This essay examines a longstanding normative assumption in the historiography of slavery in the Atlantic world: that enslaved Africans and their American-born descendants were bought and sold as “commodities,” thereby “dehumanizing” them and treating them as things rather than as persons. Such claims have, indeed, helped historians concept…[Read more]

La reflexión crítica que opera en torno al concepto de neobarroco recupera la categoría estética de lo sublime, expropiándola de los márgenes que ha ocupado en el pensamiento estético-filosófico de Occidente. Si bien se ha escrito bastante sobre la relación entre el barroco del siglo XVII y el neobarroco hispaoamericano, son pocos, sin embargo,…[Read more]

We propose an alternative reading of the sequential construction of Lawrence Durrell’s The Avignon Quintet. The form only became clear as he prepared the first volume, Monsieur; or, the Prince of Darkness, for publication. By contrasting the published variant of Livia; or, Buried Alive, we draw attention to Durrell’s structural preoccupations. By…[Read more]

UVic Libraries’ Special Collections and Archives hold prized materials in modern literature, ranging from nearly 400 letters by T.S. Eliot to Ezra Pound’s elucidation of his poetry for a German translation. A featured series in the leading journal Modernism/modernity recently discussed the former, with British scholars demonstrating their flu…[Read more]

Introduction – excerpt from book published by Columbia University Press.

Philhellenism in modernist literature is familiar. I examine Lawrence Durrell’s works, locating him between Eliot’s Classicism (perhaps the hegemonic Modernism) and the Greek authors who responded to Eliot. Through his ties to Greek Modernists and Parisian Surrealists, Durrell contributed to the Anglo-American tradition in a mode that reflects the…[Read more]

This article retraces the publication history of Dylan Thomas’ “Prologue to an Adventure” and concludes its publication in Delta reflects Thomas’ final intentions and revisions, despite the continued republication of its earlier witness in Wales in Thomas’ collected works.