Freemasonry has traditionally been seen as a key influence in the rise of the Bourgeoisie, since it allegedly subdued social boundaries and behavioural norms of the Ancien Régime. This paper, however, argues that the masonic lodges at least in the smaller German court towns, adopted various elements of court society – organizational structures, my…[Read more]

The idea of the North in Western society has a long and distinguished history. Indeed, the only ‘purely ethnographic treatise that survives from antiquity’ is Tacitus’s Germania, his description of the Germanic peoples (Mellor 1993: 14). Tacitus produced his short treatise as a way of forcing Romans to confront the luxurious decadence that he fe…[Read more]

The metatheatricality of A Midsummer Night’s Dream has invited recent directors to tell particular kinds of socially progressive stories. This article uses the notion of “social reparation” to theorize remedial uses of Shakespeare in adaptations that give artists and audiences more moral agency. By imagining more inclusive local habitations and s…[Read more]

Heracles/Hercules is a particularly striking example of how European societies have received, appropriated and reshaped classical heroic myths into the early 21st century. Is the ancient hero thus also a European site of memory? It will be shown that it was a specific aspect of the myth that was evoked particularly frequently and became a topos by…[Read more]

The rise of global Shakespeare as an industry and cultural practice—the incorporation of Shakespearean performance in cultural diplomacy and in the cultural marketplace—is aided by digital tools of dissemination and digital forms of artistic expression. Shakespeare has evolved from a cultural nomad in the past centuries—a body of works with no pe…[Read more]

Results of automatic language identification in Erasmus’ Praise of Folly, Aleandro’s diaries, and a 1512 letter from Aleandro to Erasmus

This essay traces some of the contexts and media in which “Heracles-Hercules” – as a hero between virtue and hubris – was visible in European societies from the end of the middle ages onwards. It discusses whether this example of the reception, appropriation and transformation of classical myths in the early modern period can be understood as a…[Read more]

For two years, from 1788 to 1790, Duchess Anna Amalia of Saxe-Weimar-Eisenach (1739-1807) exchanged her familiar surroundings with Rome and Naples. She undertook her furthest and most ambitious journey at the age of almost 49. For the only time the princely widow left Germany or the German territories of the Reich. During her stay, the Duchess…[Read more]

This dissertation develops a methodology for understanding tonality and tonal structures in Renaissance polyphony by exploring the ways that the modern-day analyst and listener experience tonal phenomena in this music through a historically-informed lens. Regarded as one of the most important composers of the late-sixteenth century, Tomás Luis de…[Read more]

The screen as an interface immerses audiences in an alternate universe. As a result, that interface seems transparent. Through analyses of performances that call attention to filmic genres, such as Edgar Wright’s parody film, Hot Fuzz (2007), and the Wooster Group’s multimedia production, Hamlet (2007), as well as (meta)theatrical operations on…[Read more]

CFP – AIWAC 2nd edition Rome 2022

CFP – AIWAC 2nd edition Rome 2022

This study presents a reconstruction of the performance of the melancholic character in Golden Age theater. It argues that critics have overlooked the way this character type was acted on the original stage. Using Lope’s El Príncipe melancólico [The Melancholic Prince] as a case-study to speculate on the actor’s paralinguistic gestures and movem…[Read more]

The CNTC’s 2017 production of La dama duende presented the transition between the two main characters’ rooms in the third jornada using two illuminated windows at the rear wall of the stage. The comparison between this rendition and other modern productions reveals two problems in adaptation: the fidelity with the original and the und…[Read more]

This paleographic comparison serves to support my argument in the following publication:

Van Rooy, Raf. Accepted. “Ippolita Maria Sforza, student and patroness of Greek in Milan (ca. 1465).” Renaissance Quarterly.

Entre los años 2020-2022 se han llevado a cabo diversos eventos conmemoratorios de las independencias nacionales, regionales o locales, sin que se haya efectuado un encuentro que los englobara. Este fue el objetivo del Seminario Internacional 200 años después. Los Andes en la encrucijada de las Independencias (Sevilla, diciembre 2021) que ahora da…[Read more]

Jorge Insunza Becker (21 de abril de 1936-17 de marzo de 2019) fue uno de los principales dirigentes del Partido Comunista chileno desde los años 60. Ingresó a las Juventudes Comunistas en 1954. En 1962 fue promovido al Comité Central del PC y desde 1965 fue parte de su Comisión Política, aquella que encabezó el triunfo de Salvador Allende de 19…[Read more]

GB Folengo Commentry on Psalm 51, translated into English with brief annotations

GB Folengo Commentry on Psalm 51, translated into English with brief annotations

overview on the history of the card game “Höllfahren” or “in die Höll”