V stands for Vulva! * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

CAPITAL PUNISHMENT * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

Im Zeitalter von Smartphones und Social Media sind digitale Netze ein allgegenwärtiger und zentraler gesellschaftlicher Raum geworden. Kulturvermittlung arbeitet oft in diesem neuen digitalen Kontext, trotz zahlreicher Enthüllungen über das skandalöse Geschäftsmodell der kostenlosen Social Media Plattformen. Darum müssen wir über Datenethik in der…[Read more]

En este artículo veremos un álbum con fotografías en cianotipia que reflejan la construcción de la línea férrea que, desde Girona, llegó a la frontera con Francia en Port-Bou en 1878. / In this article we will see an album with cyanotype photographs that reflect the construction of the railway line that, from Girona, reached the border with France…[Read more]

V stands for Vanadium * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

Kherson eleison * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

Introducción: los hemangiomas son el tumor cutáneo más común en la infancia. Se clasifican dentro de las anomalías vasculares congénitas.Objetivo: identificar el comportamiento clínico-epidemiológico y resultados terapéuticos de los hemangiomas en pacientes atendidos en el Hospital Infantil “José Luis Miranda” de Santa Clara, Villa Clara en el p…[Read more]

Introducción: la vasculitis leucocitoclástica constituye un proceso clínico patológico caracterizado por inflamación y necrosis de los vasos sanguíneos. Objetivo: describir las características clínicas de la vasculitis leucocitoclástica y el tratamiento utilizado. Resultados: se indicaron estudios de laboratorios: eritrosedimentación, células L…[Read more]

pop ART is not dead ! * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

“In Beautiful Terrible Ruins: Detroit and the Anxiety of Decline, Dora Apel goes on the offensive against the myriad myths and delusions peddled about the Motor City; not only that, she rebuffs the blame and shame that have traditionally been directed at the Detroit citizenry, and redirects our attention to the corporations and bureaucrats who…[Read more]

We are all Mahsa! * Artwork by PRURITUS MIGRANS * CC: BY-NC-ND

WE ARE ALL MAHSA AMINI! * Artwork by PRURITUS MIGRANS * CC: BY-NC-ND

London Bridge is down * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

This study focuses on the Philippine artist Ricarte Puruganan’s reckoning with the ideas of “country,” “God,” and “the sublime.” It does so through a hermeneutic reading of the artist’s works as a cultural text. In order to fill the gaps in the historiographic record and to enrich the material on the artist that was already available, the…[Read more]

This digital book is a companion to Of Sunken Islands and Pestilence: Restoring the Voice of Edward Taylor Fletcher to Nineteenth-Century Canadian Literature. It is intended as an aid to readers, in particular students and scholars, who wish to know more about Fletcher’s works. The ideas that drove Fletcher’s creative works are on display here,…[Read more]

How do people make sense of works of art? And how do they write to make others see the same way? There are many guides to looking at art, histories of art history and art criticism, and accounts of various ‘theories’ and ‘methods’, but this book offers something very unlike the normal search for difference and division: it examines the general…[Read more]

Catalogo realizzato in occasione della serie di mostre dedicate, tra il 2021 e il 2022, dalla Fondazione Cassa di Risparmio di Jesi, dal Museo d’Arte Moderna e della Mail Art di Montecarotto (AN) e dal Museo Nori De’ Nobili di Trecastelli (AN), all’opera di Magdalo Mussio. Il testo prende in esame, in particolare, l’opera grafico-pittorica, oltre…[Read more]

Testo della mostra personale (a più voci), dell’artista Giovanni Gaggia, tenutasi a partire dal 27 dicembre 2020 presso il Museo Statale Tattile Omero di Ancona in cui è stato osteso uno splendido arazzo poi chiuso in tubo di metallo. La mostra e la conseguente performance hanno dato vita ad un archivio permanente ed in continua evoluzione che r…[Read more]

Walter Benjamin had much to say about the intelligentsia, from vicious reviews such as “Left-Wing Melancholy” to the more programmatic essays “Author as Producer” and the Artwork essay. But while the specific allegiances, the “strategies” in the literary battle have been plotted with great precision, a larger debate in which these texts repre…[Read more]