Project Abstract: Ancient Mesopotamia, birthplace of writing, has produced vast numbers of cuneiform tablets that only a handful of highly specialized scholars are able to read. The task of studying them is so labor intensive that the vast majority have not yet been translated, with the result that their contents are not accessible either to…[Read more]

The aim of this paper is to discuss the authorial persona of Jordanes: who he was, what was his religious/political position and how he identified himself. With this information, frequently overlooked or glossed over by Late Antique and Early Medieval scholarship, I intend to bring his famous work, called Getica, under updated scrutiny. By…[Read more]

This chapter is an introduction to two of the major aspects of the study of Achaemenid Persian art, namely its definition, and the analysis of quotations of other artistic traditions. Achaemenid art is best defined as consisting of two categories of material. One is the art of the empire, i.e. art produced in furtherance of imperial goals. The…[Read more]

The vast territorial extent of the Achaemenid Empire is often assumed to have impeded connectivity and communication within the empire. This paper challenges the validity of this assumption. Two factors in particular favor this conclusion—the presence of an extensive road network and the high communication speed in the empire, made possible by t…[Read more]

This article is a reconsideration of the Second Persian Period in Egypt (c. 340-332 BCE) in light of Ptolemaic propaganda and the reliefs of the Tomb of Petosiris at Tuna el-Gebel.