Wacks, David A. Review of Calderwood, Eric. Colonial al-Andalus: Spain and the Making of Modern Moroccan Culture. Cambridge: The Belknap Press at Harvard University Press, 2018. ISBN 9780674980327. 400pp. Comparative Literature, vol. 72, no. 4, pp. 460-462.

Using the evidence of the aural as intrinsic to mester de clerecía’s mode of diffusion and reception as point of departure, this chapter examines sound as a wider and complex system of references, actualizations, and allusions that articulate and structure the mode in its composition, as part of its tools to effect meaning. Music and song play ob…[Read more]

Invited contribution to the book-catalog “Libros y autores del virreinato del Perú (1542-1824)” [Books and authors of the Viceroyalty of Peru] that accompanies the one-year exhibit (same title as the book) at the Instituto Cervantes in Madrid (Spain). The exhibit can be visited from September 2021-September 2022. This chapter addresses the…[Read more]

The Danza general de la muerte (Dance of Death) (late 14th-century) is a rhymed dialogue in Castilian in which death personified greets one victim after another. It is the earliest of 3 extant Castilian versions of the Dance of Death, which was popular across Europe in the Middle Ages. The Dance of Death gives expression to the premodern view that…[Read more]

The Danza general de la muerte (Dance of Death) (late 14th-century) is a rhymed dialogue in Castilian in which death personified greets one victim after another. It is the earliest of 3 extant Castilian versions of the Dance of Death, which was popular across Europe in the Middle Ages. The Dance of Death gives expression to the premodern view t…[Read more]

From its linguistic origins as a Biblical land of great wealth across the sea, to its more recent nostalgic imaginary as a lost Golden Age of Mediterranean Jewish culture, Sefarad has been as much an idea as a physical place, a lens through which Iberian Jews have interpreted their world, first in al-Andalus, then in Christian Iberia, and later in…[Read more]

Review of Katherine R. Larson, The Matter of Song in Early England. Abstract: Katherine R. Larson’s The Matter of Song in Early England is an exceptional study. It offers the perspective not just of an academic—Larson is professor of English at the University of Toronto—but also that of a performer, as Larson is an ac- complished singer. In this…[Read more]

From the introduction:
“This volume brings to light a series of studies inspired by the conference, ‘Wine, Women and Song,’ that took place at the University of California at Berkeley in the spring of 2001. The conference provided a forum for topics in medieval Iberian literature and its legacy in the Spanish Colonial tradition. One of our…[Read more]

The Mocedades de Rodrigo is an epic poem in Castilian that narrates the fictional deeds of Rodrigo Díaz de Vivar, the young Cid. The prose narrative of his youth first appears in 1295. The unique version in verse is preserved on a much later manuscript (ca. 1400). The poem includes the early history of the families of the poem’s two main pr…[Read more]

The Mocedades de Rodrigo is an epic poem in Castilian that narrates the fictional deeds of Rodrigo Díaz de Vivar, the young Cid. The prose narrative of his youth first appears in 1295. The unique version in verse is preserved in a much later manuscript (ca. 1400). The poem includes the early history of the families of the poem’s two main pr…[Read more]

This essay explores the radical subjectivism of Oscar Wilde’s novella “The Portrait of Mr. W.H.” (1889/1921), which celebrates the creative potential of nonessentialist forms of identity and yet cautions against jettisoning humanist notions of selfhood entirely. I contend that Wilde turned to G. W. F. Hegel’s performative theory of lyric…[Read more]

This article provides an overview of the academic study of Victorian masculinity. It argues that the pioneering work of feminist and sexuality studies scholars in Victorian studies during the 1970s and 1980s made it possible to discuss manhood critically as a historical and cultural phenomenon. It then presents a reading of major works on…[Read more]

In this essay, I argue that Walter Pater’s description of “Euphuism” in Marius the Epicurean (1885) relies upon the insights of idealist philosophy in order to articulate a theory of what Rebecca Walkowitz calls “cosmopolitan style.” Specifically, Pater draws upon a disparate number of cultural discourses in his articulation of Euphuism while…[Read more]

Although Mary Wollstonecraft’s analysis of masculine sexuality and sensibility in the Vindication of the Rights of Woman (1791) and The Wrongs of Woman, or Maria (1797) mostly concerns the ways in which the oppression of women results in the unnatural encouragement and consequent perversion of male sexual desire, I believe that these two texts…[Read more]

Libertarias (1996) and Land and Freedom (1995) explore the complex situation
of women militia during the Spanish Civil War. A queer reading of the female
body in these films highlights wartime female masculinity (Halberstam) and
female solidarity. In renegotiating worn expectations of sexuality and gender,
the films question and ultimately…[Read more]

*Reading Mistress Elizabeth Bourne Marriage, Separation, and Legal Controversies,* Edited by Cristina León Alfar and Emily G. Sherwood, Routledge 2021, The Early Modern Englishwoman, 1500-1750: Contemporary Editions. “Reading Mistress Elizabeth Bourne tells the story of Mistress Bourne’s petition for divorce, its resolution, and her ongoing di…[Read more]