Education
MA, University of Iowa, 2008
BA, Gustavus Adolphus College, 2006 Publications
Articles
“Re-Membering the Cantor’s Vocation,” with Daniel Schwandt,
CrossAccent: Journal of the Association of Lutheran Church Musicians 25.3 (Fall –Winter 2017): 6–26.
“50 Reformation Hymns,”
Living Lutheran, September 2017:
https://www.livinglutheran.org/2017/08/reformation-500-50-reformation-hymns/.
“The Church Musician as Librarian,”
In Tempo: A Practical Resource for Lutheran Church Musicians 2017.2: 9–15.
“Lawyer, Doctor, Mayor, Poet, and … Cantor? Early Lutheran Church Musicians and Vocation,”
CrossAccent: Journal of the Association of Lutheran Church Musicians 25.1 (Spring 2017): 14–25.
“Composing Canons,”
In Tempo: A Practical Resource for Lutheran Church Musicians 2017.1: 12–20.
“Poets Playing Haydn: A Beginning Study of Haydn’s Literary Reception,”
HAYDN: Online Journal of the Haydn Society of North America 6.2, “Haydn and Pedagogy II” (Fall 2016):
https://www.rit.edu/affiliate/haydn/poets-playing-haydn-beginning-study-haydn%E2%80%99s-literary-reception.
“Bach’s Benediction: The Fugue in E-flat Major, BWV 552, and the Christian Funeral Liturgy,”
CrossAccent: Journal of the Association of Lutheran Church Musicians 22.3 (Fall–Winter 2014): 23–34.
Reference Resources (Commissioned)
“Assembly Song in Lent, the Three Days, and Easter,”
Sundays and Seasons 2020. Minneapolis: Augsburg Fortress, 2019, forthcoming.
“Triosonate” in
Lexikon der Holzblasinstrumente: Oboe, Klarinette, Fagott, Saxophon, edited by Achim Hofer, Ursula Kramer, and Udo Sirker. Laaber, 2018, forthcoming.
“Voices of Lutheranism: Chorales to Alabados” in
Reformation 500 Sourcebook, edited by Robert Buckley Farlee, 153–154. Minneapolis: Augsburg Fortress, 2016.
“Keyboard and Instrumental Selections,”
Sundays and Seasons 2017. Minneapolis: Augsburg Fortress, 2016.
Reviews (Commissioned)
Robin A. Leaver and Daniel Zager, eds.,
Organ Accompaniment of Congregational Song: Historical Documents and Settings, Vol. 2: Eighteenth-Century Germany (Colfax, North Carolina: Wayne Leupold Editions, 2017), in
Eighteenth-Century Music 15.2 (September 2018), forthcoming.
Selected Blog Posts
“Authentic Bach, Adaptable Bach,”
Performing Arts News (Temple University Libraries), March 2018: https://sites.temple.edu/performingartsnews/2018/03/09/authentic-bach-adaptable-bach/.
“C-Minor Moods: Chamber Music of Strauss and Fauré,”
Performing Arts News (Temple University Libraries), February 2018: https://sites.temple.edu/performingartsnews/2018/02/14/c-minor-moods-chamber-music-of-strauss-and-faure/.
“Music for One, Two, Four, Six Hands,”
Performing Arts News (Temple University Libraries), October 2017: https://sites.temple.edu/performingartsnews/2017/10/27/music-for-one-two-four-six-hands/.
“‘The Replacements’: A View from the Substitute’s Bench(es),”
Prelude Music Planner (Augsburg Fortress), June 2017: http://preludemusicplanner.org/2017/06/the-replacements-a-view-from-the-substitutes-benches/.
Upcoming Talks and Conferences
Selected Forthcoming Presentations
Workshop, “Singing the Psalms,” Association of Lutheran Church Musicians Biennial Conference: Doing Common Things Uncommonly Well (Portland), 24–27 June 2019
Lecture, “Celebration, Joy, and Mystery in Bach’s Christmas Oratorio,” St. Paul Reformation Lutheran (St. Paul, MN), 2 December 2018
Selected Past Presentations
Workshop, “Types and Styles: Facilitating Assembly Participation in Print,” Association of Lutheran Church Musicians Regional Workshop: Hearts • Hands • Voices (Valparaiso University), 23–26 July 2018
Plenary, “‘Where Now Is Your God?’ The Psalmists Respond to Disaster,” National Worship Conference of the Evangelical Lutheran Church in Canada and the Anglican Church of Canada: Responding to Disaster: Prayer, Song, Presence (Victoria, BC), 16–19 July 2018
Lecture-Recital, “Late Style and Last Things in Brahms’s Op. 122 Chorale Preludes,” Annual Meeting of the Society for Christian Scholarship in Music (Southeastern Baptist Theological Seminary), 8–10 February 2018
Lecture, “The Reformation at 500: What Does This Mean?,” American Guild of Organists, Delaware Chapter (Newark, DE), 7 October 2017
Workshop, “Singing the Church’s Song in iCulture,” Evangelical Lutheran Church in America Rostered Ministers Gathering (Atlanta), 7–10 August 2017
Workshop, “‘Come Thou Font of Every Blessing’: Renewing Congregational Publications,” with Kate Tegtmeier, Association of Lutheran Church Musicians Biennial Conference: Rise, Remember Well the Future (Minneapolis), 11–14 July 2017
Plenary, “Re-Membering the Role of the Cantor,” Association of Lutheran Church Musicians Biennial Conference: Rise, Remember Well the Future (Minneapolis), 11–14 July 2017
Lecture-Recital, “Late Style and Last Things in Brahms’s Op. 122 Chorale Preludes,” North American Conference on Nineteenth-Century Music (Vanderbilt University), 7–9 June 2018
Paper, “Sound, Sense, and Allegory in Honthorst’s Music Pictures, 1616–1631,” Rutgers University Musicological Society 2017 Graduate Student Conference (New Brunswick, NJ), 9 April 2017 Memberships
American Bach Society
American Guild of Organists
American Musicological Society
Association of Lutheran Church Musicians
Society for Christian Scholarship in Music
