<p style=”text-align: center;”>2017 GS Prose Fiction panels in Philadelphia</p>

49. We Can’t Stop Talking about Elena Ferrante
Thursday, 5 January, 1:45–3:00 p.m., 401-403, Philadelphia Marriott
Presiding: Hester Blum, Penn State Univ., University Park

1. “The Function of Collaboration at the Present Time,” Sarah Blackwood, Pace Univ., New Yo…[Read more]

<p style=”text-align: center;”>2017 GS Prose Fiction panels in Philadelphia</p>
49. We Can’t Stop Talking about Elena Ferrante
Thursday, 5 January, 1:45–3:00 p.m., 401-403, Philadelphia Marriott
<div id=”conv_program_details”>

Presiding:<i> </i>Hester Blum, Penn State Univ., University Park

1. “The Function of Collaboration at the Present T…[Read more]

“How do I start a short story”? Edit

What method work best for you to start a short story?  I have just had some productive use of the famed US writer Ray Bradbury’s “vomit in the morning, clean up in the afternoon” method. (Author of _Fahrenheit 451_, _The Martian Chronicles_, _The Illustrated Man_, etc.)  Just allow your unconscious t…[Read more]

Dear Colleagues,

gender/sexuality/italy 3, 2016 is now online. It includes outstanding research on the theme of gender and language (Themed Section and Invited Perspectives) and other topics related to gender (Open Contributions). gender/sexuality/italy 3, 2016 also hosts relevant multimedia files, interviews, and book reviews.…[Read more]

We are gathering material for a special issue of VIA to honor the creative spirit of Italian folktales. Writers should submit an original folktale of their own creation, or choose a previously published folktale from an existing source (such as Italo Calvino’s Italian Folktales, Italian American Folklore by Malpezzi and Clements, Italian Folkt…[Read more]

If you have suggestions for the GS prose fiction panel for MLA 2018, email me (jhg@ucla.edu) or one of the other committee members before MLA. I will collate all suggestions and bring them forward to the committee at our meeting.

All best,

Jonathan

Call for proposals
Experiencing Nonhuman Spaces: Between Description and Narration
“We felt enlarge itself round us the huge blackness of what is outside us, of what we are not,” declares Bernard in Virginia Woolf’s The Waves (1931/2000, 213). “What we are not”—the nonhuman—has emerged as one of the most thought-provoking concepts in contemporary…[Read more]

Call for proposals
Experiencing Nonhuman Spaces: Between Description and Narration
“We felt enlarge itself round us the huge blackness of what is outside us, of what we are not,” declares Bernard in Virginia Woolf’s The Waves (1931/2000, 213). “What we are not”—the nonhuman—has emerged as one of the most thought-provoking concepts in contemporary…[Read more]

Call for proposals
Experiencing Nonhuman Spaces: Between Description and Narration
“We felt enlarge itself round us the huge blackness of what is outside us, of what we are not,” declares Bernard in Virginia Woolf’s The Waves (1931/2000, 213). “What we are not”—the nonhuman—has emerged as one of the most thought-provoking concepts in contemporary…[Read more]

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<p style=”text-align: center;”>Call for proposals</p>
<p style=”text-align: center;”>Experiencing Nonhuman Spaces: Between Description and Narration</p>
“We felt enlarge itself round us the huge blackness of what is outside us, of what we are n…[Read more]

Palestine in the International Imaginary, 1987-2017

24 February 2017

John Woolley Common Room, Level 4, John Woolley Building

The University of Sydney, Australia

Organised by

Dr Isabelle Hesse, The Department of English, The University of Sydney

Dr Ben Etherington, The Writing and Society Research Centre, Western Sydney University

Dr…[Read more]