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Cristina León Alfar started the topic New publication in the discussion
Shakespeare on Humanities Commons 5 years, 11 months agoAlfar, Cristina León “Speaking Truth to Power as Feminist Ethics in Richard III.” Social Research: An International Quarterly, vol. 86, no. 3, Nov. 2019, pp. 789–819. (Available through ProjectMuse muse.jhu.edu/article/741025.)
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Cristina León Alfar started the topic New publication in the discussion
Renaissance/ Early Modern Studies on Humanities Commons 5 years, 11 months agoAlfar, Cristina León “Speaking Truth to Power as Feminist Ethics in Richard III.” Social Research: An International Quarterly, vol. 86, no. 3, Nov. 2019, pp. 789–819. (Available through ProjectMuse muse.jhu.edu/article/741025.)
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Yan Brailowsky deposited Ab ovo or in medias res? Rewriting History for the Early Modern Stage Or, How Elizabethan History Plays Collapsed Referentiality in the group
Shakespeare on Humanities Commons 5 years, 11 months agoShakespeare’s representations of history often have replaced history itself in the popular imagination: Julius Caesar, Margaret of Anjou, Henry V, Richard III — popular recollections of their lives and deaths are intimately linked with Shakespeare’s accounts of their stories, despite the playwright’s deviations from historical facts. In order t…[Read more]
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Yan Brailowsky deposited Ab ovo or in medias res? Rewriting History for the Early Modern Stage Or, How Elizabethan History Plays Collapsed Referentiality in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 11 months agoShakespeare’s representations of history often have replaced history itself in the popular imagination: Julius Caesar, Margaret of Anjou, Henry V, Richard III — popular recollections of their lives and deaths are intimately linked with Shakespeare’s accounts of their stories, despite the playwright’s deviations from historical facts. In order t…[Read more]
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Yan Brailowsky deposited La nuit genrée ou l’obscure clarté des scènes anglaises in the group
Shakespeare on Humanities Commons 5 years, 11 months agoGendered night, or the nocturnal brightness of the early modern English stage
In French, critics speak of the night using feminine terms, but the term is grammatically neutral in English. Despite this neutrality, night may be gendered. In Romeo and Juliet, virgins hide their shame from their lovers by hiding in the dark. If night is consecrated…[Read more] -
Yan Brailowsky deposited La nuit genrée ou l’obscure clarté des scènes anglaises in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 11 months agoGendered night, or the nocturnal brightness of the early modern English stage
In French, critics speak of the night using feminine terms, but the term is grammatically neutral in English. Despite this neutrality, night may be gendered. In Romeo and Juliet, virgins hide their shame from their lovers by hiding in the dark. If night is consecrated…[Read more] -
Yan Brailowsky deposited Reconnaissance et « acknowledgment » sur la scène élisabéthaine in the group
Shakespeare on Humanities Commons 5 years, 11 months agoFor poets like Sir Philip Sidney, the numerous incongruities found in Elizabethan drama fly in the face of Aristotelian theory. London audiences in 1580-1600 would have been hard pressed to recognize the time and place of the action represented on stage from one scene to the next. By comparing Greek theory and Elizabethan practice, this paper…[Read more]
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Yan Brailowsky deposited Reconnaissance et « acknowledgment » sur la scène élisabéthaine in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 11 months agoFor poets like Sir Philip Sidney, the numerous incongruities found in Elizabethan drama fly in the face of Aristotelian theory. London audiences in 1580-1600 would have been hard pressed to recognize the time and place of the action represented on stage from one scene to the next. By comparing Greek theory and Elizabethan practice, this paper…[Read more]
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Yan Brailowsky deposited ‘My bliss is mixed with bitter gall’: gross confections in Arden of Faversham in the group
Shakespeare on Humanities Commons 5 years, 11 months agoWhat might strike some as Arden of Faversham’s faulty construction may perhaps be ascribed to the fact that Arden’s murderers, as well as the play’s audience, had to learn how to “temper poison” (i.229). Poison is not simply a means to commit murder, its use also requires great dexterity, one which must be interpreted within a historical and metat…[Read more]
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Yan Brailowsky deposited ‘My bliss is mixed with bitter gall’: gross confections in Arden of Faversham in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 11 months agoWhat might strike some as Arden of Faversham’s faulty construction may perhaps be ascribed to the fact that Arden’s murderers, as well as the play’s audience, had to learn how to “temper poison” (i.229). Poison is not simply a means to commit murder, its use also requires great dexterity, one which must be interpreted within a historical and metat…[Read more]
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Konrad Stauner deposited Finanzliteralität im Imperium Romanum am Beispiel der argentarii und signiferi. Dokumentationsexperten im zivilen und militärischen Finanzwesen (späte Republik – Prinzipatszeit) in the group
Classical Tradition on Humanities Commons 6 years, 1 month agoFinancial literacy in the Roman Empire.
