The volume provides readers with close reading—a dimension that has been notably neglected in most analyses of Iʿtiṣāmī’s poetry. The significance of Noorian’s approach extends beyond such meticulous close readings; she equally emphasizes the contextualization of Iʿtiṣāmī’s career within the broader framework of modern Iran. In this manner, the v…[Read more]

El artículo analiza una curiosa obra titulada «Libro de los pensamientos variables», mezcla de prosa y verso y compuesta entre 1488 y 1492, que se conserva en un solo manuscrito de la Biblioteca Nacional de España (MSS/6442). Tras resumirse su contenido y sus principales inf luencias literarias, se intenta identificar a su posible autor como el…[Read more]

El artículo analiza una curiosa obra titulada «Libro de los pensamientos variables», mezcla de prosa y verso y compuesta entre 1488 y 1492, que se conserva en un solo manuscrito de la Biblioteca Nacional de España (MSS/6442). Tras resumirse su contenido y sus principales inf luencias literarias, se intenta identificar a su posible autor como el…[Read more]

In this presentation, I outline and reposition the entangled histories of certain objects, technologies, and rhetoric, to show how consumption and consumer identity are reflected in their combination and that each category is never far from the other two.

A narrated iteration of a recent presentation. I consider this an interim version as I…[Read more]

The moon, not the finger, pointing is a sort of memoir – a collection of 67 lyric poems that trace the course of a life from the Texas Panhandle through Chicago to China and back, with the window open “because everybody knows / by now there is a poem out there.” In Chicago, “a street musician / plays Vivaldi on violin not two blocks from / a kid s…[Read more]

Mis conversaciones con Joseph T. Snow, nuestro querido Pepe Nieves, como él mismo nos insta a llamarlo desde el contacto inicial, generalmente tienen lugar en la cafetería de la Biblioteca Nacional de Madrid, un insólito locus amoenus en el cual el más habitual inquilino del pupitre 99 de la Sala María Moliner ejerce con bondad y simpatía su papel…[Read more]

In the history of old Romanian painting, the icon of Saint John the Baptist with scenes from his life from Budești‑Josani occupies a very important place due to its exceptional artistic quality, as well as the Slavonic inscription with the master’s signature and date. The inscription, in a very poor state of preservation, has already been part…[Read more]

La découverte d’une inscription slavonne dans le narthex de l’église du monastère de Râmeț (comté d’Alba) en 1966, sa relecture avec des moyens techniques spéciaux en 1978 et sa publication officielle en 1985 ont porté à l’attention des historiens le nom du peintre (Mihul du Criș-Blanc), le nom de l’évêque fondateur (archevêque Gélase),…[Read more]

This short-form article explores the various presentations of “the Middle” within Valentinian authored documents (the Gospel of Truth and Gospel of Philip) and sources which report about the Valentinians (Irenaeus and his report about Ptolemy’s theology). It suggests underscores the deep distinctions each view has and suggests that these may be…[Read more]

ویتمن ایرانی: فراتر از پذیرش ادبی ــ که به پذیرش والت ویتمن، شاعر نامدار آمریکایی، در یک دورۀ تقریباً صد ساله در ایران معاصر می‌پردازد ــ دارای نُه فصل، مقدمه، مؤخره و ضمیمه است. کتابِ حاضر تحقیقی بینارشته‌ای است: از سویی ادبیات تطبیقی (پذیرش ادبی، تأثیرپژوهی و تصویرشناسی) و نقد ادبی (تاریخ‌گرایی نو)، و از سوی دیگر مطالعات ترجمه (ترجمه و ای…[Read more]

This article re-analyses in detail the meaning of the expression ludi Graeci which appears in two of Cicero’s letters (Ad Fam. 7,1 and Ad Att. 15,5). A careful examination of the first instance reveals that ludi Graeci indeed referred to theatrical performances in Greek language and not merely to Latin plays that followed Greek models. A brief s…[Read more]

A priori, la mise en scène de représentations théâtrales semble bien éloignée d’autres types de spectacles plus violents organisés dans le monde romain, souvent à l’occasion de triomphes militaires. Toutefois, il convient de s’interroger sur l’éventuelle « violence culturelle » qui pourrait se cacher derrière l’organisation de jeux théâtraux gre…[Read more]

This text consists of the ‘lectio praecursoria’ given at the defense of my doctoral dissertation “The Good Noblemen Who Conquered the Kingdom: Islam, Historiography, and Aristocratic Legitimation in Late-Medieval Portugal”. This dissertation deals with aristocratic historiography and political legitimation in late-medieval Portugal (late…[Read more]

At Christmas, Christians celebrate that Jesus was born on December 25 as the son of God andthe Virgin Mary. But this event is not unique. In this article, I show that the birth of Jesus hasseveral non-Christian predecessors, whereby various elements of the ritual dynamics have beenChristianized and implemented into the figure we know today as Jesus Christ.

At Christmas, Christians celebrate that Jesus was born on December 25 as the son of God andthe Virgin Mary. But this event is not unique. In this article, I show that the birth of Jesus hasseveral non-Christian predecessors, whereby various elements of the ritual dynamics have beenChristianized and implemented into the figure we know today as Jesus Christ.

Mesmerism provided Edgar Allan Poe with a framework in which to reimagine logical and poetic rigor.

Dr Farra “Our models are out reality. But our models are not reality!” That coincides with the immortal philosopher Kant who argue we do not perceive the real world – but “representations” of the real world. Similarly, Bargh – from unconscious research – emphasizes mental categories and norms/stereotypes. Jung emphasizes symbols – which he argues…[Read more]

This piece explores connections between science fiction and lyric poetry.

In “Generation Hwabyung Telepathy” and “A Resume of Traumas,” the Korean American lyric speaker struggles with the pain of generational trauma that she has inherited from her father and from the grandfather she has never met.