In the late 1960s and early 1970s, Fluxus co-founder Wolf Vostell (1932–1998) used concrete as an actual material for his unique body of work, including the Betonbuch [Concrete Book]. Vostell’s Concrete Book is a concrete slab in the shape of a book, measuring 34x25x4.5 cm, weighing about 9 kg (20 pounds) that is believed to encapsulate a copy of…[Read more]

This presentation highlighted a case study featuring a programmatic approach to information and visual literacy instruction within the New Media & Design curriculum at UNC Greensboro, with a special focus on work within ART 344: Digital Darkroom.

Presented as part of the “Programmatic Information Literacy Instruction in Art and Design…[Read more]

The Library Company of Philadelphia is an independent research library that supports the study of American history through its collection of rare books and graphic materials. Founded by Benjamin Franklin as a subscription library in 1731, The Library Company serves a varied constituency and is well respected for its exhibitions, public…[Read more]

The Nelson-Atkins Museum of Art’s French Paintings and Pastels, 1600-1945 is an online catalog that brings the museum’s collection of 110 French paintings and pastels to visitors and scholars worldwide. Launched in 2021, it is the seventh volume in a series of catalogs that systematically documents the NAMA’s encyclopedic collection and the first…[Read more]

Journal of Historians of Netherlandish Art (JHNA), launched in 2009, is the open-access digital journal of the professional organization Historians of Netherlandish Art (HNA). Over the past decade, JHNA has become a reliable, streamlined, and technologically savvy resource for art historical writing related to the Low Countries in the early modern…[Read more]

Malangatana: Mozambique Modern is the third installment of The Modern Series at the Art Institute of Chicago. The free digital publication builds and expands on the physical exhibition held at the Art Institute of Chicago which showcased the work of Malangatana Ngwenya focusing on the artist’s work from the late 1950s until 1975. Compelling and w…[Read more]

The Monument Lab podcast is a podcast about public art and art history that reimagines monuments as tools for social and cultural change. The Lab has produced twenty-seven podcast episodes since its launch in 2018, ranging in duration from thirty-five minutes to nearly an hour and a half. Each podcast is available directly from the website or is…[Read more]

Pedro E. Guerrero: A Photographer’s Journey is a one-hour segment of PBS’s American Masters series in partnership with Latino Public Broadcasting’s VOCES series. It is a documentary film about a photographer’s ability to capture architecture and sculpture, so translating an object from one medium to another is central to the story. It fits the ton…[Read more]

Acid Free is the free biannual publication of the Los Angeles Archivists Collective (LAAC). LAAC was founded in 2014, in the model of the Archivists Round Table of Metropolitan New York (ART) and the Women’s Center for Creative Work (WCCW). The Collective “aims to bring the Los Angeles-area archives community together to discuss, collaborate, con…[Read more]

Wax is a flexible workflow for creating online scholarly exhibitions with high quality, IIIF-ready images. It provides an alternative to tools like Omeka or WordPress for information professionals, faculty, or students interested in creating digital exhibitions or other projects showcasing collections of images. ‘Using’ Wax means employing a var…[Read more]

#ColorOurCollections is a website and social media-driven international “coloring festival” hosted by the New York Academy of Medicine Library. Each year, libraries, museums, and archives are invited to develop and share free digital coloring books (PDF files) that highlight public domain works from their collections. The festival has occurred ann…[Read more]

Paul M. Hollister (1918-2004) was a noted art glass scholar with a variety of interests that included the growth of the studio art glass movement. Voices in Studio Glass History: Art and Craft, Maker and Place, and the Critical Writings and Photography of Paul Hollister from Bard Graduate Center offers a digital exhibition, multimedia archive, and…[Read more]