Here are four different versions of a traumatic scene from the life and times of Baldus, starting with the woodcut print of Folengo’s 1521 Macaronic Works

Here are four different versions of a traumatic scene from the life and times of Baldus, starting with the woodcut print of Folengo’s 1521 Macaronic Works

Scanned images of woodcut prints from subsequent editions of Folengo’s 1521 Macaronic Works

Scanned images of woodcut prints from subsequent editions of Folengo’s 1521 Macaronic Works

51 full-page woodcut prints illustrate Folengo’s 1521 epic poem Baldus

51 full-page woodcut prints illustrate Folengo’s 1521 epic poem Baldus

The greatly augmented and extremely popular 1521 ediion of Folengo’s Macaronic Works features many extras: angry letters, highly laudatory letters, an accusation of text theft, a revealing dialogue and more

The greatly augmented and extremely popular 1521 ediion of Folengo’s Macaronic Works features many extras: angry letters, highly laudatory letters, an accusation of text theft, a revealing dialogue and more

A letter from Folengo’s pseudonym-personality, Merlin, to the printer Paganini, claiming that he does not want to relinquish his own copy for publication; a response from Paganini telling him that he got a copy of the text from Federico Gonzaga (accompanied by the letter Gonzaga sent to Paganini, 1520); a letter to the reader from Paganini, and a…[Read more]

A letter from Folengo’s pseudonym-personality, Merlin, to the printer Paganini, claiming that he does not want to relinquish his own copy for publication; a response from Paganini telling him that he got a copy of the text from Federico Gonzaga (accompanied by the letter Gonzaga sent to Paganini, 1520); a letter to the reader from Paganini, and a…[Read more]

A comparison of all the marginal glosses from the epic poemn Baldus by Teofilo Folengo in the 1517 Paganini edition and in the 1520 reprint by Cesare Arrivabene: side by side comparison and translation into English

The first edition of the Macaronic works of Teofilo Folengo (called Paganini/ P after the publisher) is a beautiful work printed in graceful Italic font, 27 lines per page, with explanatory and humorous glosses in the margins.

In 1517 Teofilo Folengo published an epic poem under the name Merlin. Another Folengo pseudonym (or heteronym) wrote a wildly creative account of the dicovery of this text and praise for the author.

In 1517 Teofilo Folengo published an epic poem under the name Merlin. Another Folengo pseudonym (or heteronym) wrote a wildly creative account of the dicovery of this text and praise for the author.

More and more artists from all over the world are engaging in the production of AI art. Because of this, art historians need to start thinking about how the histories of AI art should be articulated. This paper aims to take part in this conversation by addressing the problem of whether the AIs created by human artists should be considered as…[Read more]

El lugar de importancia en la historia de la cultura hispánica medieval que ocupan los Claros varones de Castilla (BETA texid 1714) es absolutamente indiscutible. Su autor, Fernando de Pulgar, desde su evidente y marcado “pensamiento literario forjado en el tránsito de la Castilla enriqueña a la isabelina”, es considerado por muchos como el más…[Read more]

This article describes how the Polish intellectuals G.E. Groddeck (1763–1825) and Joachim Lelewel (1786–1861) referenced and analysed events connected with the fall of Athens in the Peloponnesian War. It aims to show how treatments of ancient Athens changed after 1795, when the Polish–Lithuanian Commonwealth ceased to be an independent count…[Read more]