This short-form article explores the various presentations of “the Middle” within Valentinian authored documents (the Gospel of Truth and Gospel of Philip) and sources which report about the Valentinians (Irenaeus and his report about Ptolemy’s theology). It suggests underscores the deep distinctions each view has and suggests that these may be…[Read more]

The Tribe of Dan has always appeared to biblical scholars and archaeologists as something of an enigma. For decades, certain scholars, beginning with Yigael Yadin, have proposed a connection between the Denyen/Danaoi Sea People and the Danites of Ancient Israel, arguing that the former became the latter and were adopted into Israel at a later date…[Read more]

This article re-analyses in detail the meaning of the expression ludi Graeci which appears in two of Cicero’s letters (Ad Fam. 7,1 and Ad Att. 15,5). A careful examination of the first instance reveals that ludi Graeci indeed referred to theatrical performances in Greek language and not merely to Latin plays that followed Greek models. A brief s…[Read more]

At Christmas, Christians celebrate that Jesus was born on December 25 as the son of God andthe Virgin Mary. But this event is not unique. In this article, I show that the birth of Jesus hasseveral non-Christian predecessors, whereby various elements of the ritual dynamics have beenChristianized and implemented into the figure we know today as Jesus Christ.

At Christmas, Christians celebrate that Jesus was born on December 25 as the son of God andthe Virgin Mary. But this event is not unique. In this article, I show that the birth of Jesus hasseveral non-Christian predecessors, whereby various elements of the ritual dynamics have beenChristianized and implemented into the figure we know today as Jesus Christ.

In comics: how ancient rabbis upend “traditional” ideas of reproduction, gender, and humanity. A blog post commissioned by UC Press Blog about the book When a Human Gives Birth to a Raven: Rabbis and the Reproduction of Species.

Link: htt…[Read more]

Elodie Paillard, ‘Greek Theatre in Roman Italy: From Elite to Autocratic Performances’, in E. Csapo, H.R. Goette, J. R. Green, B. Le Guen, E. Paillard, J. Stoop, P. Wilson, Theatre and Autocracy in the Ancient World, De Gruyter, 2022

Elodie Paillard, ‘Greek Theatre in Roman Italy: From Elite to Autocratic Performances’, in E. Csapo, H.R. Goette, J. R. Green, B. Le Guen, E. Paillard, J. Stoop, P. Wilson, Theatre and Autocracy in the Ancient World, De Gruyter, 2022

This book explores the staging of non-élite characters in the seven extant tragedies of Sophocles and how they related to contemporary middling citizens. The structure of fifth-century Athenian society underwent deep changes between the early and late plays of Sophocles. The appearance and growing political importance of a middling…[Read more]

This article is a report of a roundtable discussion organised by the authors at the UK Classical Association conference, Cambridge, April 2023, under the aegis of #WCCWiki, the Women’s Classical Committee’s Wikipedia-editing project. It presents a summary of the participants’ wide-ranging uses of Wikipedia editing at schools, universities, and…[Read more]

This paper compares psychostasia and/or kerostasia concepts from Indo-European, Semitic and adjacent cultures, and relates them to Cognitive Metaphor Theory. In the context of metaphysical weighing, the religions of ancient Egypt, Greece and Rome all associated lightness with goodness and/or a favourable outcome; Hinduism does likewise. The…[Read more]

More detailed discussions on Thomas Biggs: Sown Men and Rome’s Civil Wars. Rethinking the End of Melinno’s Hymn to Rome (Mnemosyne 76.3) and Gerlinde Bretzigheimer: Intertextualität und Intratextualität in Ausonius’ Epitaphia heroum (Wiener Studien 135).

This paper aims to examine models by which symbolism of light and lamp in
the Mediterranean region was manifested in the early Christian visual culture,
i.e. lamp representations from Central Balkans. Lamps with Early
Christian representations are considered in the context of transculturality
of Late Antiquity, as well as political and…[Read more]

This paper aims to examine models by which symbolism of light and lamp in
the Mediterranean region was manifested in the early Christian visual culture,
i.e. lamp representations from Central Balkans. Lamps with Early
Christian representations are considered in the context of transculturality
of Late Antiquity, as well as political and…[Read more]

Elements of Christian visual culture appeared in
various media in monumental and applied art during the late
antique period, from painted decoration in the catacombs,
through funerary monuments, to utilitarian objects such as
jewellery and lamps. The paper analyses the symbolic meaning
of fish and maritime motifs in the context of the late…[Read more]

On a number of pilgrimage objects from Late Antiquity, St Thecla, a highly revered saint, also known as Thecla the Protomartyr, is shown accompanied by St Menas, whose tomb in Egypt was the pilgrimage centre associated with healing miracles. The saintly couple appear in ad bestias compositions or in a simplified variant as two saints with a cross.…[Read more]

The Linear B administrative texts of Late Bronze Age Greece were written on clay tablets, whose production therefore formed the first stage in the process of document creation, though it generally remains unclear whether the tablets’ writers were also their makers. This study combines experimental archaeology with autopsy of the tablets from P…[Read more]

The volume under review is based on the premise that there is no real dialogue between Greek and Latin studies on the literature (and especially on the poetry) of Late Antiquity, at least not a dialogue as intense as with regard to the earlier, ‘classical’ literature. The reason for this is not least the problem that mutual dependencies between…[Read more]

The early history of the study of Parthian art may be profitably divided into three overlapping phases. The first phase, ‘Ordering’, begins with Johann Joachim Winckelmann’s dismissive assessment of Parthian art, at this point known mainly from coins, as derivative and barbaric. The second phase, ‘Exploration’, begins in the mid-ninet…[Read more]

The early history of the study of Parthian art may be profitably divided into three overlapping phases. The first phase, ‘Ordering’, begins with Johann Joachim Winckelmann’s dismissive assessment of Parthian art, at this point known mainly from coins, as derivative and barbaric. The second phase, ‘Exploration’, begins in the mid-ninet…[Read more]