An essay on The Decemberists’ The Tain: http://www.theavidlistener.com/2015/11/american-folk-rock-cattle-raid-the-decemberistss-the-tain.html

An essay on Anthony Burgess’s Napoleon Symphony: http://www.theavidlistener.com/2015/11/art-mimics-art-anthony-burgesss-napoleon-symphony-a-novel-in-four-movements.html

An essay on Delia Derbyshire and women in electronic music: http://www.theavidlistener.com/2014/12/women-cant-do-that-delia-derbyshire-and-electronic-music.html?cid=6a00d83534ac5b69e201bb07c160e9970d#comment-6a00d83534ac5b69e201bb07c160e9970d

An essay on autobiography in pop songs by women: http://www.theavidlistener.com/2014/12/singing-about-yourself-autobiography-in-pop-music.html

An essay on music in Margaret Atwood’s Maddaddam Trilogy: http://www.theavidlistener.com/2015/10/survival-through-song.html

An essay on gender and music in the Star Wars films: http://www.theavidlistener.com/2015/01/hearing-gender-in-george-lucass-galaxy.html

Essay on music inspired by J. R. R. Tolkien’s The Lord of the Rings. http://www.theavidlistener.com/2015/10/heavy-metal-elves.html

All of the edited songs extracted from The Art Songs of Louise Talma, CMS Sourcebooks in American Music series, Routledge, 2017.

An introduction to the analysis and interpretation of European classical music from 1827 to the present. The focus is on music of Europe, in particular of France, Germany, and Italy, but thanks to the vagaries of colonialism and imperialism we will also direct our attention towards countries where the musical traditions of Western Europe spread,…[Read more]

This seminar investigates musical performances of the past in the twentieth and twenty-first centuries. Ranging from Anton Webern’s famous transcription of a Bach fugue to Lin-Manuel Miranda’s hit musical Hamilton, we will seek to explore how compositional practices in the twentieth century drew inspiration from a range of historical sources, and…[Read more]

Leonard Bernstein’s 1949 second symphony, subtitled “The Age of Anxiety,” is an exploration of post-war apathy and exhaustion at the dawn of McCarthyism. Examining the work both in its political context and also within the context of Bernstein’s beloved American symphonic tradition, I show how Bernstein flipped the triumphal musical rhetoric of…[Read more]