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Enrico Pasini deposited Kinds of Unity, Modes of Union. in the group
Renaissance / Early Modern Studies on Humanities Commons 6 years, 2 months agoKinds of unity, modes of union—why bother? Does Leibniz ever focus on “union”, anyway? It is not before 1713 that Leibniz gets rid of certain metaphysical concerns which, although secondary for him, were present to his mind since the time of his 1708 answer to Tournemine, who had bespoken a “real union” between the soul and the body (GP VI, 595-9…[Read more]
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RONALD VINCE deposited The Life of Saint Fiacre in the group
Early Modern Theater on Humanities Commons 6 years, 2 months agoLa Vie Monseigneur Saint Fiacre, one of two medieval French plays featuring the misogynistic horticulturalist, has come down to us in a mildly puzzling form, as a saint play with an interpolated farce. While the text indicates that the farce was intended to be played as an integral part of the performance, it is in fact quite unrelated to the…[Read more]
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Emma Smith deposited Genderqueer Twelfth Night in the group
Shakespeare on Humanities Commons 6 years, 3 months agoHow might the work on gender in Twelfth Night be challenged by trans theory, narratives, and experience?
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Emma Smith deposited On Editing in the group
Shakespeare on Humanities Commons 6 years, 3 months agoCovering the changes in Shakespeare editorial theory and practice over the decades between the publication of the Oxford Shakespeare (1986) and the New Oxford Shakespeare (2016), this article surveys a range of modern texts with different rationales and aimed at different readerships. The article has three sections: the imagery associated with…[Read more]
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Enrico Pasini deposited La Philosophie des Mathématiques chez Leibniz. Lignes d’investigation in the group
Renaissance / Early Modern Studies on Humanities Commons 6 years, 4 months agoThis study of Leibniz’s philosophical views on mathematics starts from the rank he assigned to them in the encyclopedia of knowledge. Mathematics, in many Leibnitian writings, is proposed to other disciplines as an example to follow: they are an essential component of the new, at the same time encyclopaedic and demonstrative knowledge he is…[Read more]
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Enrico Pasini deposited Arcanum Artis Inveniendi: Leibniz and Analysis in the group
Renaissance / Early Modern Studies on Humanities Commons 6 years, 4 months agoLeibniz was undoubtedly a many-sided man, and a polymathic mind, if ever there was one. The concept of analysis is notoriously, for its part, a polycephalous monster, and nearly all its meanings are spread through Leibniz’s works, in juridical, scientific, mathematical, or philosophical contexts, under different conditions and with different p…[Read more]
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Rafael M. Giron-Pascual deposited Capital comercial, capital simbólico. El patrimonio de los cargadores a Indias judeoconversos en la Sevilla de los siglos XVI y XVII in the group
Renaissance / Early Modern Studies on Humanities Commons 6 years, 5 months agoIn Castile, where the purity of blood supposedly did not allow the merchants access to the privileged, we found an extremely powerful and rich group, the Cargadores a Indias. This group was made up of international merchants, almost all from humble origins, in many cases converso, who rose socially in a vertiginous way. For this, they were…[Read more]
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Roland Steinacher deposited Wenden, Slawen, Vandalen. Eine frühmittelalterliche pseudologische Gleichsetzung und ihre Nachwirkungen in the group
Classical Tradition on Humanities Commons 6 years, 5 months agoAufgrund der Vorstellungen der ‚fränkischen Völkertafel‘ erlaubte die Gleichung Wenden = Vandalen die Einordnung der Slawen in die anerkannten Völkergenealogien. Die Gleichsetzung Wenden = Vandalen zeugt von den Schwierigkeiten, die ethnische Landschaft Osteuropas im Frühmittelalter zu klassifizieren. Diese Gleichsetzung wurde vor dem Stadium…[Read more]
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Roland Steinacher deposited Wiener Anmerkungen zu ethnischen Bezeichnungen als Kategorien der römischen und europäischen Geschichte in the group
Classical Tradition on Humanities Commons 6 years, 5 months agoZusammenfassung: Aus der schriftlichen Überlieferung der antiken Ethnographie kennen wir ethnische Bezeichnungen oder Gentilnamen, deren Bedeutungen und Bedeutungskontinuitäten oft nur schwer zu fassen sind. In den Peripherieräumen des Imperiums agierten gentes bzw. ἔθνη. Die römische und griechische Literatur bietet diesbezüglich aber keine…[Read more]
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