This essay is an examination of Udjahorresnet’s Persian identity. Best known from the inscription on his naophorous statue now in the Vatican, Udjahorresnet was a high-ranking courtier in Egypt under the Saite pharaohs Amasis and Psamtik III, and subsequently under the Persian kings Cambyses and Darius. While his statue’s form, function and ins…[Read more]

This essay is an examination of Udjahorresnet’s Persian identity. Best known from the inscription on his naophorous statue now in the Vatican, Udjahorresnet was a high-ranking courtier in Egypt under the Saite pharaohs Amasis and Psamtik III, and subsequently under the Persian kings Cambyses and Darius. While his statue’s form, function and ins…[Read more]

This essay is an examination of Udjahorresnet’s Persian identity. Best known from the inscription on his naophorous statue now in the Vatican, Udjahorresnet was a high-ranking courtier in Egypt under the Saite pharaohs Amasis and Psamtik III, and subsequently under the Persian kings Cambyses and Darius. While his statue’s form, function and ins…[Read more]

Ezekiel 37 is based upon Judean mortuary culture, and the revivification of bones is a reversal of death. Rather than a resurrection event, Ezekiel’s metaphor of Israel as a mass of dry bones is based upon the burial customs that occurred inside the family tomb.

Ezekiel 37 is based upon Judean mortuary culture, and the revivification of bones is a reversal of death. Rather than a resurrection event, Ezekiel’s metaphor of Israel as a mass of dry bones is based upon the burial customs that occurred inside the family tomb.

This article examines the description of Persepolis, one of the capital cities of the Achaemenid Persian Empire (ca. 550–330 BCE), by Giovanni Francesco Gemelli Careri (1651–1725) in his illustrated travelogue Giro del mondo (1699–1700). Gemelli Careri’s extensive description of the site—some twenty pages of text accompanied by two plates en…[Read more]