A number of recent music videos by women subvert the male gaze (Mulvey) through a number of techniques I construe as “resistance gazes.” These videos subvert the hypersexualization, infantilization, objectification, and victimi- zation regularly seen in music videos using imagery that resonates with broader cultural movements such as #metoo and #timesup.

Privy councils are among the most traditional, yet least conspicuous forms of collective decision-making in modern states. However, using the example of East Asia, this chapter shows that, far from being a moribund relic of the pre-constitutional past, advisory councils to the head of state were a highly productive global element of…[Read more]

This chapter focuses on the Tokugawa-Meiji transition period in the Japanese archipelago. It discusses the question of the perceived poor prospects for the transplantation of a “parliament” onto Japanese soil. The Japanese system itself, on which the new parliament was premised, hovered between a centralized unitary state and an extremely…[Read more]

In this chapter, I make two interconnected observations. I first consider how musicals inhabit and promote a ‘post-truth’ worldview similar to those reflected in current populist resurgences throughout the West. I argue that it is musical theater’s penchant for the unreal that in recent decades has given it traction within both secular,…[Read more]

The project ‘The Sculptor Speaks’ takes its source from a 1961 tape by British sculptor Barbara Hepworth. Unearthed at the British Library, the tape’s initial purpose was for a pre-recorded talk with slides for the British Council. Every recording is a priori an archival object, which can potentially resound anew through a contemporary carrier, p…[Read more]

この論文は、世界中のバイリンガリズム（二ヶ国語併用・使用） の研究によって得られた理論を概説し、これらを日本のバイリン ガリズムの現状を把握に適用することを目的とする。更に、日本 で用いられているバイリンガリズムの用語を再点検するとともに、 日本における二言語・二文化併用に見られる諸現象を述べるに必 要な新しい用語についてもいくつか紹介したい。 Research paper on bilingualism and biculturalism. Because the author prioritized getting…[Read more]

Between the end of May and the beginning of June, 2020, we performed individually, filmed, synced together, edited and presented a quarantine version of John Cage’s Cartridge Music. Uploaded on YouTube, the performance was broadcast on 1 June, as part of the 4th Research Colloquium of the Postgraduate Programme in Music of the Federal University o…[Read more]

Picture a world with no mobility. Planes are landed. Urban transportation stopped. Large gatherings are non-existent and everybody is at home. That’s 2020, today. Most countries have reduced social interactions to a minimum. Food markets, drugstores and gas stations remain open. But shopping malls, cinemas, coffee shops and pubs have closed t…[Read more]

In this talk, presented at the Plenary Session of the 2020 Annual Meeting of the Society for Music Theory, I examine the relationship between time, embodiment, and affectivity in music. I argue that music is temporal not because it unfolds in time, or because it takes time as its vector, or even because it has the capacity to alter our sense of…[Read more]