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Max Marmor started the topic Digital Art History Society: call for members in the discussion
Digital Art History on Humanities Commons 7 years, 1 month agoNew Digital Art History Society (https://digitalarthistorysociety.org/) founded December 2018. See also @DigArtHistSoc
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Maximilian Kaiser deposited Artist migration through the biographer’s lens: A case study based on biographical data retrieved from the Austrian Biographical Dictionary in the group
Digital Art History on Humanities Commons 7 years, 1 month agoA lexicon like the Österreichisches Biographisches Lexikon 1815–1950 (Austrian Biographical Dictionary) seems to be as all in one cast because it is built on a set of formal rules for writing articles and some strict but basic criteria for the incorporation of new entries. The human reader can find information within that resource to a wide ra…[Read more]
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Maximilian Kaiser deposited Was uns Biographien über Künstlernetzwerke sagen in the group
Digital Art History on Humanities Commons 7 years, 5 months agoArticle from the proceedings of the conference “Europa baut auf Biographien”
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Maximilian Kaiser deposited The Biographical Formula: Types and Dimensions of Biographical Networks in the group
Digital Art History on Humanities Commons 7 years, 5 months agoBehind every printed national biography is a board of editors responsible for finding established scholars to write the biographies. The personal and institutional networks, the scientific and ideological socialization of these authors have a significant influence on the biographical constructs and narratives they have designed, and thus also…[Read more]
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Lukas Fuchsgruber deposited Experts and Auctioneers in Paris Art Auctions 1852-1862 in the group
Digital Art History on Humanities Commons 7 years, 8 months agoFrom 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]
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Thorsten Wuebbena deposited Sandrart.net – Eine Online-Edition eines Textes des 17. Jahrhunderts in the group
Digital Art History on Humanities Commons 7 years, 8 months agoThe following text presents an online project, which has been developed since April 2007 with a duration of five years on the initiative of the Kunstgeschichtliches Institut in Frankfurt and the Kunsthistorisches Institut in Florence, together with the partner institutions Städel Museum and Historisches Museum in Frankfurt and jointly financed by…[Read more]
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Katrina Grant deposited The Gardens of Lucca in the group
Digital Art History on Humanities Commons 7 years, 9 months agoThe city of Lucca was never limited to the urban area within the walls. Autumn and winter would be lived in the city palazzo, with life concentrating upon commercial activities enlivened by entertainments such as music and theatre. In spring and summer life was relocated en masse to the villa. This article outlines the essentials of Lucchese…[Read more]
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Katrina Grant deposited Teatri di Verzura: Hedge Theatres in Baroque Lucca in the group
Digital Art History on Humanities Commons 7 years, 9 months agoThe garden theatre can take many forms: it can erupt forth in an explosion of water and sound as in the teatro d’acqua; it can appear carved into a hedge as a teatro di verzura; or it can calmly wait to be filled with performers as in a teatro avanti il palazzo. The garden theatre was first a feature of the Baroque garden in Italy, before f…[Read more]
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Begonya Cayuela deposited La iconografía en la era digital: hacia una heurística para el estudio del contenido de las imágenes medievales in the group
Digital Art History on Humanities Commons 8 years, 1 month agoThis article invites us to consider the usefulness of iconography as a method to describe the subjects represented in medieval works of art. In this study, a greater emphasis has been put on investigating the epistemological implications resulting from the use of that method, and the biases that may appear in the process of transforming images…[Read more]
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Matthew Lincoln deposited Continuity and Disruption in European Networks of Print Production, 1550-1750 in the group
Digital Art History on Humanities Commons 8 years, 1 month agoComputational analysis of the potential historical professional networks inferred from surviving print impressions offers novel insight into the evolution of early modern artistic printmaking in Europe. This analysis traces a longue durée print production history that examines the changing ways in which different regional printmaking communities…[Read more]
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Rachel Arteaga deposited Spar – Project Overview – Collaborative K-12 DH Curriculum Development in the group
Digital Art History on Humanities Commons 8 years, 2 months agoCompanion materials for “Introductory Digital Humanities Curriculum for the High School English Classroom,” also available on Humanities Commons.
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Charlie Harper deposited Laboring with the Economics of Mycenaean Architecture: Theories, Methods, and Explorations of Mycenaean Architectural Production. in the group
Digital Art History on Humanities Commons 8 years, 2 months agoThis study examines the connection between architecture and economy in Mycenaean Greece; it is a deep investigation of economic theory and models of the Mycenaean economy, existing methods for the study of prehistoric architecture, and particular Mycenaean structures. Over the course of the study, I present current thinking on the Mycenaean…[Read more]
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Charlie Harper deposited Laboring with the Economics of Mycenaean Architecture: Theories, Methods, and Explorations of Mycenaean Architectural Production. in the group
Digital Art History on Humanities Commons 8 years, 2 months agoThis study examines the connection between architecture and economy in Mycenaean Greece; it is a deep investigation of economic theory and models of the Mycenaean economy, existing methods for the study of prehistoric architecture, and particular Mycenaean structures. Over the course of the study, I present current thinking on the Mycenaean…[Read more]
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Matthew Lincoln deposited Predicting the Past: Digital Art History, Modeling, and Machine Learning in the group
Digital Art History on Humanities Commons 8 years, 5 months agoCase study from the Getty’s digital art history team shows how modeling and machine learning are shedding light on the history of the art market.
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Matthew Lincoln posted an update in the group
Digital Art History on Humanities Commons 8 years, 5 months agoA recent post on the Getty’s “Iris” blog talks about using machine learning to “predict the past” and its use in art history: http://blogs.getty.edu/iris/predicting-the-past-digital-art-history-modeling-and-machine-learning/
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Birk Weiberg deposited The Paradigm of Streaming in Contemporary Arts in the group
Digital Art History on Humanities Commons 8 years, 7 months agoLive video streaming as a technique became political with the Arab Spring and the Occupy movement. To see images in real time and without the mediation by journalists affected many people not because they shared the same space with the various protesters but the same time. In the last years, artists have started to adopt streaming as a technical…[Read more]
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Jasmine Burns deposited Virtuality as Aura: The Digital Afterlife of Medieval Books in the group
Digital Art History on Humanities Commons 8 years, 7 months agoThe open access movement has taken a strong hold within cultural heritage institutions, as large-scale digitization efforts are becoming increasingly popular in most libraries, museums, and archives. These initiatives have had a particular effect on the status of rare and unique materials through the provision of high-quality images and…[Read more]
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Allison Levy deposited Playthings in Early Modernity: Party Games, Word Games, Mind Games in the group
Digital Art History on Humanities Commons 8 years, 7 months agoWhy do we play games—with and upon each other as well as ourselves? When are winners also losers, and vice-versa? How and to what end do we stretch the spaces of play? What happens when players go ‘out of bounds,’ or when games go ‘too far’? Moreover, what happens when we push the parameters of inquiry: when we play with traditional narrative…[Read more]
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Jasmine Burns deposited Digital Facsimiles and the Modern Viewer: Medieval Manuscripts and Archival Practice in the Age of New Media in the group
Digital Art History on Humanities Commons 8 years, 7 months agoThrough an engagement with theory from the fields of art history, anthropology, and sociology, this article examines the archival existence of medieval manuscripts and facilitates an understanding of archival practice and its effects on user experience from the perspective of the researcher, rather than from that of the archivist or information…[Read more]
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