Discourse called post-humanism believes that humanism is a phony notion and an excuse for ruling over the other animals — and that it would eventually invite the destruction of the human race. They draw attention to the scientific fact that man is also an ordinary animal and just like other animals and birds is a small part of the huge e…[Read more]

Stories from the Hebrew Bible were popular among the Iberian Peninsula’s Jews, Christians, and Muslims. Beginning in the 14th century, Muslims and Moriscos retold these stories in Aljamiado texts in Spanish or Aragonese written in Arabic characters. These fictionalized retellings drew on vernacular language and literary forms common to C…[Read more]

Las políticas públicas sobre ciencia, tecnología e innovación tienen la función social de dirigir los procesos de construcción y socialización del conocimiento y los hallazgos científicos. Existe en la literatura científica publicada vacíos de conocimiento que contribuyan a fundamentar las políticas públicas en materia de ciencia, tecnología…[Read more]

यह कविता पुस्तिका पटना से प्रकाशित मासिक पत्रिका ‘जन विकल्प’ के प्रवेशांक (जनवरी, 2007) के साथ नि:शुल्क वितरित की गई थी।
जन विकल्प का प्रकाशन पटना से जनवरी, 2007 से दिसंबर, 2007 तक हुआ।पत्रिका के संपादक प्रेमकुमार और प्रमोद रंजन थे।

उपरोक्त इस कविता-पुस्तिका की भूमिका रति सक्सेना लिखी है, जो निम्नांकित है : “पेरिया परसिया, सेता…[Read more]

The formalization of sound changes as finite state transducers is implicit already in the Neogrammarians. For at least six decades scholars have recognized the potential of transducers for improving the speed and rigor of research in historical linguists, but almost no historical linguists actually use them. This article identifies the obstacles…[Read more]

This is a prologue to the Spanish translation of Joanna Zylinska’s The End of Man. A Feminist Counter-Apocalypse (2019).

This essay endeavors to explain the really important powers, ways of knowing, and characteristics of life that AI can never have. The author takes off his academic hat here and speaks from direct experience.

Before coffee * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

Save a chicken! * PRURITUS MIGRANS * CC: BY-NC-SA

Exhibition Catalog for “learning to see nothing: new and recent work on paper and canvas,” by Steven Schroeder. Eleanor Hayes Art Gallery, Kinzer Performing Arts Center, Northern Oklahoma College, Tonkawa, Oklahoma, 4 September – 18 October 2018.

The forty poems in this collection have percolated through more than forty years of meditation on “city” that began when I was an undergraduate studying with Richard Luecke at Valparaiso University. The title, In the Path of Totality, references a phrase made familiar by media coverage leading up to the total solar eclipse that was visible acr…[Read more]

The forty poems in this collection have percolated through more than forty years of meditation on “city” that began when I was an undergraduate studying with Richard Luecke at Valparaiso University. The title, In the Path of Totality, references a phrase made familiar by media coverage leading up to the total solar eclipse that was visible acr…[Read more]

China is the occasion, not the subject or the object, of the forty-seven poems collected in Steven Schroeder’s Fallen Prose – lyrical glimpses of the “new” city in Southern light. Most of the poems in the collection are set in Shenzhen, a few in Zhuhai, Macao, Guangzhou, and Hong Kong – and one or two a bit further west, in Kunming. All attend…[Read more]

There is an all at once quality to lyric poetry that makes it akin to mysticism. It knows there is more to vision than meets the eye. It takes the whole world in while knowing the whole of it is always known imperfectly, always here, always now. The here and now of the seventy-one poems in Steven Schroeder’s new collection is most often Chicago,…[Read more]

There is an all at once quality to lyric poetry that makes it akin to mysticism. It knows there is more to vision than meets the eye. It takes the whole world in while knowing the whole of it is always known imperfectly, always here, always now. The here and now of the seventy-one poems in Steven Schroeder’s new collection is most often Chicago,…[Read more]