emperor in 1868. The p…[Read more]
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Christina Spiker deposited Nostalgic Femininity / From Flowers to Warriors: Japanese Woodblock Prints in the St. Catherine University Archives & Special Collections in the group
Arts in Higher Education: Asia on Humanities Commons 6 years, 9 months agoThe prints featured in this exhibition are all products of the Meiji period (1868–1912), a time of massive cultural and institutional transformation in Japanese culture. The era is characterized by rapid westernization brought about after the opening of Japanese ports in 1854 and the subsequent restoration of the Meiji Emperor in 1868. The p…[Read more]
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Christina Spiker deposited Nostalgic Femininity / From Flowers to Warriors: Japanese Woodblock Prints in the St. Catherine University Archives & Special Collections on Humanities Commons 6 years, 9 months ago
The prints featured in this exhibition are all products of the Meiji period (1868–1912), a time of massive cultural and institutional transformation in Japanese culture. The era is characterized by rapid westernization brought about after the opening of Japanese ports in 1854 and the subsequent restoration of the Meiji Emperor in 1868. The p…[Read more]
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Christina Spiker created the group
Japanese Studies on Humanities Commons 6 years, 9 months ago -
Christina Spiker's profile was updated on Humanities Commons 6 years, 9 months ago
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Christina Spiker's profile was updated on Humanities Commons 7 years, 10 months ago
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Christina Spiker's profile was updated on Humanities Commons 7 years, 11 months ago
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Christina Spiker's profile was updated on Humanities Commons 8 years, 1 month ago
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Christina Spiker's profile was updated on Humanities Commons 8 years, 7 months ago
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Christina Spiker deposited At the Limits of Visibility: Noritaka Minami’s Past Won’t Pass (Catalog #52) in the group
Digital Art History on Humanities Commons 8 years, 8 months agoA brief essay about the work Past Won’t Pass (Catalog #52) by artist Noritaka Minami.
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Christina Spiker deposited At the Limits of Visibility: Noritaka Minami’s Past Won’t Pass (Catalog #52) on Humanities Commons 8 years, 8 months ago
A brief essay about the work Past Won’t Pass (Catalog #52) by artist Noritaka Minami.
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Christina Spiker's profile was updated on Humanities Commons 8 years, 8 months ago
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Christina Spiker's profile was updated on Humanities Commons 9 years, 1 month ago
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Christina Spiker's profile was updated on Humanities Commons 9 years, 1 month ago
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Christina Spiker's profile was updated on Humanities Commons 9 years, 1 month ago
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Christina Spiker changed their profile picture on Humanities Commons 9 years, 1 month ago
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Christina Spiker's profile was updated on Humanities Commons 9 years, 1 month ago